This book offers a comprehensive introduction in to the various theories of colour and how they developed over the centuries and millennia. As colour is the perception of light by our brains, the book captures not only the physical phenomena but also psychological and philosophical aspects of colours. It starts with ancient studies of Greek philosophers and their insights into light and mirrors, then reviews the theory of colors in the middle ages in Europe and Middle East. The last big part of the book explains the theories of colours by modern scientists and philosophers, starting with Isaac Newton and ending colour schemes of modern digital pictures.

The history and development of vision and ocular medicine over time always occurred within a framework of many other cultural events. Thus, it is important to understand these factors before one can appreciate how vision and ocular medicine were viewed and practiced at a particular time and in a particular region, and how both slowly progressed over the centuries. Ocular medicine is, and always has been, a part of medicine, and is influenced by its theoretical and practical principles, as well as its diagnostic and therapeutic practices. If the ancient people thought that diseases were caused b.

Theories of Colour from Democritus to Descartes investigates issues of the ontological status and perception of colours, such as: What is the nature of colours? Do they exist independently of the subjects who perceive them? And if so, how are they generated and how do they differ from one another? These are some of the questions raised by philosophers, but what has been lacking is an account of the various theories about colours through different periods of the history of philosophy. Exploring philosophical debates on the nature and perception of colours from a historical perspective, this book presents how different theories from Antiquity through the Middle Ages to the early modern era explain the nature of colours, their generation, and the way they are perceived. Twelve eminent historians of philosophy analyse the theories of colours prevailing at critical points in the history of Western philosophy, from its beginnings with Democritus to Descartes and the early modern period. This book will appeal to students and scholars working on the history of philosophy (ancient, medieval, Arabic and Latin, and early modern) as well as those interested in contemporary philosophy: philosophy of the mind, philosophy of perception, phenomenology, metaphysics, and neurosciences. A broader audience may also include researchers in psychology, cultural history, and the history of art.

"The Colour Bible is one to return to again and again." - Elephant "This definitive guide...will no doubt inform many future colour choices." - House & Garden An essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour. Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses. - A potted history of each colour - Key colour associations from around the world - Contemporary connotations and brand design - Practical advice on how to use and combine colours in your work

During its forty year lifespan, string theory has always had the power to divide, being called both a 'theory of everything' and a 'theory of nothing'. Critics have even questioned whether it qualifies as a scientific theory at all. This book adopts an objective stance, standing back from the question of the truth or falsity of string theory and instead focusing on how it came to be and how it came to occupy its present position in physics. An unexpectedly rich history is revealed, with deep connections to our most well-established physical theories. Fully self-contained and written in a lively fashion, the book will appeal to a wide variety of readers from novice to specialist.

An entertaining and comprehensive compendium packed with fascinating trivia, delightful oddities, and compelling stories that will captivate photographers of all levels and interests! Dive into photography's rich heritage with A Brief History of Photography, an engaging almanac-style book that offers far more than just the typical and dry historical accounts of the genre. With more than 400 fascinating trivia entries and delightfully odd anecdotes, this book breathes life into the background details, stories, and personalities behind the cameras and processes we know and love. Meticulously researched and written over two decades, this thoroughly entertaining and highly readable book provides an understanding of photography's evolution, from its beginnings going as far back as the 16th century all the way up to the modern day. Whether you’re dipping into the book for just a few minutes or sitting down for an afternoon of reading, you’ll explore the seminal cameras, lenses, and chemical processes that paved the way, as well as the visionary inventors, influential magazines, and significant photographers who made photography what it is today. Profusely illustrated with both photographs and line drawings, A Brief History of Photography is an essential addition to any photographer's library. Whether you're a seasoned professional, an avid enthusiast, or simply someone who appreciates the magic of capturing images with your smartphone, this book offers an entertaining and educational look into the genre's rich history. The perfect gift—for either yourself or the photographer on your list—A Brief History of Photography is a must-have for anyone seeking to deepen their understanding and appreciation of this extraordinary art form. Table of Contents Preface Introduction The Early Years 1800–1849 1850–1899 1900–1949 1950–1974 1975–1999 2000–Now Further Reading Glossary Image Credits Index

This book offers an in-depth technical presentation of photography and details about the inner workings of the digital camera, while keeping the artistic principles in mind. Departing from the current stream, the book treats photography as a highly scientific and technical subject, and serves as a reference to those who seek for an understanding of the technical aspects relating to the photographic camera, the beating heart of photography. It offers insight on why the photographs are created the way they are, highlighting also the limitations. As the author of this book is an image technology scientist and a photography enthusiast who has been teaching photography for a long time, this treatise reflects his own constant search and study for an in-depth understanding.

According to originalism, the meaning of a text is determined at the time of its writing. Originalism in Theology and Law explores the similarities and differences between the theological application of this idea to the Bible and its legal application to the American Constitution.

Colour is the game-changer that separates the also-ran from the best-of-breed. It is the wow factor. But relatively few product designers are completely comfortable with the practices necessary to take user interfaces to the next level. This book walks you through what you need to know when working with colour, in very easy step-by-step guides. Colour in User Interface Design uses practical examples to simply explain: Colour models, spaces and gamuts Mixing colours accurately using HSL, HSB and HCL Colour relationships and harmonies Creating consistent tints, tones and shades Matching colour luminance and brightness Understanding contrast and context Light and dark modes Colour psychology, meanings and associations How to sue colour to increase conversion rates Step-by-step how to create, test and present a high quality palette Ensuring accessibility compliance With this book, your understanding of how to work with colour will increase dramatically – and that will certainly be reflected in the user interfaces you design, whether you are working with native mobile apps, websites, or desktop software applications. Lavishly illustrated with hundreds of high quality images.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.