A very readable overview of Tolkien and his work, incorporating a brief biography, an examination of the books and a look at the process of filming his work, including The Hobbit and The Lord of the Rings saga. It explores how Tolkien's background as a medievalist and linguist informed the languages of Middle-earth, the influence of his Catholicism and Tolkien's legacy in fantasy. A timely book to coincide with the first of Peter Jackson's two keenly awaited Hobbit films.

November 2013 marks the 50th anniversary of the death of Clive Staples 'Jack' Lewis, when a memorial to him will be placed in Poet's Corner in Westminster Abbey. Although perhaps best known as the author of the seven Chronicles of Narnia, published between 1949 and 1954, Lewis also wrote The Pilgrim's Regress, a trilogy of science-fiction novels incorporating Christian themes, and a large number of non-fiction books about his faith, accessible to Christians and non-believers alike. In a survey of the greatest British writers since 1945, the Times newspaper ranked Lewis eleventh, ahead of Salman Rushdie, Anthony Burgess and Ian Fleming. A Brief Guide to C. S. Lewis explores Lewis's life, from his reconversion to Christianity under the influence of his friend J. R. R. Tolkien, which had such a profound influence on his writing - both fiction and non-fiction - to his marriage to American writer Joy Davidman Gresham and his battle with cancer. He died on 22 November 1963, a day before the first-ever episode of Dr Who, a TV series with many links to his Narnia stories was shown. Although this Brief Guide ranges well beyond the world of Narnia to explore other aspects of Lewis's life and his other writings, it does not do so - unusually among books on Lewis - from the point of view of Christian scholarship, thereby assuming much knowledge of theology on the part of readers. That Lewis wrote about the problems of praying is significant; the specific texts he discusses and dissects are likely to be of less significance to most readers. The guide provides synopses of Lewis's fiction, an overview of his other writings, a biography and a look at all the many different versions of his stories that have appeared. In doing so it draws on recent interviews by the author with some of the many talented people who have worked on these adaptations.

There has been an upsurge in books, television programmes, films and websites exploring the reality or otherwise of the spirit world. Not since the founding of The Ghost Club in 1862 and the Society for Psychical Research in 1882 has ghost hunting been so popular. Television and the internet, in particular, have fueled this new level of interest, creating a modern media phenomenon that spans the globe. But while the demand for information is high, good information remains scarce. A Brief Guide to Ghost Hunting leads us through the process of ghost hunting, from initially weighing the first report, to choosing equipment, and investigating and identifying the phenomena, with an analysis of the best places to go looking, methods of contacting the spirit world, how to explain paranormal activity and, crucially, how to survive the encounter. However, it is also a book about ghost hunting itself, drawing on 130 years of research in the cavernous archives of the Society for Psychical Research and even older history to find the earliest ghost stories. A Ghost Hunting Survey makes use of interviews with those billing themselves as ghost hunters to find out their views, motivations and experiences. New and original research makes use of statistics to map the nebulous world of apparitions while a Preliminary Survey of Hauntings offers an analysis of 923 reported phenomena from 263 locations across the UK. This is, as far as possible, an objective presentation of ghosts and ghost hunting. It is no wonder that mainstream science largely refuses to deal with the subject: it is too complicated. Without trying to convince you of any viewpoint, this book is intended to help you understand more.

A very readable guide which fills the gap between academic analysis and less critical retellings of the myths and legends. Marytn Whittock provides an accessible overview while also assessing the current state of research regarding the origins and significance of the myths. Since all records of the myths first occur in the early medieval period, the focus is on the survival of pre-Christian mythology and the interactions of the early Christian writers with these myths. A wide-ranging and enthralling introduction to Celtic mythology, from the Irish gods before gods, the Fomorians, to the children of Llyr, the sea deity; from the hunter-warrior Fionn mac Cumhaill, whose exploits are chronicled in the Fenian Cycle, to Cú Chulainn, the Hound of Ulster; and from the Welsh heroes of the Mabinogion to Arthur, King of Britain, though the mythical, Welsh version who predates the medieval legends.

A comprehensive and compelling guide to Suzanne Collins's bestselling young-adult, dystopian trilogy The Hunger Games, Catching Fire and Mockingjay. Already a publishing phenomenon to rival Harry Potter (over 50 million copies sold), the four blockbuster movies starring Jennifer Lawrence have grossed almost $3 billion dollars at the box office. Suzanne Collins has created a series of characters and situations that have struck a chord not only with the target audience of teenagers, but which have also drawn in adult readers: the series is second only to Harry Potter in NPR's popular poll of the Top 100 Teen Novels. Robb explores themes in The Hunger Games, and the influences and inspirations that lie behind the books, highlighting where Suzanne Collins has drawn on mythology and history, reshaping them to fit her universe. He examines the characters and situations created in the book and how these have impacted on the books' largely teen readership. He also looks at reactions to the books from fans and critics, both acclaim and criticisms faced by the author. Robb chronicles the adaptation of The Hunger Games from acclaimed, best-selling novel to blockbusting film. With a script by Suzanne Collins herself, the film has made stars of Jennifer Lawrence as Collins' heroine Katniss Everdeen, Josh Hutcherson as Peeta Mellark and Liam Hemsworth as Gale Hawthorne.

Agatha Christie’s 80 novels and short-story collections have sold over 2 billion copies in more than 45 languages, more than any other author. When Christie finally killed off her Belgian detective, Hercule Poirot, the year before she herself died, that ‘detestable, bombastic, tiresome, ego-centric little creep’ in Christie’s words, received a full-page obituary in the New York Times, the only fictional character ever to have done so. From her first novel, The Mysterious Affair at Styles, a Poirot mystery, to her last, Sleeping Murder, featuring Miss Marple, Crawford explores Christie’s life and fiction. Cawthorne examines recurring characters, such as Captain Arthur Hastings, Poirot’s Dr Watson; Chief Inspector Japp, his Lestrade, as well as other flat-footed policemen that Poirot outsmarts on his travels; his efficient secretary, Miss Felicity Lemon; another employee, George; and Ariadne Oliver, a humorous caricature of Christie herself. He looks at the writer’s own fascinating: her work as a nurse during the First World War; her strange disappearance after her first husband asked for a divorce; and her exotic expeditions with her second husband, the archaeologist Sir Max Mallowan. He examines the author’s working life – her inspirations, methods and oeuvre – and provides biographies of her key characters, their attire, habits and methods, including Poirot’s relationships with women, particularly Countess Vera Rossakoff and Miss Amy Carnaby. In doing so, he sheds light on the genteel world of the country house and the Grand Tour between the wars. He takes a look at the numerous adaptations of Christie’s stories for stage and screen, especially Poirot’s new life in the eponymous long-running and very successful TV series.

A very readable work of reference offering a survey in chronological order, from AD 84 to 1746, of the major battles which have taken place on British soil, from the Roman occupation to Culloden, the last battle fought on British soil. In this way, the book can be read as a continuous narrative, while each entry also stands alone as a self-contained guide. The battles are grouped into relevant sections (such as the Wars of the Roses, the English Civil Wars and the Jacobite Rebellions), within broader historical periods. Each period is prefaced by a presentation of the nature of warfare and is enhanced by a feature article of specialist interest. Every entry includes a narrative of events leading up to the battle, a vivid description of the battle itself and an assessment of the long and short-term, consequences. In addition, there is useful information for visits, including precise identification of the location, details of access to and features of each site. The book is illustrated throughout with maps and a plate section.

Everyone has heard the songs from The Sound of Music by Rodgers and Hammerstein. The stage show was a roaring success in New York and London, and the much-loved feature film, directed by Hollywood veteran Robert Wise, continues to be a staple of television schedules 50 years after its release in 1965. In this fascinating and wide-ranging book, Paul Simpson explores the incredible story of the Von Trapp family and their escape from the Third Reich in all its incarnations, from real-life adventure, to book, to stage, to award-winning film to cultural phenomenon. He discusses the stage show, the many differences that were incorporated into the fictionalisation of the tale, and how that story was brought to the screen. He also looks at the numerous other ways in which the Von Trapp’s story has been told, including the two West German movies from the 1950s and the extensive forty-part Japanese anime series from the 1990s, to explain why the story of the Von Trapp family has appealed to so many generations. Praise for A Brief Guide to Stephen King: 'The best book about King and his work I have ever read' Books Monthly

The British monarchy may be over a thousand years old, but the House of Windsor dates only from 1917, when, in the middle of the First World War that was to see the demise of the major thrones of continental Europe, it rebranded itself from the distinctly Germanic Saxe-Coburg-Gotha to the homely and familiar Windsor. By redefining its loyalties to identify with its people and country rather than the princes, kings and emperors of Europe to whom it was related by birth and marriage, it set the monarchy on the path of adaptation, making itself relevant and allowing it to survive. Since then, the fine line trodden by the House of Windsor between ancient and modern, grandeur and thrift, splendour and informality, remoteness and accessibility, and influence and neutrality has left it more secure and its appeal more universal today than ever.

Both a fascinating account of Walt Disney’s own significant artistic creations, from the iconic Mickey Mouse to the groundbreaking Snow White in 1937, and an insightful history of the hugely successful entertainment behemoth he created, from Dumbo to Pixar’s Toy Story, as well as the hugely popular theme parks. But Disney’s dark side is also explored: his disputed parentage; industrial disputes; his work for the FBI; and his anti-Communist and allegedly racist and antisemitic views. The company Disney built is today stronger than ever, encompassing not only the ongoing legacy of Disney animation, but also acting as the guardian of other well-loved creative endeavours, such as Pixar, The Muppets, Marvel Comics and now Star Wars. Sections include ‘Before Mickey: The Road to the Mouse House’, covering from 1901 to 1945 – the creation of Mickey Mouse, the creation of the world’s first full-length animated feature film, the Golden Age of animation and Disney’s help for the American war effort, despite labour disputes; ‘Disney Studios: The Disney Genius’ – difficult times, theme parks and television, live-action movies, including Mary Poppins; ‘Animation’s Second Coming’, from the Lady and the Tramp to The Sword in the Stone, and Walt Disney’s death; ‘After Walt: The Disney Legacy’ – family attempts to keep the studio afloat, decline and the loss of lustre in the 1970s and 1980s; ‘Disney Resurgent’ – a triumphant rebirth under new management with Who Framed Roger Rabbit? The Lion King and other blockbuster hits; ‘From Eisner to Iger’ – the corporate battle for the soul of Disney; ‘Disney Goes Digital’ – from Pixar to Star Wars, via Marvel Comics and The Muppets, Disney buyy up other studios, themselves often enough inspired by the original.