Edward Dodwell's two-volume account of his three tours of Greece, published in 1819, remains of great interest to classical archaeologists.

This book is a collection of papers following the conference The Architecture of the Ancient Greek Theatre, held in Athens in January 2012. Fundamental publications on the topic have not been issued for many years. Bringing together the leading experts on theatre architecture, this conference aimed at introducing new facts and important comprehensive studies on Greek theatres to the public. The published volume is, first of all, a presentation of new excavation results and new analyses of individual monuments. Many well-known theatres such as the one of Dionysos in Athens, and others at Dodone, Corinth, and Sikyon have been re-examined since their original publication, with stunning results. New research, presented in this volume, includes moreover less well known, or even newly found, ancient Greek theatres in Albania, Asia Minor, Cyprus, and Sicily. Further studies on the history of research, on regional theatrical developments, terminology, and function, as well as a perspective on Roman theatres built in Greek traditions make this volume a comprehensive volume of new research for expert scholars as well as for students and the interested public.

Although many books focus on the fascinating story of Heinrich Schliemann, little has been written on Mycenae before his excavations. This book, therefore, fills this gap. It looks at the English-speaking pioneers who visited the citadel at Mycenae before Schliemann, providing additional biographic references in the footnotes (and bibliography and associated sources). The book’s primary purpose is to bring back to life the thoughts of these pioneers on Mycenae. It is also a reflection on dating theories of the site during the nineteenth century. At that time, the general consensus concerning the beginning of the ‘Greek world’ was the classical civilisation of the fifth century BC. This was not the view of many of these travellers. The ancients too had a fascination with Mycenae. The Homeric tales of Agamemnon, King of Mycenae, led to popular sixth and fifth century BC plays from the likes of Aeschylus, Sophocles and Euripides. But what did these ancient writers and later travellers, such as Pausanias, actually see? Finally, there is a need to be reminded of some of the ‘pioneer’ travellers to Mycenae and their descriptions of the Lion Gate citadel and the ‘Treasury of Atreus’, as they are of particular historical interest. Not only that, but some of these observations are pure poetry and a delight to read.

The Hellenistic age witnessed a dynamic increase of cultural fusion and entanglement across the Mediterranean and Eurasian worlds. Amid seismic changes in the world writ large, the regions of central Greece and the Peloponnese have often been considered a cultural space left behind. Localism in Hellenistic Greece explores how various processes impacted the countless small-scale, local communities of the Greek mainland. Drawing on notions of locality, localism, local tradition, and boundedness in place, Sheila L. Ager and Hans Beck delve into some of the main hubs of Hellenistic Greece, from Thessaly to Cape Tainaron. Along with their contributors, they explore how polis and ethnos societies positioned themselves in a swiftly expanding horizon and the meaning-making force of the local. The book reveals how local discourses were energized by local sentiments and, much like an echo chamber, how discourses related back to the community and the place it occupied, prioritizing the local as the critical source of communal orientation. Engaging with debates about cultural connectivity and convergence, Localism in Hellenistic Greece offers new insights into lived experience in ancient Greece.