This engaging collection of Native American profiles examines these individuals' unique life experiences within the larger context of U.S. history. Native Americans Today: A Biographical Dictionary focuses on the lives of contemporary Native Americans. Such treatments are rare, as most Native American biographies are historical (pre-1900) and cover familiar figures. Profiles collected here are written to be enjoyable as well as instructive, presented as examples of personal storytelling that should be savored not only for their factual content, but also for the humanity they evoke. The book spotlights Native American lives in the United States and Canada, mainly after 1900, though a few older figures are included because their lives evoke strikingly modern themes. The author, an expert on all things Native American, knows (or knew) several of the people in the entries, adding a special vibrancy to the writing. Among those profiled are former U.S. Senator Ben Nighthorse Campbell, activist Eloise Cobell, and controversial political prisoner Leonard Peltier, as well as writers, artists, and musicians. The compilation also includes non-Native Americans whose lives and careers impacted Indian life.

This invaluable resource provides a comprehensive historical and demographic overview of American Indians along with more than 100 cross-referenced entries on American Indian culture, exploring everything from arts, literature, music, and dance to food, family, housing, and spirituality. American Indian Culture: From Counting Coup to Wampum is organized by cultural form (Arts; Family, Education, and Community; Food; Language and Literature; Media and Popular Culture; Music and Dance; Spirituality; and Transportation and Housing). Examples of topics covered include icons of Native culture, such as pow wows, Indian dancing, and tipi dwellings; Native art forms such as pottery, rock art, sandpainting, silverwork, tattooing, and totem poles; foods such as corn, frybread, and wild rice; and Native Americans in popular culture. The extensive introductory section, breadth of topics, accessibly written text, and range of perspectives from the many contributors make this work a must-have resource for high school and undergraduate audiences.

Anthropologist Georgina Born presents one of the first ethnographies of a powerful western cultural organization, the renowned Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) in Paris. As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992. Born depicts a major artistic institution trying to maintain its status and legitimacy in an era increasingly dominated by market forces, and in a volatile political and cultural climate. She illuminates the erosion of the legitimacy of art and science in the face of growing commercial and political pressures. By tracing how IRCAM has tried to accomodate these pressures while preserving its autonomy, Born reveals the contradictory effects of institutionalizing an avant-garde. Contrary to those who see postmodernism representing an accord between high and popular culture, Born stresses the continuities between modernism and postmodernism and how postmodernism itself embodies an implicit antagonism toward popular culture.

A collection of writings by and about Duke Ellington and his place in jazz history.

Ideas in Profile Series Is music a science or an art? It's both, as Andrew Gant reveals in this lively and accessible account of what music is and what it's for. Music has been central to life since the dawn of humankind and is intimately bound up with the origins of language. Andrew Gant introduces us to its long history and its many genres and manifestations. He explains how composers compose, players play and singers sing. He looks at how musical styles develop, the ways they fall in and out of fashion, and why certain kinds of music - dancing and love songs, for example - is a universal in human culture. He considers how music is composed, the nature of genius and the workings of inspiration. He shows how music can be composed and used to stir patriotism, instill courage, reinforce identity, sell a product, or make a political point. And he goes beyond humans to examine music in the natural world in the creativity of birdsong. This is, in short, the ideal introduction to a very big subject.

Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications on the greater social world. This book is for Sociology of Media and Sociology of Popular Culture courses.

Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.