"The accepted historical picture of Frederick William Faber has often been that of a portly, ebullient, over-emotional individual, remembered chiefly as the founder of the London Oratory, for his disagreements with John Henry Newman, and for his prolific output of hymns (often triumphalist and occasionally sentimental). There is, however, a more profound side to Faber, which made him, in the opinion of one of his contemporaries, Henry Edward Manning, 'a great servant of God'." "This book presents us with the diverse, and often contradictory, strands within Faber's personal spirituality, and identifies the spiritual and intellectual processes that characterised his movement from Calvinistic Anglicanism to Ultramontane Roman Catholicism. If also explores areas of Faber's life that have not been discussed in detail before; his years within the Church of England, university life at Oxford, conversion to Roman Catholicism, foundation of the religious Order the Brothers of the Will of God, and the London Oratory."--BOOK JACKET.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For almost 400 years, Roman Catholics have been writing about the English Reformation, but their contributions have been largely ignored by the scholarly world and the reading public. Thus the myths of corrupt monasteries, a 'Bloody' Mary, and a 'Good' Queen Bess have established themselves in the popular mind. John Vidmar re-examines this literature systematically from the time of the Reformation itself, to the early 1950s, when Philip Hughes produced his monumental Reformation in England.

Offers a collection of English-language Catholic literature covering the long eighteenth century. This book focuses on the periods of martyrdom and violent persecution from the end of the sixteenth to the end of the seventeenth centuries and, latterly, on the so-called 'Second Spring' of English Catholicism.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.