Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d Anjou (1409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame s intoxicating but deceptively simple promise of elite glory.

The Year's Work in Medievalism: 2004 is based upon but not restricted to the 2004 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for Studies in Medievalism, Gwendolyn Morgan, and, for 2004, Christa Canitz of the University of New Brunswick, Fredericton. The essays of the current volume center on the question of individual responsibility in humanizing one's society through the use of medievalism. ¥ Gwendolyn A. Morgan, ÒMedievalism and Individual Responsibility ¥ Karl Fugelso, ÒDeþning Medievalism in Nineteenth-Century Commedia Illustrations ¥ Renee Ward, ÒRemus Lupin and Community: The Werewolf Tradition in J.K. Rowling's Harry Potter Series. ¥ Nancy M. Thompson, Architectural Restoriation and Stained Glass in 19th-Century Siena: The Place of Light in Giuseppe Partini's Purismo ¥ Barbara Gribling, Nationalism and the Image of the Black Prince ¥ Clare A. Simmons, Small-Scale Humor in the British Medieval Revival ¥ Brian C. Johnsrud, ÒThe Monsters Do Not Depart: Re-Unifying Norse, Anglo-Saxon, and Christian in Tolkien's Lord of the Rings ¥ Jaimie Hensley, J.R.R. Tolkien and Walther von der Volgelweide: Faerie and Reality ¥ Peter G. Christensen, From Waste Land to Grail and Back Again Naomi Mitchison's To the Chapel Perilous

Originally published in 1932, this is a fascinating historical biography of Edward of Woodstock, better known as Edward the Black Prince, penned by renowned historian Henry Dwight Sedgwick. Edward of Woodstock KG (15 June 1330 - 8 June 1376) was the eldest son of King Edward III and Philippa of Hainault, and the father of King Richard II of England. He was the first Duke of Cornwall (from 1337), the Prince of Wales (from 1343) and the Prince of Aquitaine (1362-72). He was called “Edward of Woodstock” in his early life, after his birthplace, and since the 16th century has been popularly known as the Black Prince. He was an exceptional military leader, and his victories over the French at the Battles of Crécy and Poitiers made him very popular in England during his lifetime. In 1348 he was made a Founding Knight of the Garter. Edward died in 1376, one year before his father, becoming the first English Prince of Wales not to become King of England. The throne passed instead to his son Richard II, a minor, upon the death of Edward III.