Reprint of the original, first published in 1860.

Crossing disciplinary and chronological boundaries, this volume integrates text and image, essays and object pages to explore the processes inherent in gender representation, rather than resituating women in particular categories or spheres as other scholarly publications and exhibitions have done. Taking its lead from the 'Picturing' Women project on which it reflects and builds, the volume makes a substantial methodological contribution to the analysis of gender discourse and visuality. It offers new and stimulating scholarship that confronts historical patterns of representation that have defined what women were and are seen to be, and presents new contexts for unveiling what art historian Linda Nochlin has called the 'mixed messages' of representations of women.

A collection of critical essays reflecting both older and newer perspectives. Will also contain an introduction by the editor (a respected scholar in the field), a chronology of the author's life, and an annotated bibliography.

This collection of twelve specially commissioned essays, the first to focus on the work of Felicia Hemans, includes new work from important critics in the field - Isobel Armstrong, Stephen Behrendt, Gary Kelly, Susan Wolfson - as well as contributions from emerging scholars. Offering close readings of Heman's poetry, new research on her reception, and analyses of her cultural significance, the collection contributes substantially to our understanding of Hemans and to current debates about romanticism, feminism, canonization, and the relations between gender, culture, and poetry.