With this volume of the Casden Annual Review, we continue our policy of focusing on a single topic, and in this case the topic we have turned to is, quite literally, close to home: the Jewish role in California life. The aim of this volume is to stress the cultural aspects of the Jewish experience of coming to and living in the Golden State. While we cannot hope to present in this limited venue a comprehensive and detailed history of Jews in California, per se, it is our goal to consider a number of insightful perspectives on how the Jews, who settled in California, helped shape the Golden State's culture and were, in turn, themselves molded by cultural influences that were uniquely Californian. While this volume looks at the Jewish experience in California in general-nonetheless, particular emphasis is placed on Southern California. We begin our cultural history at a crucial moment in California history, the mid-nineteenth century in the after-glow of the California Gold Rush, where we encounter a European Jewish emigrant, fresh off the boat, who can (and did) get a chance to make a fortune in the pueblo of Los Angeles and, in doing so, helped define what California is. We conclude it with a personal, meditation from one of the latest group of refugees to come to the west, the Iranian Jews who were forced out of their ancient homeland some thirty years ago and who found in Southern California a particularly hospitable (yet no less difficult) place to transplant their cultural roots. In between, we are treated to a few choice snapshots of how life developed and changed for Jews in California as California itself evolved and grew. We firmly believe that there is something special about the Jewish role in California and even more so in Southern California-that here on the lower left-coast Jews have had an Americanization experience that is significantly different from that which Jews have had elsewhere in the USA. Conversely, Southern California would be quite a different place without the Jews who made it their home. Book jacket.

A Cultural History of Jewish Dress is the first comprehensive account of Jewish clothing, both profane and sacred, from its origins through to the present day. Fascinating and accessibly written, it will appeal to anybody with an interest in the central role of clothing in defining Jewish identity.

This book presents original studies of how a cultural concept of Jewishness and a coherent Jewish history came to make sense in the experiences of people entangled in different historical situations. Instead of searching for the inconsistencies, discontinuities, or ruptures of dominant grand historical narratives of Jewish cultural history, this book unfolds situations and events, where Jewishness and a coherent Jewish history became useful, meaningful, and acted upon as a site of causal explanations. Inspired by classical American pragmatism and more recent French pragmatism, we present a new perspective on Jewish cultural history in which the experiences, problems, and actions of people are at the center of reconstructions of historical causalities and projections of future horizons. The book shows how boundaries between Jewish and non-Jewish are not a priori given but are instead repeatedly experienced in a variety of situations and then acted upon as matters of facts. In different ways and on different scales, these studies show how people's experiences of Jewishness perpetually probe, test, and shape the boundaries between what is Jewish and non-Jewish, and that these boundaries shape the spatiotemporal linkages that we call history.

For a group of people so limited in number, the Jewish community has had a huge impact on both global events and local politics. In this vibrant new look at Judaism, sociologist and cultural critic Keith Kahn-Harris provides a remarkably sharp insight into this history, and particularly the diverse Jewish communities (and diverse ideas of Jewishness) that exist today.

This is the second volume of the projected four-volume history of the Second Temple period. It is axiomatic that there are large gaps in the history of the Persian period, but the early Greek period is possibly even less known. This volume brings together all we know about the Jews during the period from Alexander's conquest to the eve of the Maccabaean revolt, including the Jews in Egypt as well as the situation in Judah. Based directly on the primary sources, which are surveyed, the study addresses questions such as administration, society, religion, economy, jurisprudence, Hellenism and Jewish identity. These are discussed in the context of the wider Hellenistic world and its history. A strength of the study is its extensive up-to-date secondary bibliography (approximately one thousand items).

Winner of the 2020 Jordan Schnitzer Book Award in Social Science, Anthropology, and Folklore​ Honorable Mention, 2021 Saul Viener Book Prize​ The Jews’ Indian investigates the history of American Jewish relationships with Native Americans, both in the realm of cultural imagination and in face-to-face encounters. These two groups’ exchanges were numerous and diverse, proving at times harmonious when Jews’ and Natives people’s economic and social interests aligned, but discordant and fraught at other times. American Jews could be as exploitative of Native cultural, social, and political issues as other American settlers, and historian David Koffman argues that these interactions both unsettle and historicize the often triumphant consensus history of American Jewish life. Focusing on the ways Jewish class mobility and civic belonging were wrapped up in the dynamics of power and myth making that so severely impacted Native Americans, this books is provocative and timely, the first history to critically analyze Jewish participation in, and Jews’ grappling with the legacies of Native American history and the colonial project upon which America rests.

2 Maccabees is a Jewish work composed during the 2nd century BCE and preserved by the Church. Written in Hellenistic Greek and told from a Jewish-Hellenistic perspective, 2 Maccabees narrates and interprets the ups and downs of events that took place in Jerusalem prior to and during the Maccabean revolt: institutionalized Hellenization and the foundation of Jerusalem as a polis; the persecution of Jews by Antiochus Epiphanes, accompanied by famous martyrdoms; and the rebellion against Seleucid rule by Judas Maccabaeus. 2 Maccabees is an important source both for the events it describes and for the values and interests of the Judaism of the Hellenistic diaspora that it reflects - which are often quite different from those represented by its competitor, 1 Maccabees.

This book explores the Jewish Left’s innovative strategies in maintaining newspapers, radio stations, and educational activities during a moment of crisis in global democracy. In the wake of the First World War, as immigrant workers and radical organizations came under attack, leaders within largely Jewish unions and political parties determined to keep their tradition of social unionism alive. By adapting to an emerging media environment dependent on advertising, turn-of-the-century Yiddish socialism morphed into a new political identity compatible with American liberalism and an expanding consumer society. Through this process, the Jewish working class secured a place within the New Deal coalition they helped to produce. Using a wide array of archival sources, Brian Dolber demonstrates the importance of cultural activity in movement politics, and the need for thoughtful debate about how to structure alternative media in moments of political, economic, and technological change.

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.

The Oxford Handbook of Postcolonial Biblical Criticism is a comprehensive treatment of a relatively new form of scholarship-one of the most compelling and contested theories to emerge in recent times, and a topic that actively seeks to expand the ways in which the Bible can be studied, interpreted, and applied. Generally speaking, postcolonialism aims to critique and dismantle hegemonic worldviews and power structures, while giving voice to previously marginalized peoples and systems of thought. This approach, often varied in form, has inevitably engaged with the text and reception of the Bible, a scripture that Western colonizers introduced to-and often imposed upon-their colonial subjects. With a globally diverse list of contributors, the Handbook aims to cover the perspective and context of the authors of the Bible, as well as the modern experiences of imperialism, resistance, decolonization, and nationalism. Moreover, the volume includes both a theoretical overview and an exploration of how the field intersects with related areas, such as gender studies, race, postmodernism, and liberation theology.