Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Despite its title, the book gives a rather thorough chronological account of the printing history in England, from Caxton, where it all began to Morris, where most of the major industrial centers of the technology was located at the time. It is written by one of the previous presidents of Tufts University, Frederick W. Hamilton.

The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has also been updated to provide: The latest key developments in web, multimedia, and interactive design Expanded coverage of design in Asia and the Middle East Emerging design trends and technologies Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design Extensive ancillary materials including an instructor's manual, expanded image identification banks, flashcards, and quizzes You can't master a field without knowing the history. Meggs' History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.

In Conflict and Soldiers' Literature in Early Modern Europe, Paul Scannell analyses the late 16th-century and early 17th-century literature of warfare through the published works of English, Welsh and Scottish soldiers. The book explores the dramatic increase in printed material on many aspects of warfare; the diversity of authors, the adaptation of existing writing traditions and the growing public interest in military affairs. There is an extensive discussion on the categorisation of soldiers, which argues that soldiers' works are under-used evidence of the developing professionalism among military leaders at various levels. Through analysis of autobiographical material, the thought process behind an individual's engagement with an army is investigated, shedding light on the relevance of significant personal factors such as religious belief and the concept of loyalty. The narratives of soldiers reveal the finer details of their experience, an enquiry that greatly assists in understanding the formidable difficulties that were faced by individuals charged with both administering an army and confronting an enemy. This book provides a reassessment of early modern warfare by viewing it from the perspective of those who experienced it directly. Paul Scannell highlights how various types of soldier viewed their commitment to war, while also considering the impact of published early modern material on domestic military capability - the 'art of war'.

In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.

Frederick William Hamilton (March 30, 1860 – May 22, 1940) was an American Universalist businessman and the fourth president of Tufts University from 1905 to 1912. Born in Portland, Maine, he received his Bachelor of Arts from Tufts in 1880 and his Master of Arts in English literature and philosophy in 1886, in addition to an honorary Doctor of Divinity in 1889 and, from St. Lawrence University, an honorary Doctor of Laws in 1906. As president, due to his strong opposition to coeducation, he created a separate Jackson College for women, with a separate faculty and administration. He resigned in 1912 due to having lost the trust of the Tufts Community. He later became manager of a forestry company and died in Boston in 1940. He was Grand Secretary of the Grand Lodge of Massachusetts, and a member of Theta Delta Chi.

DigiCat Publishing presents to you this special edition of "Division of Words" (Rules for the Division of Words at the Ends of Lines, with Remarks on Spelling, Syllabication and Pronunciation) by Frederick W. Hamilton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Reproduction of the original.

Reproduction of the original: Books Before Typography by Frederick W. Hamilton

Reproduction of the original: Compound Words by Frederick W. Hamilton