A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor is a comprehensive, fully illustrated catalogue of the largest collection of Greek manuscripts in America, including 110 codices and fragments ranging from the fourth to the nineteenth century. The collection, held in the Special Collections Research Center of the University of Michigan Library, contains many manuscripts from Epirus and the Meteora monasteries built on high pinnacles of rocks in Thessaly. Nadezhda Kavrus-Hoffmann has based the manuscript descriptions on the latest developments in the fields of paleography and codicology, including the newest recommendations of the Institute for Research and History of Texts in Paris. The catalogue includes high-resolution plates of all the manuscripts, allowing researchers to compare the entries with other Greek manuscripts around the world. This catalogue contains a trove of fascinating information related to Byzantine culture that will be available for the first time to scholars working on various disciplines of the humanities such as Classical and Byzantine Studies, Art History, Medieval Studies, Theology, and History. This is the first volume of a projected two-volume set. Volume 2, also by Nadezhda Kavrus-Hoffmann, will contain descriptions of remaining Greek manuscripts in the Library’s collection, starting with Mich. Ms. 59 and ending with Mich. Ms. 238, for a total of 53 manuscripts and 8 fragments. Both volumes will have the same format – catalogue entries for each manuscript together with extensive illustrations. The publication date for Volume 2 has not been established.

This is a print on demand book and is therefore non- returnable. This monograph is a detailed examination of the textual characteristics and relationships of important early Greek manuscripts of the Gospel of Mark (chiefly Codex Washingtonianus [W, and also Family 13 and P45), and challenges the generally accepted view that these manuscripts are witnesses to an early stage of the Ceasarean text-type. The study begins with a discussion and critique of previous studies on the Caesarean text-type, showing the methodological weaknesses that demand a fresh analysis of the data and emphasizing the crucial importance of Codex W for the whole question of the textual history of Mark. Then a methodological approach is set forth, involving both careful quantitative measurement of manuscript agreements and detailed analysis of variants in the interest of determining both the textual relationships and textual character of manuscripts. When this more sophisticated approach is applied to the chief witnesses to the so-called "pre-Ceasarean" text of Mark, it is confirmed that W and P45 do show a significant relationship with each other and that Family 13 is a weaker member of the same group. However, the commonly held view that these witnesses reflect the early stage of the Caesarean text-type is shown to be erroneous. In addition to clarifying the textual relationships of the witnesses, the study defines more accurately their textual character, showing the scribal purposes reflected in the variants that characterize these manuscripts and adding considerably to our knowledge of the forces affecting the early transmission of the text of Mark. This is the first detailed examination of the Markan text of Codex W since the publication of the manuscript and the first published book-length study dealing with the Ceasarean text of Mark since the initial work of Kirsopp Lake and his colleagues Blake and New. This work not only addresses a major issue in the textual history of Mark, but offers methodological suggestions for the continuing investigation of the textual history of the New Testament.

This bibliography is a comprehensive listing of books, facsimiles, collations and articles relating to some 3,500 Greek New Testament manuscripts, including references to photographic plates and albums. These are divided into the conventional categories of papyri, majuscules, minuscules and lectionaries, as classified in the current Gregory-Aland register. This third revised edition supersedes the two previous editions. Entries from those earlier editions and from three supplements, published as articles in Novum Testamentum, as well as newly published material, are to be found here. The author is grateful for the help of editor Barbara Cangemi.

Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.

Includes appendices.

The volume contains a critical review of data, results and open problems concerning the principal Greek and Coptic majuscule bookhands, based on previous research of the author, revised and updated to offer an overview of the different graphic phenomena. Although the various chapters address the history of different types of scripts (i.e. biblical majuscule, sloping poitend majuscule, liturgical majuscule, epigraphic and monumental scripts), their juxtaposition allows us to identify common issues of the comparative method of palaeography. From an overall critical assessment of these aspects the impossibility of applying a unique historical paradigm to interpret the formal expressions and the history of the different bookhands comes up, due to the fact that each script follows different paths. Particular attention is also devoted to the use of Greek majuscules in the writing of ancient Christian books. A modern and critical awareness of palaeographic method may help to place the individual witnesses in the context of the main graphic trends, in the social and cultural environments in which they developed, and in a more accurate chronological framework.