In A Companion to Priesthood and Holy Orders in the Middle Ages, a select group of scholars explain the rise and function of priests and deacons in the Middle Ages. Though priests were sometimes viewed through the lens of function, the medieval priesthood was also defined ontologically–those marked by God who performed the sacraments and confected the Eucharist. While their role grew in importance, medieval priests continued to fulfil the role of preacher, confessor and provider of pastoral care. As the concept of ordination changed theologically the practices and status of bishops, priests and deacons continued to be refined, with many of these medieval discussions continuing to the present day.

This book examines the abduction of a medieval Bohemian bishop by heretics and the forced consecration of over one hundred candidates to holy orders. The author clarifies the significance of the kidnapped bishop and his coerced acts of consecration.

Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.

Fresh perspectives on the English clergy, their books, and the wider Anglo-Saxon church.

This book explores the rich and varied mystical writings by and about medieval – and a few early modern – women across Western Europe. Women had a profound and lasting impact on the development of medieval and early modern spiritual and mystical literature, both through their own writing and as a result of the hagiographical texts that they inspired. Bringing together contributions by both established and emerging scholars, the volume provides a valuable overview of medieval mystical women with a special focus on the Low Countries and Italy, regions that produced a disproportionately high number of female mystics. The figures discussed range from Hildegard of Bingen, Hadewijch, Mechthild of Magdeburg, Marguerite Porete, Angela of Foligno, Julian of Norwich, and Beatrice of Nazareth to lesser-known women such as Agnes Blannbekin, Christina of Hane, and Maria Maddalena de’ Pazzi. The chapters address topics such as the body, pain, desire, ecstasy, stigmata, annihilation, virtue, visions, the tension between exterior and interior experience, and the nature of mystical union itself.

The development of new forms of ministry, lay and ordained, has included worker-priests, now found in the Anglican Communion in a related form variously called Self-Supporting Ministry (SSM) or Non-Stipendiary Ministry (NSM). This book focuses on one of the most recent developments, the creation of Ordained Local Ministry. After chapters that consider preliminary questions of the nature of ministry, such as authority in the church and Holy Orders, Noel Cox argues that the crucial distinction between these and other forms of ministry is that the Ordained Local Minister (OLM) is overtly ordained specifically for a given locality (variously defined); they are a deacon or priest for a specific church, parish, benefice, or deanery, rather than of the universal church. Their introduction inevitably raises difficult ecclesiological questions, which Cox examines.

The Eucharist, Poetics, and Secularization from the Middle Ages to Milton explains the astonishing centrality of the eucharist to poets with a variety of denominational affiliations, writing on a range of subjects, across an extended period in literary history. Whether they are praying, thinking about politics, lamenting unrequited love, or telling fart jokes, late medieval and early modern English poets return again and again to the eucharist as a way of working out literary problems. Tracing this connection from the fourteenth through the seventeenth century, this book shows how controversies surrounding the nature of signification in the sacrament informed understandings of poetry. Connecting medieval to early modern England, it presents a history of 'eucharistic poetics' as it appears in the work of seven key poets: the Pearl-poet, Chaucer, Robert Southwell, John Donne, George Herbert, Richard Crashaw, and John Milton. Reassessing this range of poetic voices, The Eucharist, Poetics, and Secularization overturns an oft-repeated argument that early modern poetry's fascination with the eucharist resulted from the Protestant rejection of transubstantiation and its supposedly enchanted worldview. Instead of this tired secularization story, it fleshes out a more capacious conception of eucharistic presence, showing that what interested poets about the eucharist was its insistence that the mechanics of representation are always entangled with the self's relation to the body and to others. The book thus forwards a new historical account of eucharistic poetics, placing this literary phenomenon within a longstanding negotiation between embodiment and disembodiment in Western religious and cultural history.

This book analyzes the acquisition and use of texts by the parish clergy in the diocese of Eichstätt between 1400 and 1520 to refute the amusing, but misleading, image of the lustful and ignorant cleric so popular in the satirical literature of the period. By the fifteenth-century, more widely available local schooling and increasing university attendance had improved the educational level of the clergy; priests were bureaucrats as well as pastors and both roles required extensive use of the written word. What priests read is a question of fundamental importance to our understanding of the late medieval parish and the role of the clergy as communicators and cultural mediators. Priests were entrusted with saying the Mass, preaching doctrine and repentance, honoring the saints, plumbing the conscience, and protecting the legal rights of the Church. They baptized children, blessed the fields, and prayed for the souls of the dead. What priests read would have informed how they understood and how they performed their social and religious roles. By locating and contextualizing the manuscripts, printed books, and parish records that were once in the hands of priests in the diocese, the author has found evidence for the unexpected: the avid acquisition of books; a theological awareness; and an emerging professional identity. This marks an important revision to the conventional view of a dramatic era marked by both the transition from manuscripts to printed books and the outbreak of the Reformation.

Francis of Assisi's reported reception of the stigmata on Mount La Verna in 1224 is almost universally considered to be the first documented account of an individual miraculously and physically receiving the five wounds of Christ. The early thirteenth-century appearance of this miracle, however, is not as unexpected as it first seems. Interpretations of Galatians 6:17—I bear the marks of the Lord Jesus Christ in my body—had been circulating since the early Middle Ages in biblical commentaries. These works perceived those with the stigmata as metaphorical representations of martyrs bearing the marks of persecution in order to spread the teaching of Christ in the face of resistance. By the seventh century, the meaning of Galatians 6:17 had been appropriated by bishops and priests as a sign or mark of Christ that they received invisibly at their ordination. Priests and bishops came to be compared to soldiers of Christ, who bore the brand (stigmata) of God on their bodies, just like Roman soldiers who were branded with the name of their emperor. By the early twelfth century, crusaders were said to bear the actual marks of the passion in death and even sometimes as they entered into battle. The Stigmata in Late Medieval and Early Modern Europe traces the birth and evolution of religious stigmata and particularly of stigmatic theology, as understood through the ensemble of theological discussions and devotional practices. Carolyn Muessig assesses the role stigmatics played in medieval and early modern religious culture, and the way their contemporaries reacted to them. The period studied covers the dominant discourse of stigmatic theology: that is, from Peter Damian's eleventh-century theological writings to 1630 when the papacy officially recognised the authenticity of Catherine of Siena's stigmata.

This volume offers original readings of Piers Plowman and rethinks the genre of allegorical narrative in the Middle Ages. It presents five studies of allegorical narratives with implications for different aspects of medieval culture.