'A touch of Margaret Millar . . . worth watching' Sunday Telegraph San Francisco artist Roxanne Gautier's startling paintings of male prostitutes has sent shock waves throughout the art world - and in her personal life. When Taylor Adams, her favourite model, commits suicide - or so it appears - her husband is frightened she may be connected with the death and asks ex-policeman Kevin Bryce to investigate. Taylor's fellow prostitutes, including the beautiful and dangerous Angel, and the revealing pages of Roxanne's diary take Bryce into a psychosexual nightmare world of corruption, blackmail and moral decay.

DigiCat Publishing presents to you this special edition of "The Barnet Book of Photography: A Collection of Practical Articles" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.

Keppel Archibald Cameron Creswell (1879-1974) developed an early interest in Islamic architecture, considering photography as an essential tool for recording architectural artefacts. This volume presents the photographs that concern Mesopotamia, Syria and Jordan, kept today at the Biblioteca Berenson in Florence.

A stunning ebook with clear navigation for admirers of astrophotography. This ebook has been built to W3C accessibility guidelines and will work with text to speech. The layout has been redesigned with clear navigation links to each of the competition entries within the Maps section. It is compatible with all ereading apps and devices.

The Victorian era heralded an age of transformation in which momentous changes in the field of natural history coincided with the rise of new visual technologies. Concurrently, different parts of the British Empire began to more actively claim their right to being acknowledged as indispensable contributors to knowledge and the progress of empire. This book addresses the complex relationship between natural history and photography from the 1850s to the 1880s in Britain and its colonies: Australia, New Zealand and, to a lesser extent, India. Coinciding with the rise of the modern museum, photography’s arrival was timely, and it rapidly became an essential technology for recording and publicising rare objects and valuable collections. Also during this period, the medium assumed a more significant role in the professional practices and reputations of naturalists than has been previously recognized, and it figured increasingly within the expanding specialized networks that were central to the production and dissemination of new knowledge. In an interrogation that ranges from the first forays into museum photography and early attempts to document collecting expeditions to the importance of traditional and photographic portraiture for the recognition of scientific discoveries, this book not only recasts the parameters of what we actually identify as natural history photography in the Victorian era but also how we understand the very structure of empire in relation to this genre at that time.