Shortlisted for the Arabic Booker Prize in 2010, this finely constructed epic traces the turbulent life of Aisha, an Egyptian girl raised in a Christian convent beyond the reach of a predatory uncle. With her English education, Aisha crosses paths with Lord Cromer, British consul-general of Egypt, and famed archaeologist Howard Carter, with whom she will trek to locate Tutankhamen's tomb. Fate briefly favors Aisha when she falls in love with the Egyptian sculptor Mahmoud Mukhtar, until events conspire to move her life along adarker path. Part allegory, part magical realism, this novel is threaded with aspects of Egyptian antiquity, including semihistorical accounts of the excavations of ancient Egyptian relics and the tortured jealousies that accompanied them. A deftly written journey through momentous occasions in world history, A Cloudy Day on the Western Shore explores questions of Egypt's identity and history, and the implications—for better or worse—of European exploitation of the treasures of pharaonic civilization. Novelist Qandil skillfully allows readers to encounter complex questions of colonialism, gender, and sectarianism—all through the symbolic lens of an unlikely Egyptian heroine.

Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.

Shahrokh Meskoob was one of Iran’s leading intellectuals and a preeminent scholar of Persian literary traditions, language, and cultural identity. In The Ant’s Gift, Meskoob applies his insight and considerable analytical skills to the Shahnameh, the national epic of Iran completed in 1010 by the poet Abul-Qâsem Ferdowsi. Tracing Iran’s history from its first mythical king to the fall of the Sasanian dynasty, the Shahnameh includes myths, romance, history, and political theory. Meskoob sheds new light on this seminal work of Persian culture, identifying the story as at once a historical and poetic work. While previous criticism of the Shahnameh has focused on its linguistic importance and its role in Iranian nationalism, Meskoob draws attention to the work’s pre-Islamic cultural origins.