THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS For 34 years, "Songwriter's Market" has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers & booking agents, music firms, and more.In the "2011 Songwriter's Market," you'll find: Hundreds of songwriting placement opportunities, including how each market is different from the next and how to find success.Interviews with songwriting legends, such as Mark Mothersbaugh (Devo) and Even Stevens, who's written for everyone from Kenny Rogers to Martina McBride.Power-packed articles on taking charge of your career, including how to navigate social media sites and find alternative routes to songwriting success.Plus, the basic nuts and bolts of the songwriting business are explained, including how to submit songs, the proper way to handle Copyright, how to identify scams, negotiating contracts, what royalties are (and how to get them), and more.Listings for songwriting organizations, conferences, workshops, retreats, colonies, and contests. Take charge of your songwriting career today with the "2011 Songwriter's Market."

This essential 'black book' to the music industry lists contact names and vital practical advice for producing, selling and performing your music. This expanded edition includes new articles on: How to Approach a Performance, How Vocal Performers Communicate, Recording Acoustic Instruments, The Basics of DJ Technique, The Role of the Musical Director, The A&R Department and Setting up a Studio. Includes information on the Flow of Royalties, New Business Models for Deriving Income, Music industry acronyms and terminology. Among the many expert contributors: Pete Kirtley, Ivor Novello winning songwriter and producer (Spice Girls, Misteeq, Gareth Gates), Steve Levine, Grammy Award winning producer (Culture Club, The Beach Boys), Colin Emmanual, Producer (Jamelia), Jim Jomoa, professional DJ, Ben Challis, music lawyer (Glastonbury), Keith Lowde, Former Deputy Chairman, Music Copyright Protection Society, Sharon Woolf, songwriter and vocalist (Fatboy Slim, Liberty X), JoJo Gould, Editor of Music Business Journal, Jen Moss, Music Consultant (Boosey & Hawkes), Adrian Winman, Record and Games Producer. The foreword is by John Kennedy (Chairman & CEO, International Federation of the Phonographic Industry).

Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.

Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

​This book discusses the economics of the music industry in the context of the changing landscape brought about by innovation, technological change, and rapid digitization. The ability of digital technology to reduce the transaction costs of music copyright licensing has all but destroyed the traditional media business models of incumbent Performance Rights Organizations (PROs), music publishers, record labels, and radio and television stations. In a climate where streaming services are rapidly proliferating and consumers prefer subscription models over direct ownership, new business models, such as direct licensing, are developing. This book provides an overview of the economics of the traditional music industry, the technology-induced changes in business models and copyright law, and the role of publishers, copyright holders and songwriters in the emerging direct licensing model. In Part One, the author examines the economic aspects of direct licensing as an alternative to the traditional blanket license for copyrighted musical compositions, with an emphasis on the often monopolistic nature of PROs. In Part Two, the author focuses on the music publisher and the role direct licensing and competition may play in the changing business models in the music industry and the potential benefits this may bring to copyright holders, such as songwriters. To compliment this model, the author proposes a maximum statutory fixed-rate for musical performances to further streamline the royalty process, especially where distributors such as Google and YouTube are concerned. This book adds to the growing body of literature on the economics of music licensing in the digital age. It will be useful to those in the fields of economics and law, as well as music executives, musicians, songwriters, composers, and other industry professionals who are interested in understanding how technology, innovation and competition have reshaped the music industry.​

THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS For nearly 40 years, Songwriter's Market has provided songwriters and performing artists with the most up-to-date information needed to place songs with music publishers, find record companies and producers, obtain representation with managers, and much more. Featuring a holistic focus on all aspects of songwriting--from idea generation to marketing--this completely updated edition has more resources than ever before, giving you the tools and first-hand knowledge you need to launch your songwriting career. You'll also gain access to: • Articles on improving and honing your songwriting craft: from finding your voice to using rhyme and alliteration to create a better song • Technical pieces on project management, the best tools for songwriting on the go, and using social media to your advantage • New interviews with industry executives and insiders • Hundreds of songwriting-placement opportunities • Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, venues, and grant sources (helpful for indie artists looking to record and tour on their own) + Includes an exclusive FREE download of the webinar "Pat Pattison Masterclass: Rhythm and Point of View" by best-selling songwriter and author Pat Pattison "This book is for the self-starters, the hard workers, and the driven songwriters. Writing songs is only the first part of the journey. Once you've crafted the perfect song, you need to get it into the right hands. Songwriter's Market provides you with the tools you need to do just that." --Ben Camp, assistant professor of songwriting at Berklee, songwriter for Sony/ATV, and songwriter for artists on Columbia, Sony, and Universal "For many years, my role in the music industry has been as a director, and now an owner, of a global songwriter membership organization. Through my experience, I know that songwriters consistently refer to the Songwriter's Market as a go-to resource for credible services, information, and connections." --Sheree Spoltore, founder and president of Global Songwriters Connection and former assistant executive director of Nashville Songwriters Association International