A survey of the history of one of the most important biblical texts in the history of Christian spirituality while exploring original pathways for research.

The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.

The illuminations of The Saint John’s Bible have delighted many with their imaginative takes on Scripture. But many struggle to appreciate the calligraphy more deeply than merely noting its beauty. Does calligraphy mean something? How is it beautiful? This book, written by a biblical scholar who has spent years working with this Bible, shows how calligraphic art powerfully interplays visual form, textual content, and creative process. Homrighausen proposes five lenses for this artform: gardens, weaving, pilgrimage, touching, and enfleshing words. Each of these lenses springs from the poetry of the Song of Songs, its illuminations in The Saint John’s Bible, and medieval ways of understanding the scribe’s craft. While these metaphors for calligraphic art draw from this particular illuminated Bible, this book is aimed at all lovers of calligraphy, art, and sacred text.

Reading the Bible to the glory of God. In 1952, C. S. Lewis's Mere Christianity eloquently defined the essential tenets of the Christian faith. With the rise of fractured individualism that continues to split the church, this approach is more important now than ever before for biblical hermeneutics. Many Christians wonder how to read the text of Scripture well, rightly, and faithfully. After all, developing a strong theory of interpretation has always been presented by two enormous challenges: A variety of actual interpretations of the Bible, even within the context of a single community of believers. The plurality of reading cultures—denominational, disciplinary, historical, and global interpretive communities—each with its own frame of reference. In response, influential theologian Kevin J. Vanhoozer puts forth a "mere" Christian hermeneutic—essential principles for reading the Bible as Scripture everywhere, at all times, and by all Christians. To center his thought, Vanhoozer turns to the accounts of Jesus' transfiguration—a key moment in the broader economy of God's revelation—to suggest that spiritual or "figural" interpretation is not a denial or distortion of the literal sense but, rather, its glorification. Irenic without resorting to bland ecumenical tolerance, Mere Christian Hermeneutics is a powerful and convincing call for both church and academy to develop reading cultures that enable and sustain the kind of unity and diversity that a "mere Christian hermeneutic" should call for and encourage

This collection of essays focuses on the way blurred boundaries are represented in pre-modern texts and visual art and how they were received and perceived by their audiences: readers, listeners, and viewers. According to the current understanding that opposing cognitive categories that are so common in modern thinking do not apply to pre-modern mentalities, we argue that individuals in medieval and pre-modern societies did not necessarily consider sacred and secular, male and female, real and fictional, and opposing emotions as absolute dichotomies. The contributors to the present collection examine a wide range of cultural artifacts – literary texts, wall paintings, sculptures, jewelry, manuscript illustrations, and various objects as to what they reflect regarding the dominant perceptual system – the network of beliefs, worldviews, presumptions, values, and norms of viewing/reading/hearing different from modern epistemology strongly predicated on the binary nature of things and people. The essays suggest that analyzing pre-modern cultural works of art or literature in light of reception theory can lead to a better understanding of how those cultural products influenced individuals and impacted their thoughts and actions.

The Blackwell Companion to Christian Spirituality is a comprehensive single-volume introduction to Christian spirituality, and represents the most significant recent developments in the field. Offers a thoroughly interdisciplinary, broadly ecumenical, and representative overview of the most significant recent developments in the field Comprises essays combining rigorous academic scholarship with accessible and elegant writing Reflects an understanding of the field as the study of the lived experience of Christian faith and discipleship Provides material on biblical, historical, and theological foundations, along with treatment of contemporary issues

Biblical Exegesis and Mystical Theology in the Venerable Bede brings together 17 essays by Arthur Holder exploring the theology and spirituality found in Bede’s biblical commentaries and homilies. The volume shows that Bede was both a masterful student of received tradition and a creative thinker concerned to address the needs and interests of his audience of Christian pastors and teachers in the eighth-century Northumbrian church. Although Bede is best known as the author of The Ecclesiastical History of the English People, the last half-century of scholarship has demonstrated the sophistication and vast influence of his work in the fields of grammar, biblical interpretation, hagiography, poetry, computus, natural science, and theology. The chapters in this volume show how Bede’s exegesis was integrally connected with his work in all those genres and with the monumental artistic productions of his monastery such as the illuminated bible manuscript known as the Codex Amiatinus. The five parts of the book deal with Bede as teacher and biblical scholar, his interpretations of the tabernacle and the temple, his commentary on the Song of Songs, his attitudes toward philosophy and heresy, and his mystical theology. This book will be of interest to students of Christian theology, mysticism, the development of biblical interpretation, and the history of early medieval England.

Historically, the Bible has been used to drive a wedge between the spirit and the body. In this provocative book, David Carr argues that it can--and should--do just the opposite. Sexuality and spirituality, Carr contends, are intricately interwoven: when one is improverished, the other is warped. As a result, the journey toward God and the life-long engagement with our own sexual embodiment are inseparable. Humans, the Bible tells us, both male and female, were created in God's image, and eros--a fundamental longing for connection that finds abstract good in the pleasure we derive from the stimulation of the senses--is a central component of that image. The Bible, particularly the Hebrew Bible, affirms erotic passion, both eros between humans and eros between God and humans. In a sweeping examination of the sexual rules of the Bible, Carr asserts that Biblical "family values" are a far cry from anything promoted as such in contemporary politics. He concludes that passionate love--our preoccupaton therewith and pursuit thereof--is the primary human vocation, that eros is in fact the flavoring of life.

The author discusses the importance of the theological study of spirituality as necessary for interpreting one's Christian path in a pluralistic world.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.