The story begins in the 1950s with two children, Tom and Cara, who live with their foster parents on a 12-acre farm in South Jersey. They are taught to help out on the farm, while pursuing their own interests and going to to school. Then, the children move to the North Shore of Staten Island wih their birth parents -- adjusting to parents with different rules and different values,making new friends, and participating in urban street games like stick ball and jump rope. Interspersed in the narrative are sketches of important people and events of that era -- Presidents Eisenhower and Kennedy, Jonas Salk, Billy Graham, Bill Wilson (AA), Dick Clark, and the Korean and Vietnam Wars. 1950s-1960s Fable is a fast-moving, upbeat story which is funny, sad, optimistic, and authentic, with larger-than- life characters who do not fret over life's misfortunes. The story is about conflict, endurance, and growth during an idealistic time in America's history.

Fables of Development: Capitalism and Social Imaginaries in Spain (1950-1967) focuses on a basic paradox: why is it that the so-called “Spanish economic miracle” —a purportedly secular, rational, and technocratic process— was fictionally portrayed through providential narratives in which supernatural and extraordinary elements were often involved? In order to answer this question, this book examines cultural fictions and social life at the time when Spain turned from autarchy to the project of industrial and tourist development. Beyond the narratives about progress, modernity, and consumer satisfaction on a global and national level, the cultural archives of the period offer intellectual findings about the expectations of a social majority who lived in the precariousness and who did not have sufficient income to acquire the consumer goods that were advertised. Through the scrutiny of interdisciplinary archives (literary texts, cinema, newsreels, comics, and journalistic sources, among other cultural artifacts), each chapter offers an analysis of the social imaginaries about the circulation and distribution of capital and resources in the period from 1950, when General Franco’s government began to integrate into international markets and institutions following its agreements with the United States, to 1967, when the implementation of the First Development Plan (1964-1967) was completed.

Tom Haley, a rookie college teacher, is awakened by someone fiddling with his front door. Rushing downstairs, he sees a man hurrying down the street with a pronounced limp. The following day, he looks around Pulaski Avenue on his old red bicycle. He stops at the flats, a string of flat-roofed attached houses, where he meets Marcie Flann, a sensual waitress at the Prima Diner. Despite differences in background and outlook, the two begin dating. In the meantime, Tom helps the local police solve a rash of burglaries in the area. Through patient sleuthing, he learns the prowler’s name – Ron Luco, where he grew up and had gone to school. He also discovers that Marcie was Luco’s former girlfriend. A local jewelry store heist is linked to Luco, but through intimidation and an alibi, he is acquitted. Later, Marcie is disturbed by someone walking on her roof. By the time Tom arrives, the elusive culprit is gone. The plot turns, as Tom finds himself under surveillance by the relentless Luco, who carries a handgun. Amidst a stickball game at local schoolyard, Luco shows up – threatening Tom and Marcie with a gun. The narrative is interspersed with thumbnail sketches on racism, antisemitism, sports, infectious diseases, nuclear energy, algebra, statistics, history, poetry, immigration, and philosophy.

This book is about a charismatic young man with extraordinary powers of healing, compassion, forbearance, and clairvoyance named Amon. Living in an abandoned tugboat on Staten Islands Mariners Harbor waterfront, this modern day prophet performs everyday miracles while doing good work for the homeless and the downtrodden. Amon is befriended by a high school science teacher, Tom Haley, whose rational perspective differs from Amons spiritual reference frame. The story takes place during the turbulent 1970s when the country was torn apart by the Vietnam War, social change and unrest, and the sexual revolution. The contrasting lifestyles of the two friends are examined, along with the drinking culture of Staten Islands North Shore, in which the corner bar is the focus of the neighborhoods social life. The fast-paced story is interspersed with thumb-nail sketches of 1970s celebrities and events: Richard Nixon, Gerald Ford, Jimmy Carter, Gloria Steinem, Ralph Nader, Albert Shanker, Muhammad Ali, Hank Aaron, the Fair Housing and Roe v. Wade court decisions, and Alcoholics Anonymous. The concepts of economic disparity, ethnic conflict, spiritual-secular balance, and changing sexual mores in an evolving society, and idealism in the work-a-day world of 1970s America provide a backdrop to the unfolding plot. Notwithstanding their differences, the friendship between the two protagonists, Tom and Amon, is an ongoing motif in the story.

Tom Haley, a science teacher, is doing research on the effects of nutrition on maze-learning ability in white rats. He compares the maze-learning ability of malnourished rats with their well-fed peers. While working on his rat project, Tom visits his girlfriend, Joanie, who suffers from chronic headaches. In desperation, he visits the site of his deceased friend, Amon, and begs for his help. When alive, the charismatic young man had extraordinary powers of healing, clairvoyance, and compassion. Soon Joanie is home again, happy and healthy. To earn extra money during his sabbatical leave, Tom works as a Bradford guard at the pollution-spewing Con Ed power plant, guarding the rude tycoon Darren Troop. He also does odd jobs painting and repairing dilapidated houses with Harry the Horse and his close-knit group of blue-collar workers. In between these jobs, Curtis principal Lou Stout calls on him to fill in for absent teachers, covering classes on the presidents, unions, democracy, photosynthesis, nutrition, motion, energy, the elements, and even philosophy. While doing manual labor, Tom meets interesting characters like Billy and his invisible companion and Rosa, who epitomizes the everyday people who keep this country running. Most importantly, he masters the rhythm of work in which time works for you in the course of doing a difficult job.

The Maiden Maverick As a result of Hal’s untimely death, Nancy Perez is living alone in a post Covid-24 world, where the country has lost three-fourths of its population. Basic government services like police, fire, sanitation, and post office are nonexistent—along with electric power and phone service. Coal stoves are used to cook food and heat homes. The Elm Park neighborhood has banded together to obtain food, shelter, and security. Reminiscent of the old west, everyone carries a gun – the ubiquitous 22-caliper handgun. On a nighttime walk to the Kill van Kull, Nancy meets Sam Worthington, a husky black man, with a troubled past. He becomes a guardian – stopping abuses of Darren Trupp’s Brown Shirts who barge into people’s homes – stealing valuables and assaulting women. The Truppers use drones equipped with cameras and lasers to surveille and attack individuals they deem to be rebels. The Resistance is coordinated by Gerald Hopkins from his office in Wolstein’s factory. Hopkins and his aide, Mason, provide Nancy and Sam with guns, bullets, grenades and dynamite to fight the Truppers. There’s a plan by the Truppers to sabotage a coal-powered generating plant – shutting down power to the North Shore. Nancy, Sam, Freddy, Billy, and others engage the Brown Shirts in a gun battle outside the plant – routing them into the swamps of Travis. After the gun battle at the power plant, Sam moves in with Nancy. Soon, an old Army tank appears on Eggert’s Field, the grass-and-flower filled field across the street. A well-aimed grenade takes care of the tank, but a new challenge appears in the form of a refurbished World War Ii destroyer.

A merry-go-round sitting on a beached barge in the murky waters of the Kill van Kull is discovered. The story takes place in the post covid-20 era when local and state governments have slashed their budgets. Three men from Elm Park attach a rope to the barge truck and pull it onto the litter-strewn shore. It would be a nice diversion for kids in the neighborhood, where schools are closed and shopping malls shuttered. Freddy and Hank help Gregg chain the merry-go-round to his flatbed truck and haul it to Eggert’s Field in Elm Park on Staten Island’s north shore. The three men repair its gasoline engine and replace a broken horse with a chair. Nancy, a woman in her 30s, helps with the cleanup of the merry-go-round. On the advice of Lora, a clairvoyant, Nancy and Freddy place magnets along the whirligig’s circumference. Immediately, it begins to glow and a high-pitched sound emanates from the amusement ride. Staring into her crystal ball, Lora asserts that the people can take time trips while holding a large horseshoe magnet found in the area. Apparently, there’s a connection between magnetic fields and time travel. The story depicts colorful characters: Nancy, deadly accurate with a gun, Lora, crystal-ball gazer, Freddy, energetic octogenarian, Charlie, a retired detective, Mildred, the prim woman, Rev Staller, soapbox preacher, Billy, side talker to his invisible sidekick, Blanche, ex-gogo dancer, Dr. Emil, alcoholic doctor and his young assistant Alfred. A trio of villains, Darren Trupp, David Bloom, and Lance Landum, appear from time to time – forcing Nancy and her friends to deal with them –ultimately dispatching the trio to a fishing village in the Caribbean.

John Philip Jones, bestselling author and internationally known advertising scholar, has written a textbook to help evaluate advertising "fables" and "fashions," and also to study the facts. He uses the latest trends and cutting-edge research to illustrate their occasional incompleteness, inadequacy, and in some cases total wrongheadedness. Each chapter then attempts to describe one aspect of how advertising really works. Unlike most other advertising textbooks, Fables, Fashions, and Facts About Advertising is not written as a "how to" text, or as a vehicle for war stories, or as a sales pitch. Instead, it is a book that concentrates solely on describing how advertising works. Written to be accessible to the general public with little or no experience studying advertising, it makes the scholarship of an internationally renowned figure accessible to students taking beginning advertising courses.

Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.

This book spans three centuries of popular entertainment and everyday culture, showcasing both mainstream and submerged channels and voices to examine how once reviled business values gained supremacy and poisoned the American spirit. The office in popular culture is often depicted as a topsy-turvy parallel universe where psychological disorders are legitimized as "managerial styles" and comically depraved bosses torment those who do the actual work. During the 1950s, the Beats chose denim and the open road over gray flannel suits and office jobs, but today their grandchildren—Generation Y—aggressively covet desk jobs. "Greed Is Good" and Other Fables: Office Life in Popular Culture examines how office life is both extolled and lampooned in popular culture. The book tracks how business values ascended to cultural dominance in the United States today, revealing our incessant struggle between financial and spiritual goals in the pursuit of "freedom" and the fulfillment of the American dream. By drawing upon sources as varied as books, newspapers, magazines, television shows, movies, blogs, message boards, documentaries, public speeches, corporate training films, and employee newsletters, the author provides compelling insights into the range of competing values and ideals interwoven throughout office life.