A Marriage Out West is an intimate biographical account of two fascinating figures of twentieth-century archaeology. Frances Theresa Peet Russell, an educator, married Harvard anthropologist Frank Russell in June 1900. They left immediately on a busman’s honeymoon to the Southwest. Their goal was twofold: to travel to an arid environment to quiet Frank’s tuberculosis and to find archaeological sites to support his research. During their brief marriage, the Russells surveyed almost all of Arizona Territory, traveling by horse over rugged terrain and camping in the back of a Conestoga wagon in harsh environmental conditions. Nancy J. Parezo and Don D. Fowler detail the grit and determination of the Russells’ unique collaboration over the course of three field seasons. Delivering the first biographical account of Frank Russell’s life, this book brings detail to his life and work from childhood until his death in 1903. Parezo and Fowler analyze the important contributions Theresa and Frank made to the bourgeoning field of archaeology and Akimel O’odham (Pima) ethnography. They also offer never-before-published information on Theresa’s life after Frank’s death and her subsequent career as a professor of English literature and philosophy at Stanford University. In 1906 Theresa Russell published In Pursuit of a Graveyard: Being the Trail of an Archaeological Wedding Journey, a twelve-part serial in Out West magazine. Theresa’s articles constituted an experiential narrative based on field journals and remembrances of life in the northern Southwest. The work offers both a biography and a seasonal field narrative that emphasized personal experiences rather than traditional scientific field notes. Included in A Marriage Out West, Theresa’s writing provides an invaluable participant’s perspective of early 1900s American archaeology and ethnography and life out West.

In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.

A broken-hearted divorcee. A pregnant survivor. Can they turn an unwanted marriage… into love? Wyoming, 1866. Brandon Herman wants to drink away his heartache. Divorced, disgraced, and out of work, the last thing he wants to do is marry again. When he’s strong-armed into marrying a Crow Indian woman, he only thinks of running away… until he learns his bride-to-be is nine months pregnant… Lokni doesn’t trust her pale-skinned husband. After all, his kind raided her tribe, killed her loved ones, and stole her freedom. If it weren’t for the contractions, she would've already left her intoxicated groom. But until the baby is born, Lokni must bide her time and plan her escape… As the unlikely couple embarks across the untamed West, Brandon’s support helps their friendship to blossom. They start to realize that it’s more than the baby that draws them together. But on the trail to a brighter future, not everybody they meet is interested in their happily ever after… Forced into Marriage is a historical western romance set in a more realistic Wild West. If you like spirited characters, journeys of exploration, and the healing power of family, then you’ll love Ruth Ann Nordin’s stirring tale.

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.

This is the story of Sydney's much maligned western suburbs: how the city spread across the plains to the Blue Mountains, and why the 'westie' stigma haunts the people of the region. Resourceful and innovative, the people of the western suburbs have created a culture of their own, defying the 'westie' stigma. Out West uncovers the intricate social and cultural networks that make western Sydney a dynamic and stimulating place to live. Out West looks at how the land of the Darug people of the Cumberland Plain was first settled by whites in colonial times. It then traces the development of the 'westie' stigma from the time of inner-city slum clearances to post-war immigration and the more recent waves of moral panic about the youth of the region. It focuses in particular upon the way in which the media have contributed to the maintenance of the 'westie' image.

A widowed father of two bound to a wheelchair and a barren widow looking for a place to stay might discover that despite one's imperfections, love is possible. *********** When her husband died, Deanne Grayson didn’t shed a tear. She did, however, worry that his death meant she’d have to return to her hometown in Kentucky. Fortunately, she stumbles upon an ad in the paper from a man in Lincoln, Nebraska who is interviewing for a wife. Widower Bill Harvey is in need of a wife to help him run his general store. Plus, it would be nice to have help raising his two young children. But being confined to a wheelchair doesn’t exactly make him confident when it comes to a more intimate union with a woman. So when Deanne comes in for an interview, he makes a stipulation. He’ll marry her, but they won’t be consummating the marriage. So the marriage will be more of a partnership than a romance. A marriage of convenience suits Deanne just fine. She’s not looking for love. As long as she doesn’t have to return to her hometown, she’ll be happy. It’s not long before Bill starts to have desires he put behind him after the accident that confined him to a wheelchair. Yes, it was his decision to treat their marriage like a partnership, but after he gets to know her, he starts to want more. Exactly how can he, someone who is only half a man, expect a woman to want a real marriage with him?

Jesse Palmer headed to Omaha with his expectant wife and his mother-in-law. When his wife dies in childbirth, his mother-in-law blames him. And worse, she refuses to let him take care of his son. In order to get his son back, he needs to marry someone–and fast. And who better than the one who makes the offer? Laura Rufus volunteers to marry Jesse so he can have his son, knowing full well he’s still mourning the loss of his first wife. The last thing she plans on is falling in love with him, but day by day, his tenderness toward his son makes her wish she hadn’t been so quick to propose a marriage of convenience. Will there ever be something more between them, or will she be stuck with the marriage agreement they made?

Erin Larson has a problem that's been following her since she was a child: Alex Matthews. For a reason she can't explain, Alex has convinced himself that they will end up getting married. But she'd rather go through town in nothing but her chemise and petticoats before that happens. With her two older sisters married, it's her turn to find a husband. As long as Alex is lingering around, she's not going to find the man of her dreams. What she needs is to find another young lady for Alex to turn his attention to. Then, and only then, will she be free. Alex goes along with this little matchmaking scheme, knowing full well that if he plays his cards right, he'll finally succeed in convincing Erin that they're a perfect match. *This is a cute romantic comedy.