„All living beings are Buddhas and have wisdom and virtue within them. (Buddha) Buddha ranks among the most often depicted holy figures of the world perhaps appearing more than Christ, a subject widely treated by Western artists. Venerated in all the nations of Asia, and even beyond, his image took form along the Silk Road, the birthplace of many schools of Buddhism. Indeed, the Buddhist religion recognises many Buddhas representing various traditions: such as Buddhism of „the Ancient Teaching‰ (Theravada), of „the Great Vehicle‰ (Mahayana) and Tantric Buddhism (Varjrayana). A figure adored by all, Buddha has been depicted in every art form: sculpture, often of monumental size, like the now destroyed Buddhas of Bamyan, painting, and above all in countless cave murals, such as those of Ajanta in India or Dunhuang in China. Perfect for all those passionate about Asian art, from neophytes to Buddhists, this fascinating work invites the reader to discover or rediscover Buddha, his history, his codes, but also his innumerable faces through one thousand representations selected from among the most beautiful works held in the worldÊs greatest museums.

Buddha ranks among the most often depicted holy figures of the world, perhaps appearing more than Christ. Venerated in all the nations of Asia and even beyond, his image took form along the Silk Road, the birthplace of many schools of Buddhism. Indeed, the Buddhist religion recognizes many Buddhas representing various traditions: such as Buddhism of the Ancient Teaching, of the Great Vehicle and Tantric Buddhism.

No, the real history of man is not in prices and wages, nor in elections and battles, nor in the even tenor of the common man; it is in the lasting contributions made by geniuses to the sum of human civilization and culture. Therefore I see history not as a dreary scene of politics and carnage, but as the struggle of man, through genius, with the obdurate inertia of matter and the baffling mystery of mind; the struggle to understand, control and remake himself and the world. I see men standing on the edge of knowledge, and holding the light a little farther ahead; men carving marble into forms ennobling men; men moulding peoples into better instruments of greatness; men making a language of music and music out of language; men dreaming of finer lives, and living them. Here is a process of creation more vivid than in any myth, a godliness more real than in any creed. To contemplate such men, to insinuate ourselves through study into some modest discipleship to them, to watch them at their work and warm ourselves at the fire that consumes them, --this is to recapture some of the thrill that youth gave us when we thought, at the altar or in the confessional, that we were touching or hearing God. In that dreamy youth we believed that life was evil, and that only death could usher us into paradise. We were wrong; even now, while we live, we may enter it. Every great book, every work of revealing art, every record of a devoted life is a call and an open sesame to the Elysian Fields. -- from the introduction.