This is the first comprehensive study of the history, status and structures, past and present, of Venetian. It provides a full, contextualised account, using detailed linguistic and historical data, of the emergence of Venetian in the medieval period, of its evolving status as a written as well as spoken medium within the Republic of Venice and of its enduring prestige as a spoken 'dialect' in an Italy rapidly moving towards monolingualism.English text.--Publisher website.

This book demonstrates that a crucial component of statebuilding in Venice was the management of public speech. Using a variety of historical sources, Horodowich shows that the Venetian state constructed a normative language - a language based on standards of politeness, civility, and piety - to protect and reinforce its civic identity.

The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars working on all aspects of the early modern world. Contributors are Alfredo Viggiano, Benjamin Arbel, Michael Knapton, Claudio Povolo, Luciano Pezzolo, Anna Bellavitis, Anne Schutte, Guido Ruggiero, Benjamin Ravid, Silvana Seidel Menchi, Cecilia Cristellon, David D’Andrea, Elisabeth Crouzet-Pavan, Wolfgang Wolters, Dulcia Meijers, Massimo Favilla, Ruggero Rugolo, Deborah Howard, Linda Carroll, Jonathan Glixon, Paul Grendler, Edward Muir, William Eamon, Edoardo Demo, Margaret King, Mario Infelise, Margaret Rosenthal and Ronnie Ferguson.

In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world.

The contributions of this volume offer both a diachronic and synchronic approach to aspects relating to different areas of colonial life as for example colonial place-naming in a comparative perspective. They comprise topics of diverse interests within the field of language and colonialism and represent the linguistic fields of sociolinguistics, onomastics, historical linguistics, language contact, obsolescence convergence and divergence, (colonial) discourse, lexicography and creolistics.

The linguistic study of the Slavic language family, with its rich syntactic and phonological structures, complex writing systems, and diverse socio-historical context, is a rapidly growing research area. Bringing together contributions from an international team of authors, this Handbook provides a systematic review of cutting-edge research in Slavic linguistics. It covers phonetics and phonology, morphology and syntax, lexicology, and sociolinguistics, and presents multiple theoretical perspectives, including synchronic and diachronic. Each chapter addresses a particular linguistic feature pertinent to Slavic languages, and covers the development of the feature from Proto-Slavic to present-day Slavic languages, the main findings in historical and ongoing research devoted to the feature, and a summary of the current state of the art in the field and what the directions of future research will be. Comprehensive yet accessible, it is essential reading for academic researchers and students in theoretical linguistics, linguistic typology, sociolinguistics and Slavic/East European Studies.

This study takes up the challenge posed by the reanalysis of Verb-Object order as the basic one in the history of English; the question, which has been debated for over thirty years, is tackled here by combining a qualitative and quantitative investigation with current linguistic theories, shedding new light on the phenomenon. It introduces new evidence in favour of a universal base order, by exploring the syntax of both Old English and Early Middle English and the information structural and prosodic properties of objects. It also considers the philological history of the texts examined, highlighting how this aspect should not be neglected in a diachronic linguistic study. As such, this book provides new data for scholars working in the field of English linguistics, as well as students and linguists interested in language change at the interface between syntax, information structure and prosody.

Carved on stone, painted on canvas, wood or porcelain, stitched on fabric, written on parchment or printed on paper, the 109 inscriptions in this unique collection preserve the surviving public writing of Venice's individuals and collectivities in the Middle Ages and Renaissance. They celebrate the completion, authorship or sponsorship of buildings, sculptures, paintings, reliquaries and shrines. They caption the splendid mappa mundi of Fra Mauro and Jacopo de' Barbari's iconic view of Venice. They declare the ownership of a processional banner, of the recipient of a maiolica plate, and of neighbourhood association properties. They record wills, indulgences and appeals. They mark the graves of confraternities, a barber-surgeon and a master mason. They can be found from Piazza San Marco to the corners of Cannaregio and Castello as well as on the lagoon islands. Written in the vernacular, their weight of presence, unmatched by any other Italian centre, attests to the city's exceptional literacy in our period and provides a wealth of privileged historical information. The corpus, with accompanying photographic record, is the first of its kind. It is thoroughly contextualized and analysed in terms of historical and artistic background, script and language. Ronnie Ferguson is Emeritus Professor of Italian at the University of St Andrews and Cavaliere della Stella d'Italia. He is a Fellow of the Ateneo Veneto di Scienze, Lettere ed Arti and of the Accademia Galileiana. His research interests include medieval and Renaissance epigraphy, the language and culture of Venice, Renaissance comedy and historical linguistics.

This book explores the Linguistic Landscapes of ten French and Italian Mediterranean coastal cities. The authors address the national languages, the regional languages and dialects, migrant languages, and the English language, as they collectively mark the public space.

The Bravo (1831) takes place in early eighteenth-century Venice, when the "Serene Republic" had lost much of its glory, leaving its oligarchs struggling to hold on to their family wealth by manipulating the government and people through secret councils and a figure-head doge. In 1844, Cooper called it "in spirit, the most American book I ever wrote" because of its depiction of the masses duped by demagoguery and the attempts of Congress to rein in President Jackson, who Cooper saw as representing the popular will. In the novel, the low-born hero, Jacopo Frontoni, is forced to become an agent of the state because his unjustly imprisoned father languishes in the infamous state prison. On the last page, Jacopo is executed as a scapegoat for the crimes attributed to him of which he is innocent, rendering his beloved insane. Only in a subplot does a noble couple escape Venice to enjoy marriage. The present text is based on all extant manuscript witnesses (including a lengthy deleted section) and offers extensive explanatory notes.