The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.

Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.

This spectacular volume reproduces in full color some 150 pieces from the Anthony Petullo Collection, an extraordinary assemblage of paintings and drawings produced by individuals working outside the perimeter of conventional art training and traditions. Some of the pieces are fanciful, even whimsical. Others are haunting in their unembellished depiction of vulnerability and terror. Some are spare; others are crowded with figures. Some exhibit a childlike simplicity; others are almost sculpted in their precision and clarity. The thirty-six European and North American artists represented in Self-Taught and Outsider Art include a hospital janitor, a factory worker, concentration camp survivors, a truck driver, a guard at the Tate Gallery, a self-proclaimed fortuneteller and healer, and a female impersonator and Hollywood screenwriter. Their "canvases" include paper, wood, long strips of calico cloth, and cardboard. One artist paints with both hands simultaneously; another finds it difficult to paint except amid the chaos of his family. Many began painting quite late in life; others had early dreams of pursuing art that were deferred by economic and family circumstances. Some have been institutionalized or incarcerated; others have struggled with terrible poverty and personal loss. Perhaps more than the work of conventionally trained artists, pieces by outsider or self-taught artists are entwined with the identities of their creators. In support of that connection, Self-Taught and Outsider Art presents the artworks in conjunction with portraits, usually photographs, of the artists and brief biographical sketches. In some cases a friend or patron provides an anecdote about the artist. Taken together, these offer an intimate glimpse of the process by which art emerges from experience.

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

Reveals how the artist recorded his memories of the American railroad and the traveling circus as landscapes.

EARLY AND CONTEMPORARY SPIRIT ARTISTS, PSYCHIC ARTISTS AND MEDIUM PAINTERS FROM 5,000 B.C. TO THE PRESENT DAY. History, Study, Analysis. MUSEUM EDITION, Volume I from a set of 2 volumes. Scientifical, Psychological, Philosophical, Artistical, and Metaphysical Study of Mediumship in Art. Published by Times Square Press, New York. This is the Museum Edition, a collector's item, deluxe edition in full colors printed on glossy, heavy stock paper. Also available in University-Economy Edition at a very reduced price. Also available in ebook edition in 2 volumes. This is a world's premiere; the first encyclopedic book on this subject, ever printed. Authoritative, comprehensive, documented, fully illustrated, and rich in content, analysis, historical presentation, and comparative studies of all the facets and genre of Spirit Art, Psychic Art, and Mediumistic Art. A true treasure. For more information, contact Marla Cohen at newyorkgate@aol.com

EARLY AND CONTEMPORARY SPIRIT ARTISTS, PSYCHIC ARTISTS AND MEDIUM PAINTERS FROM 5,000 B.C. TO THE PRESENT DAY. History, Study, Analysis. MUSEUM EDITION, Volume 2 from a set of 2 volumes. Scientifical, Psychological, Philosophical, Artistical, and Metaphysical Study of Mediumship in Art. Published by Times Square Press, New York. This is the Museum Edition, deluxe edition in full colors printed on glossy, heavy stock paper. Also available in Economy Edition and ebook edition. This is a world's premiere; the first encyclopedic book on this subject, ever printed. Authoritative, comprehensive, documented, fully illustrated, and rich in content, analysis and comparative studies of Spirit Art A treasure. Contact Marla Cohen at newyorkgate@aol.com

For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.