A few years ago, I came into contact with the concept high sensitivity and HSP (high sensitive person). I read books, websites, stories from other highly sensitive persons and did tests. It was very clear to me that I was a highly sensitive person. It didn't change my reality, but it gave me explanations for why I always felt different, why I didn't seem to be able to function like others. Most of the poems in this book were written before I knew the concept of high sensitivity. They are about searching, about not fitting in, about being different, but also about having an enormously strong drive to create, to be creative, and that it can be a way to exist. Many of the poems are dark, some really dark, but I believe that there are other highly sensitive persons who have felt and thought similarly. Maybe my poems can be helpful by showing that you are not alone in this. That the darkness can exist with acceptance instead of being fought and that it is possible to find light even where and when it is darkest. We cannot ignore the darkness; we cannot pretend that it does not exist. It exists. It is part of us and therefore has the right to exist. Expressing the darkness through writing and reading or other creativity can be a way to get it out and thus give it an opportunity to sink away and release its grip on you. You may even be able to direct that energy into something constructive instead of destructive. The poems can convey that this is our reality and it's ok. It may still be hard and difficult but you are not wrong as a human being. You are ok as a human being and this is part of what we go through as highly sensitive persons. HSP - Highly sensitive people have a nervous system that is more sensitive than the average person. They notice many subtle details in their environment and process them deep within themselves. High sensitivity is an innate personality trait found in 15-20% of the global population.

Empathy is sometimes –for unfathomable reasons– a surprisingly evasive emotion. It is indeed a problem open to discussion. It can be particularly problematic since, for one thing, it is in appearance the emotion responsible for stitching together a shared experience with our common fellow. It is the emotion essential to bridging the gap between subjects – to making a community. Some answers in this volume have their place of reference in the welcoming chambers of Mansfield College, at the University of Oxford (UK). The Empathy Project held its third Global Meeting within the premises of ye olde constituent college at Mansfield Road from Thursday 14th to Saturday 16th of July 2016. This volume looks for the common ground between both the results of the conducted research and our experiences: Digital Media ideas on the subject worked just fine elbow to elbow with those proposed by fields like Nursing or Health and Social Care; and Psychiatry, Psychology and Philosophy got along quite well with the lines of inquiry of Education, Literature and Dramatic Performance. Contributors are Victoria Aizkalna, Rosa Elena Belvedresi, Giovanna Costantini, Ricardo Gutiérrez Aguilar, Irina Ionita, Nina Lex, Gerardo López Sastre, Barış Mete, Paulus Pimomo, Johannes Rohbeck, Judy Rollins, Josefa Ros Velasco and Christopher J. Staley.

This edition contains all Shelley's poetry, from his juvenilia to his great works such as "The Revolt of Islam" and "Ode to the West Wind", and his only completed verse drama "The Cenci", a melodramatic Venetian tale of incest, murder and revenge.

Leon Surette's new study of T.S. Eliot and Wallace Stevens challenges the received view that Stevens' poetry expresses a Humanist world view, and - more surprisingly - documents Eliot's early Humanist phase.

Poetic visionary Ezra Pound catalyzed American literature's modernist revolution. This volume, the most comprehensive collection of his poetry and translations ever assembled, gathers all his verse except "The Cantos."

Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style.

A review of little magazines & small press books.

Every 3rd issue is a quarterly cumulation.

A survey of the poetry written between 1917 and 1922 by Zhou Zuoren, Xu Yunuo, Ye Shaojun, Yu Pingbo, Zhu Ziqing, Liu Yanling, Guo Shaoyu and Zheng Zhenduo.