This is a long-awaited reissue of Remnant's classic study of misericords (medieval church carvings) in the United Kingdom. First published in 1969, A Catalogue of Misericords in Great Britain provides a complete listing of misericords from parish churches throughout the UK. The book alsofeatures an informative chapter on the iconography of misericords from M. D. Anderson (Lady Trenchard Cox), well known for a number of authoritative books on medieval carving and mythology. The 48 illustrations cover both some of the better known misericords throughout the country, and a number ofcarvings of outstanding interest from smaller churches.

Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our knowledge of life and belief in the late middle ages. Subjects range from the sacred to the profane and from the fantastic to the everyday, seemingly giving equal weight to the scatological and the spiritual alike. Focusing specifically on England - though with cognisance of broader European contexts - this volume offers an analysis of misericords in relation to other cultural artefacts of the period. Through a series of themed "case studies", the book places misericords firmly within the doctrinal and devotional milieu in which they were created and sited, arguing that even the apparently coarse images to be found beneath choir stalls are intimately linked to the devotional life of the medieval English Church. The analysis is complemented by a gazetteer of the most notable instances. Dr Paul Hardwick is Professor in English, Leeds Trinity University College.

Church Woodwork in the British Isles, 1100-1535: An Annotated Bibliography is a thoroughly researched bibliographic guide to monographic, serial, archival, and graphical resources that deal with all aspects of late Romanesque, Gothic, and early Renaissance ecclesiastical woodwork in churches throughout the United Kingdom and the Republic of Ireland. Dealing with both the decorative and structural elements of wooden church furnishings fittings, this authoritative reference tool includes more than 900 annotated citations for works published from the mid-19th century to the present. The extensive and informative annotations provide a synopsis of each cited resource. Resources are categorized in separate chapters by their specific location in the church, their decorative features, their structural function, or other pertinent criteria. This annotated bibliography represents the most comprehensive reference tool for material that deals with church woodwork that has yet been published.

With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols – they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life – the spiritualism, moralism and the wit – within the carvings still found in churches today.

Concentrating on the pictorial evidence, these papers raise many complex and varied themes related to women's creation, use and patronage of books, and the representation of women in them.

English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.

Drawing on a wide range of legal and literary sources, this book offers a comprehensive investigation into the acceptability of violence in marriage at a time when social expectations of gender and marriage were in transition.

This study looks at the way the Church utilized the belief in angels to enforce new and evolving doctrine.Angels were used by clergymen of all denominations to support their particular dogma. Sangha examines these various stances and applies the role of angel-belief further, to issues of wider cultural and political significance.

This book contains essays devoted to the medieval art and architecture of Limerick in the Munster province of South-West Ireland. It underpins the degree to which Irish craftsmen and builders engaged with the rest of Europe, and the nature of their relationship with English practice.