A standard work in nineteen chapters from leading international scholars on bishop Isidore of Seville (d. 636), addressing the contexts in which the seventh-century bishop lived and worked, exploring his key works and activities, and finally considering his later reception.

The works of Titus Flavius Josephus ben Matthias on biblical history and the Jewish war were read and studied throughout the Latin west during the Middle Ages. Each generation of Christian scholars had to contend with the Jewish writer’s text, reputation, and content. This volume demonstrates the complex relationship between Josephus’ legacy and his readers who sought to make use of that legacy across the period of 500 to 1300. Contributors include: Carson Bay, Susan Edgington, Anthony Ellis, Paul C. Hilliard, Karen M. Kletter, Justin Lake, Richard M. Pollard, Graeme Ward, and Julian Yolles.

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This volume presents a selection of primary sources--in many cases translated into English for the first time--with introductions that provide fascinating historical materials for challenging notions of the ways in which premodern and early modern Eurasian scholars dealt with plurilingualism and monolingualism.

Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.

In Isidore of Seville and the “Liber Iudiciorum,” the author re-interprets the meaning and “function” of the seventh-century Visigothic law-code, the Liber Iudiciorum within the context of the cooperative competition of history-writing between nodes of power in Seville and Toledo.

This book presents an original perspective on the variety and intensity of biblical narrative and rhetoric in the evolution of history writing in León-Castile during the twelfth and thirteenth centuries. It focuses on six Hispano-Latin chronicles, two of which make unusually overt and emphatic use of biblical texts. Of particular importance is the part played by the influence of exegesis that became integral to scriptural and liturgical influence, both in and beyond monastic institutions. Alun Williams provides close analysis of the text and comparisons with biblical typology to demonstrate how these historians from the north of Iberia were variously dependent on a growing corpus of patristic and early medieval interpretation to understand and define their world and their sense of place. Narrative, Piety and Polemic in Medieval Spain sees Williams examine this material as part of a comparative exploration of language and religious allusion, showing how the authors used these biblical-liturgical elements to convey historical context, purpose and interpretation.

A comprehensive and authoritative account of one of the greatest and most prolific writers of classical antiquity.

This book reappraises the historical writings of the seventh-century Spanish bishop Isidore of Seville as a coherent and pastorally-informed programme intended to reconcile the population of Spain to their recent conquest by the barbarian Visigoths.

A fresh and sympathetic investigation of the depiction of wolves in early medieval literature, recuperating their reputation.