The aim of this book is to explore the realm of the imaginary world of Greek mythology and present the reader with a categorization of monstrosity, referring to some of the most noted examples in each category.

Greek myths abound in images of beauty and perfection: charming gods, attractive goddesses, and handsome heroes, all of them standards of physical and spiritual flawlessness. However, the ancient Greeks were not fond of absolutes. No god or hero is shown without blemishes in character and ethics, and some are even physically imperfect, like Hephaestus, who is ugly and lame. Another element that dominates Greek mythology is the idea of balance. Good and evil, light and darkness, hubris and punishment. What could not be missing from this world is the image of reversed beauty: monstrosity. The aim of this book is to explore the realm of the imaginary world of Greek mythology and present the reader with a categorization of monstrosity, referring to some of the most noted examples in each category.

The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.

An encyclopedic collaboration between award-winning Mexican American scholar Ilan Stavans and illustrator Eko, A Pre-Columbian Bestiary features lively and informative descriptions of forty-six religious, mythical, and imaginary creatures from the Nahua, Aztec, Maya, Tabasco, Inca, Aymara, and other cultures of Latin America. From the siren-like Acuecuéyotl and the water animal Chaac to the class-conscious Oc and the god of light and darkness Xólotl, the magnificent entities in this volume belong to the same family of real and invented creatures imagined by Dante, Franz Kafka, C. S. Lewis, Jorge Luis Borges, Umberto Eco, and J. K. Rowling. They are mined from indigenous religious texts, like the Popol Vuh, and from chronicles, both real and fictional, of the Spanish conquest by Diego Durán, Bernal Díaz del Castillo, and Fernando de Zarzamora, among others. In this playful compilation, Stavans distills imagery from the work of magic realist masters such as Juan Rulfo and Gabriel García Márquez; from songs of protest in Mexico, Guatemala, and Peru; and from aboriginal beasts in Jewish, Muslim, European, British, and other traditions. In the spirit of imaginative invention, even the bibliography is a mixture of authentic and concocted material. An inspiring record of resistance and memory from a civilization whose superb pantheon of myths never ceases to amaze, A Pre-Columbian Bestiary will delight anyone interested in the history and culture of Latin America.

Monster Studies is a rising academic topic. Despite hesitancy at first, the subject is now examined by scholars of various academic interests and backgrounds. However, the dominant monster investigations are from the post-1900s. This volume focuses on Premodern monsters. The purpose of this volume is to examine various monsters from diverse cultures in order to indicate how each monstrous discourse derives from their mythology’s socio-cultural context. The volume examines several Monsters within their socio-cultural matrix. This includes a variety of monstrosities from diverse cultures and periods. Namely, the examined creatures, or perceived creatures, stem from the Hebrew Bible, the New Testament (Pauline epistles), Reformation England, the Japanese Noh play Dōjōji, Yamauba Myths, and Yōkai Relics from early modern Japanese Buddhism.

Describes some of the strange, colorful, and dangerous creatures found in Greek mythology.

From “a writer of remarkable gifts,” “Borges with emotional weight, comes a tale that is at once a fantastical historical mystery, a haunting love story, and a glimpse into the uncanny—the quest for a long-lost book detailing the animals left off Noah’s Ark. Xeno Atlas grows up in the Bronx, his Sicilian grandmother’s strange stories of animal spirits his only escape from the legacy of his mother’s early death and his stern father’s long absences as a common seaman. Shunted off to an isolated boarding school, with his father’s activities abroad and the source of his newfound wealth grown increasingly mysterious, Xeno turns his early fascination with animals into a personal obsession: his search for the Caravan Bestiary. This medieval text, lost for eight hundred years, supposedly details the animals not granted passage on the Ark—griffins, hippogriffs, manticores, and basilisks—the vanished remnants of a lost world sometimes glimpsed in the shadowy recesses of our own. Xeno’s quest takes him from the tenements of New York to the jungles of Vietnam to the ancient libraries of Europe—but it is only by riddling out his own family secrets that he can hope to find what he is looking for. A story of panoramic scope and intellectual suspense, The Bestiary is ultimately a tale of heartbreak and redemption.

"Here there be dragons"--this notation was often made on ancient maps to indicate the edges of the known world and what lay beyond. Heroes who ventured there were only as great as the beasts they encountered. This encyclopedia contains more than 2,200 monsters of myth and folklore, who both made life difficult for humans and fought by their side. Entries describe the appearance, behavior, and cultural origin of mythic creatures well-known and obscure, collected from traditions around the world.

A bestiary featuring mythical animals such as the gryphon and the chimera.

Unleash the Beasts! For millennia historians, artists and scientists have chronicled their ideas and discoveries of mythological and magical monsters in encyclopedias known as bestiaries. From Asia to America, Japan to the jungles of South Africa, the vast menagerie of exotic and legendary creatures has populated the imaginations of all cultures for centuries. Beautifully illustrated and fantastically detailed, Dracopedia: The Bestiary is a modern, but no less unsettling reimagining of the ancient version. It is an A-to-Z artist's guide to animals of the legendary world. Some, like the griffin and yeti, may be familiar to you. Others--like the enigmatic questing beast and ferocious manticore--may seem new and strange. Some may even haunt your dreams. Inside the bestiary, you will find: • Secrets of each animal's evolution--origins, habitat, anatomy, diet and more. • Fantastic illustrations created using pencil sketches and digital coloring. • Four-stage demonstrations taking you from concept and design to under-painting and finishing details. By drawing on the forms and features of more pedestrian animals, you'll learn how to give shape to the bizarre creatures that roam the depths of your imagination, adding to the bestiary of the ages.