A History Of English Criticism, Which Was Originally The English Chapter Of Saintsbury S Monumental Three Volume A History Of Criticism And Literary Taste In Europe (1900-04), Was Published Separately In 1911 As A Revised, Adapted And Updated Edition, Complete In Itself. The Book Is The First Of Its Kind And Is Thus Of Great Historical Importance.The History Of English Criticism, As Saintsbury Sees It, Passes Through Three Distinct Stages: (I) The Initial Stage Of Elizabethan Criticism Tentative, Hesitating And Scattered Trying To Assimilate The Numerous Critical Ideas Scattered Throughout The Classical European Literatures (Ii) The Neo-Classic Period Starting With Dryden And Continuing Beyond The Beginning Of The Nineteenth Century And Then (Iii) The Stage Of Modified Or Modernist Criticism. It Is, However, A Continuous Process With Rise And Fall Of Various Schools, Theories, Movements And Attitudes Etc.The First Chapter Examines The Classical Legacy Which Provides The Relevant Critical Framework Against Which The Development Of English Criticism Must Be Seen. In The Subsequent Chapters Professor Saintsbury Discusses At Length The Contributions Of Elizabethan Critics, Dryden And His Contemporaries, The Eighteenth Century Critics, The English Precursors Of Romanticism, The Romantic Critics And The Critics During The Period From 1860 To 1900. The Conclusion Neatly Sums Up The General Plan Of The Book And The Findings Of Professor Saintsbury, The First Academic Historian Of Universal Criticism.Though Profoundly Luminous And Sharply Insightful The Book Makes A Delightful Reading Mainly Because Of The Vigour Of The Overbearing Character Of Saintsbury Who Always Transmits His Opinions With Gusto And Invites His Readers To Share His Views, His Happiness And Hearty Preferences, His Strong Likes And Dislikes.The Book Is A Must For Any Student Of Literary Criticism.

The author traces the course of literary criticism from its foundations in classical and medieval precepts to the theorising of the present day. He explores the texts which have been milestones in the history of critical thought, placing them firmly in the context of their time.

The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.

This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.

Cultural writing. Literary criticism. Middle-Eastern Studies. A HISTORY OF LITERARY CRITICISM IN IRAN contains comprehensive research on the works of the leading figures in the field of literary criticism in modernist Iranian thought in the nineteenth century: Mirza Fath `Ali Akhundzade, Mirza Malkom Khan, Mirza `Abd al-Rahim Talebof and Zeyn al-`Abedin Maraghe`i. Inclusion of Ahmad Kasravi and Sadeq Hedayat was considered appropriate later due to some common aspects of critical attitude to the predecessors. These criticisms were the first seeds of modern literary criticism sown in the field of social and political life in Iran. Parsinejad is well-known to researchers in the field of Iranian studies. The publication of this book is useful in familiarizing readers with one of the most crucial aspects of progressive and critical thought in the Iranian modern era.

This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index.

This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.

Surveying the beginnings of critical consciousness in Greece and proceeding to the writings of Aristophanes, Plato, Aristotle, and Hellenistic and Roman authors, this volume is not only for classicists but for those with no Greek or Latin who are interested in the origins of literary history, theory, and criticism.

Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism.