“Wonderful and dark . . . a journey into the minds of two men who together become one killer” from the New York Times bestselling true crime author(Blaine L. Pardoe, author of A Special Kind of Evil). In April 1997, pretty, 22-year-old Jacine Gielinski stopped her car at a red light in Colorado Springs, Colorado. She had no idea that the two young men looking at her from the car next to hers would in that moment decide she would be their target for unspeakable horrors. George Woldt and Lucas Salmon were an unlikely pair of best friends, much less killers. Woldt was a fast-talking, well-dressed ladies’ man who boasted of his sexual conquests. Salmon was deeply religious and socially misfit, obsessed with losing his virginity. Woldt was the leader, Salmon his willing follower, but neither had been in serious trouble with the law. However, inspired by the cult movie, A Clockwork Orange, with its dystopian violence, they fantasized for months what it would be like to abduct, rape, torture and murder a woman. Then, aroused by watching ultra-violent pornography, they decided to act upon their evil thoughts. Revised and updated with a new afterword from the author, A Clockwork Murder recounts the steps that led to an unthinkable crime and its impact on a community, as well as the friends and especially the parents of an innocent young woman who paid with her life for being in the wrong place at the wrong time. “Jackson’s sharp eye misses nothing in the painstakingly rendered details.”—Publishers Weekly

This book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!

Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.

'I do not know of any other writer who has done as much with language ... a very funny book' William S. Burroughs Fifteen-year-old Alex doesn't just like ultra-violence - he also enjoys rape, drugs and Beethoven's ninth. He and his gang of droogs rampage through a dystopian future, hunting for terrible thrills. But when Alex finds himself at the mercy of the state and subject to the ministrations of Dr Brodsky, and the mind-altering treatment of the Ludovico Technique, he discovers that fun is no longer the order of the day. The basis for Stanley Kubrick's notorious 1971 film, A Clockwork Orange is both a virtuoso performance from an electrifying prose stylist and a serious exploration of the morality of free will. In his introduction, Blake Morrison situates A Clockwork Orange within the context of Anthony Burgess's many other works, explores the author's unhappiness with the Stanley Kubrick film version, analyses the composition of the Nadsat argot spoken by Alex and his droogs, and examines the influences on Burgess's unique, eternally original style. With an Introduction by Blake Morrison

The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination. The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.

Three gripping true crime classics in one volume, from the New York Times–bestselling author. From the acclaimed journalist and author, three chilling tales of depravity, death, and detective work including: NO ANGELS Late one night in 1997, fourteen-year-old Brandy DuVall waited at a bus stop in the Denver area when, for reasons that are still a mystery, she got into a car with several young men. The consequence was an unimaginable nightmare of torture, rape, and murder at the hands of a vicious Denver street gang. The crime, investigation, and subsequent court cases—including four murder trials and two death penalty hearings—tore apart families, and affected all who were caught up in the brutal crime and its aftermath. SMOOTH TALKER As seen on Investigation Discovery’s Epic Mysteries series Anita Andrews was found in her own bar, stabbed to death in a bloody frenzy. She'd last been seen alive talking to a customer, a drifter playing cards and flirting with her. A month later, Michele Wallace was driving near Crested Butte, Colorado, when she gave two stranded motorists a ride. She was never seen alive again. Fourteen years later, Charlotte Sauerwin, engaged to be married, met a smooth-talking man at a Laundromat in Livingston Parish, Louisiana. The next evening, her body was found in the woods. The three murders would remain unsolved until a rookie Gunnison County sheriff’s investigator named Kathy Young began investigating . . . ROUGH TRADE On a morning in May 1997, a couple on their way to work spotted a man dragging a woman’s body up a trail. The subsequent investigation into the death of young streetwalker Anita Paley would lead from that idyllic spot to the seamy underbelly of Denver and a world of prostitution, drug dealers, and violent criminals. This is the story of two people from that world whose paths crossed first on the streets and then at a murder trial: Robert Riggan, a violent sexual predator, and Joanne Cordova, a former cop-turned-prostitute, who risked her life to testify.

One of the writers for the highly acclaimed television show Monk presents a series of 14 unique solve-it-yourself mini-mysteries, all with a historical setting. At the end of each intriguing tale, armchair sleuths begin their own detective work with the aid of key questions and some crucial clues--including an interview with a witness, lab analysis of the evidence, or an examination of the crime scene. The historical settings range from ancient Rome to 1940s Hollywood, and the subjects include Jamaican pirates; death in Venice amid a masked ball; Jack the Ripper copycats.

From video games that allow us to participate in Mafia-style violence, to newspaper reports about the latest terrorist atrocity, from detective novels that fill our bedside cabinets, to Hollywood's beloved legal dramas – the mass media is saturated with stories about crime, justice and disorder. Together they create a cultural landscape of crime that is distinctly at odds with reality, as criminologists are apt to complain. Crime and the Media attempts to make sense of this cultural landscape and its relationship with broader social trends and public attitudes. Through focussed, critical discussions about crime in the media - taking on crime news and fictional representations of cops, courts, and corrections - the text equips students with an understanding of the key theoretical concepts and methodological tools that are required to undertake media analysis. With questions for discussion, exercises and workshop sessions, as well as techniques for analysing crime in a range of media formats, the book makes an invaluable contribution to crime and media courses, and to the social sciences in general.

Classic true crime about one of the most monstrous serial killers in American history from the New York Times–bestselling author—now revised and updated. “Here’s What Happens When You Mess with Me!” —William Neal William Neal, who called himself “Wild Bill Cody,” was seductive and skillful at separating love-struck women from their money, and ultimately, their lives. Apprehended by police, Neal, who proclaimed himself “better than Ted Bundy,” pleaded guilty to three murders then insisted on representing himself at his death penalty trial. But the psychopathic killer found himself up against the incredible courage of his one surviving victim. Recommended Reading by the True Crime Garage Podcast “New York Times–bestselling author Steve Jackson examines Neal’s horrific crimes and chronicles the dramatic efforts to bring the culprit to justice.” —The Lineup, “33 True Crime Books About the World’s Most Notorious Serial Killers”

In Male–Male Murder, Dobash and Dobash – experienced researchers, award winning authors and long-time collaborators use evidence from their Murder Study to examine 424 men who murdered another man. Using both quantitative and qualitative data drawn from a wider study of 866 homicide casefiles and 200 in-depth interviews with murderers in prison, they focus on Five Types of male–male murder: confrontational/fighters; murder for money/financial gain; murder between men in the family; sexual murder between men; murder of older men. Each type is examined in depth and detail in a separate chapter that begins with a brief overview of relevant research and is followed by a comprehensive examination of the murder event including subtypes that illustrate the diversity within each type of murder. Following the examination of the five types of male–male murder, the focus turns to the lifecourse of the perpetrators including childhood, adulthood, and their time in prison. Lastly, the reflect on the body of findings from the Murder Study, and stress the importance of gender in understanding these lethal events. The Dobashes bring their research skills and insights to the complex task of covering the entire scope of homicide cases in which men murder men. This is an essential text for students, professionals, policy makers, and researchers studying violence, gender, and homicide.