Judges is a book with much to say about women, especially about their fate in a masculine world, subject to male values. This sparkling new collection of studies subjects Achsah, Delilah and Jephthah's daughter to the female critical gaze, while an increased emphasis on the body (whether gendered or not), violence of various forms, and intertextuality reflect the growing importance of these issues in biblical exegesis. The contributors to this second Judges Companion are Lillian Klein, Claudia Rakel, Shulamit Valler, Phyllis Silverman Kramer, Carol Smith, Renate Jost, Ilse Müllner and Alice Bach.

This valuable resource both presents and demonstrates the numerous developments in feminist criticsm of the Bible and the enormous rage of influence that feminist criticism has come to have in biblical studies. The purpose of the book is to raise issues of method that are largely glossed over or merely implied in most non-feminist works on the Bible. The editors have included broadly theoretical essays on feminist methods and the various roles they may play in research and pedagogy, as well as non-feminist essays that have direct bearing on the methods or subject matter that feminists use, as well as reading that illustrate the variety of methodological strategies adopted by feminist scholars. Some 30 scholars, from North America and Europe, have contributed to this Companion.

This collection of studies, reflecting developments in feminist exegesis over the last few years in Europe and the United States, includes treatments of key female figures ('Tamar and the "Coat of Many Colours"' by Adrien Janis Bledstein; 'Michal, the Barren Wife' by Lillian R. Klein; 'On Centering a Fringe Figure: The Wife of Jeroboam in 1 Kings 14:1-18' by Uta Schmidt; 'The Widow of Zarephath and the Great Woman of Shunem: A Comparative Analysis of Two Stories' by Jopie Siebert-Hommes), and a new examination of a biblical threesome, 'Saul, David and Jonathan: The Story of a Triangle? A Contribution to the Issue of Homosexuality in the First Testament' by Silvia Schroer and Thomas Staubli.

This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day

The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three 'revisits': the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston's 'Moses, Man of the Mountain', Ilona Rashkow on 'Oedipus Wreckes: Moses and God's Rod', and 'Divine Puppeteer: Yahweh of Exodus' by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises 'Miriam' by Phyllis Silverman Kramer, 'Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings' by Helen Leneman, Alice Bach, 'Dreaming of Miriam's Well' and Irmtraud Fischer on 'The Authority of Miriam'. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on' Serah and the Exodus'.

At the heart of the Exodus is a recitation of the Decalogue, a "contract" between Yahweh and Israel that inscribes Israel into the fabric of human societies while emphasizing its uniqueness through Yahweh. According to the demands of the Decalogue, manhood entails the avoidance of stealing, killing, and coveting, not to mention apostasy and violation of the Sabbath and other men's property. What, then, would be the essence of womanhood, if different? Is there an exclusion of women from active participation in the Sinaitic theophany and, consequently, from active sharing of responsibility and identity? How ethically normative are the Ten Commandments? And, in terms of the present study, how gender specific are they? This study reclaims the encoded voice of womanhood, or rather the code of women as one crucial key for comprehending the ancient Israelite mind. By selecting female characters' narratives as interpretative clues for the "law", this book presents a reading of the Decalogue at three levels: legal, behavioral and representational.

An examination of New Testament Apocalyptic literature through the categories of post-colonial thought, deconstruction, ethics, Roman social discourse, masculinisation, virginity, and violence.

This volume in the prestigious Feminist Companions series edited by Athalya Brenner covers this fascinating figures of Esther, Judith, and Susanna.

This volume in the acclaimed feminist companion to the bible series, edited by Athalya Brenner, draws together a range of leading biblical commentators to discuss one of the most challenging and fascinating biblical texts for feminist interpretation, the book of Genesis.