A Color Blind Beauty By: The Families What would be of humanity if she does not know flowers whilst love remains the answer to our living world of understanding? A Color Blind Beauty is a romance novel that profoundly speaks of why our difference should be our strength as it allows us a brilliant perception towards race, religion, gender equality, politics, and nationality. Mr. Wade was born to an Irish American mother and African father. His wellness signifies love above hate, and he is lucky to have found a colorblind beauty for a sweetheart. She works as an event organizer with the State Government of Illinois, where she hails from, while he starts as an unknown writer. It is the supreme power of love against all forms of challenge. Their love story will remind the world and her people about the importance of such unions. Take the journey and unfold the mystery of this wonderful novel.

This volume announces a new era in the philosophy of God. Many of its contributions work to create stronger links between the philosophy of God, on the one hand, and mathematics or metamathematics, on the other hand. It is about not only the possibilities of applying mathematics or metamathematics to questions about God, but also the reverse question: Does the philosophy of God have anything to offer mathematics or metamathematics? The remaining contributions tackle stereotypes in the philosophy of religion. The volume includes 35 contributions. It is divided into nine parts: 1. Who Created the Concept of God; 2. Omniscience, Omnipotence, Timelessness and Spacelessness of God; 3. God and Perfect Goodness, Perfect Beauty, Perfect Freedom; 4. God, Fundamentality and Creation of All Else; 5. Simplicity and Ineffability of God; 6. God, Necessity and Abstract Objects; 7. God, Infinity, and Pascal’s Wager; 8. God and (Meta-)Mathematics; and 9. God and Mind.

A study of the world of modeling. Exploring an arena of cultural production, it shows how the right 'look' is discovered, developed, and packaged to become a prized commodity. It examines how models sell themselves, how agents promote them, and how clients decide to hire them

How transnational modernity is taking shape in and in relation to Asia Fashion and Beauty in the Time of Asia considers the role of bodily aesthetics in the shaping of Asian modernities and the formation of the so-called “Asian Century.” S. Heijin Lee, Christina H. Moon, and Thuy Linh Nguyen Tu train our eyes on sites as far-flung, varied, and intimate as Guangzhou and Los Angeles, Saigon and Seoul, New York and Toronto. They map the transregional connections, ever-evolving aspirations and sensibilities, and new worlds and life paths forged through engagements with fashion and beauty. Contributors consider American influence on plastic surgery in Korea, Vietnamese debates about “the fashionable,” and the costs and commitments demanded of those who make and wear fast fashion, from Chinese garment workers to Nepalese nail technicians in New York who are mandated to dress "fashionably." In doing so, this interdisciplinary anthology moves beyond common characterizations of Asians and the Asian diaspora as simply abject laborers or frenzied consumers, analyzing who the modern Asian subject is now: what they wear and how they work, move, eat, and shop.

Pastors are often ill-equipped in preparing churches to be sacred advocates and activists in the communities most affected by social injustice and neglect. Sacred Anthropology aims to inform and equip pastors in discipling the body of Christ to effect social transformation in times of social crisis. Tyshawn Gardner envisions the pastor as a "sacred anthropologist," as one who understands the cultures of other image-bearers for the sake of promoting the justice of God in the world. As a pastoral mandate, the sacred anthropologist challenges churches to be engaged in the political and social transformation of their community. The social anthropologist employs both secular and theological tools for an effective contextualized ministry. This book posits prophetic radicalism as a pastoral theology and the pastoral office as the center of prophetic radicalism, yet it does not limit prophetic radicalism to the pastoral office. Sacred Anthropology is written with pastors and parishioners from any ethnic group in mind but draws heavily on the prophetic pastoral and preaching tradition of African American pastors and churches. Using this foundation and tradition, sacred anthropologists can lead their congregations in a way that challenges them to be involved, engaged, and transformative.

In this synthetic introduction to the history of the philosophy of art, Noël Carroll elucidates and analyzes selected writings on art by Plato, Aristotle, Hutcheson, Hume, Kant, Hegel, Schopenhauer, Tolstoy, and Bell. Carroll’s narrative tracks developments between major positions in philosophy of art, ranging from the idea that art is unavoidably embedded in society to the evolution of the notion that art is autonomous ("art for art’s sake"), thereby setting the stage for continuing debates in the philosophy of art. Presupposing no prior background, and useful on its own or accompanying the reading of primary works, Classics in Western Philosophy of Art is ideal as a text for introductory undergraduate and graduate courses in philosophy of art and aesthetics, or for anyone interested in learning about the origin of some of our most fundamental conceptions of art in the Western tradition.

An Essay toward the Other considers the three fundamental verities of the human experience-the True, the Good, and the Beautiful-and presents three arguments, one from the domain of each verity, in support of theism and in opposition to materialism. The True is the way things are. The Good is that which contributes to the happiness of the individual and the group. The Beautiful is an indefinable quality that evokes a pleasing and enjoyable inner experience. The verities derive from a Divine source and point toward that Divine source, thus the opening sentence, "From the One, three; from the three, One." While the verities are part of the human experience, their source and their vision transcend our realm. They are of God. The author accepts the classical view that all human intention, however flawed and misguided, looks to a final good. That final good we call happiness, and insofar as our aims and ways are shaped and guided by the True, the Good, and the Beautiful, we are drawn toward happiness.

Color Blind by Dacie Zook __________________________________

Interrogating beauty's very definition, this volume of Advances in Gender Research explores beauty as an avenue to create alternative knowledge as well as a conduit to engage in critical conversations on race, ethnicity, gender, sexuality, illness, and fitness.

In this ground-breaking study M.I. Franklin explores the form and substance of everyday life online from a critical postcolonial perspective. With Internet access and social media uses accelerating in the Global South, in-depth studies of just how non-western communities, at home and living abroad, actually use the Internet and web-based media are still relatively few. This book’s pioneering use of virtual ethnography and mixed method research in this study of a longstanding ‘media diaspora’ incorporates online participant-observation with offline fieldwork to explore how postcolonial diasporas from the south Pacific have been using the Internet since the early ways of the web. Through a critical reconsideration of the work of Michel de Certeau in light of postcolonial and feminist theories, the book provides insights into the practice of everyday life in a global and digital age by non-western participants online and offline. Critical of techno- and media-centric analyses of cyberspatial practices and power hierarchies, Franklin argues that a closer look at the content and communicative styles of these contemporary Pacific traversals suggest other Internet futures. These are visions of social media that can be more hospitable, culturally inclusive and economically equitable than those promulgated by both powerful commercial interests and state actors looking to take charge of the Internet ‘after Web 2.0’. The book will be of interest to students of international politics, media and communications, cultural studies, science and technology studies, anthropology and sociology interested in how successive waves of new media interact with shifting power relations at the intersection of politics, culture, and society.