T.S. Eliot's poetry is well known for its allusiveness and reference to a wide range of historical and literary subjects. At the same time, the roots of explanations and critical readings necessary to elucidate and contextualize Eliot's poetry have seldom been available. This book offers a carefully explanatory as well as critical reading of Eliot's Selected Poems. It tackles each poem individually, offering comments and explanations that draw from secondary as well as archival and unpublished sources. In particular, there is an exhaustive section explaining and contextualizing the manifold difficulties encountered in The Waste Land. A long Introduction outlines Eliot's life, career and thought, and a Select Bibliography provides up-to-date information on useful secondary literature. Dr. Jain's use of various new critical approaches, alongside her use of primary data from Eliot holdings in the UK and the USA, makes this an important source for comprehending Eliot's difficult poetry. It will be of great use to students, as well as to people who teach the poetry of T.S. Eliot.

Twentieth Century English Literature Was Shaped To A Great Extent By The Genius Of T.S. Eliot. His Towering Personality Illuminates The Major Genres Of English Literature. No Study Of The Early Twentieth Century British Canonical Literature Is Possible Without Encountering The Icon T.S. Eliot Poet, Critic, Dramatist.Images And Symbols Have Been Always Employed By Writers Of All Literatures Down The Ages. But, Movements Like Imagism And Symbolism Gave An Entirely New Focus To Images And Symbols. Archetypal Criticism Was A Parallel Emergence. In An Age Torn By The Anxiety Of Two World Wars, And Dissatisfied With Scientific And Materialistic Concept Of Man, The Archetypal Approach Sought To Restore To Man The Entire Humanity.The Present Volume Offers An Indepth Study Of The Major Archetypes And How They Are Interwoven In The Imagery And Symbolism In The Poetry Of T.S. Eliot. The Complexities Of The Modern Age And Their Expression In Eliot S Poetry Cannot Be Understood Without Archetypes, Myths And Legends. This Domain Had Not Been Explored So Far. Hence, This Volume Presents A Systematic Structuring And Evaluation Of Archetypal Imagery And Symbolism In Eliot S Major Poems As Well As Other Minor Poems. It Is Hoped That Teachers, Researchers And Students Of Literature Will Find The Volume To Be Of Considerable Interest And Use.

This edited book is the work of four years where the writers try to present a different study and understanding of some of T. S. Eliots poetry and his unique style of being a modern poet, not exactly like the other modernist poets such as Ralph Waldo Emerson. We have found that Eliot, in his poetry and prose writings, was a modernist writer who, unlike other modernist poets, did not accept the way others rejected the values of religion and tradition. Eliot focuses more on the role of religion and tradition in the psychological state of the individual and its impact upon the social stability. His viewpoint regarding the vital role of spirituality in the life of the individual could be clearly seen in his poetic poems and prose writings, but this aspect has been too little or not tackled as it is done with Homer.

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

This book offers an exciting new approach to T.S. Eliot's Four Quartets as it shows why it should be read both closely and in relation to Eliot's other works, notably the poems The Waste Land, 'The Hollow Men,' and Ash-Wednesday.

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of Oxford David E. Chinitz, Loyola University Chicago Anthony Cuda, University of North Carolina–Greensboro Robert Crawford, University of St Andrews Frances Dickey, University of Missouri John Haffenden, University of Sheffield Benjamin G. Lockerd, Grand Valley State University Gail McDonald, Goldsmiths, University of London Gabrielle McIntire, Queen’s University Jahan Ramazani, University of Virginia Christopher Ricks, Boston University Ronald Schuchard, Emory University Vincent Sherry, Washington University at St. Louis

Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.

This study offers a fresh approach to the theory and practice of poetry criticism from a narratological perspective. Arguing that lyric poems share basic constituents of narration with prose fiction, namely temporal sequentiality of events and verbal mediation, the authors propose the transgeneric application of narratology to the poetic genre with the aim of utilizing the sophisticated framework of narratological categories for a more precise and complex modeling of the poetic text. On this basis, the study provides a new impetus to the neglected field of poetic theory as well as to methodology. The practical value of such an approach is then demonstrated by detailed model analyses of canonical English poems from all major periods between the 16th and the 20th centuries. The comparative discussion of these analyses draws general conclusions about the specifics of narrative structures in lyric poetry in contrast to prose fiction.