What is the American Dream, truly? This American social, cultural, and working-class family history, spanning some four centuries, represents a deeply personal quest for an answer from an unlikely source, namely the author’s own European progenitors. Because of their Mormon faith, their stories have been preserved, but not told. What they have to say about the American Dream is noteworthy. For the huge bulk of the author’s immediate family, their American Dream was not the American Dream; their reports and narratives, in principle, stand well outside the fantastic story of “liberty and justice for all” in the “land of the brave.” Indeed, their economic fortunes, or lack thereof, did not conform to the pattern; and most failed to go from being the vanquished of Europe to the victorious of America. For their trouble, and largely because of their Mormonism, they were cast in the role of America’s Caliban. Their American Dream may have been only to wake up from what quickly became a nightmare, especially for the scores of women and children who paid the ultimate price. Importantly, A Most Extraordinary, Everyday Family Story of Coming to the New World, 1660–2016 is a cautionary tale in an auto-ethnographical vein, and suggests that coming to the United States of America was often not worth such sacrifice.

Arguing that the early Royal Society moved science toward racialization by giving skin color a new prominence as an object of experiment and observation, Cristina Malcolmson provides the first book-length examination of studies of skin color in the Society. She also brings new light to the relationship between early modern literature, science, and the establishment of scientific racism in the nineteenth century. Malcolmson demonstrates how unstable the idea of race remained in England at the end of the seventeenth century, and yet how extensively the intertwined institutions of government, colonialism, the slave trade, and science were collaborating to usher it into public view. Malcolmson places the genre of the voyage to the moon in the context of early modern discourses about human difference, and argues that Cavendish’s Blazing World and Swift’s Gulliver’s Travels satirize the Society’s emphasis on skin color.

Archaeology is a way of acting and thinking—about what is left of the past, about the temporality of what remains, about material and temporal processes to which people and their goods are subject, about the processes of order and entropy, of making, consuming and discarding at the heart of human experience. These elements, and the practices that archaeologists follow to uncover them, is the essence of the archaeological imagination. In this extended essay, renowned archaeological theorist Michael Shanks offers his colleagues and students a window on this imaginative world of past and present and the creative role archaeology can play in uncovering it, analyzing it, and interpreting it.

This collection uncovers the wives, daughters, mothers, companions and female assistants who laboured in the shadows of famous men. Revealing the reality of uncredited female contributions throughout history, this book highlights the work of neglected and forgotten women associated with celebrated male writers, scholars, activists and politicians. As the #ThanksforTyping movement has shown, anonymous women working to support the work of their male relations and colleagues has been, and often still is, a universal phenomenon. These essays show just how long intelligent and determined women have been sidelined, ignored or forgotten throughout history. From a well-connected Roman matrician to the mother of the poet Philip Larkin, these women have their voices returned to them in twenty engaging chapters. Spanning ancient times to the modern day, they return agency to women who occupied crucial roles behind the scenes, but were always restricted to the supporting role they were obliged to play. The universal importance of these women take on new meaning in our modern era where women's voices are becoming ever-louder and increasingly recognised - including through such a movement as #ThanksforTyping.

State ordained child torturer Minister prisoner represents the offices of the Lt. Gov. Dan Patrick, TDCJ Director Bryan Collier, TBCJ, and wardens throughout the prison—but the greatest piece of fantasy is how the Executive Culture of cover ups came to see this Fools’ Parade as good for Texas, even “God’s will” to change the world. TDCJ destroys records of violence after 7 years and has hired the lowest qualified of the applicant pool many times in the last 25 years, even ordered the cleaning of contraband at the Polunsky Prison, and all those responsible for covering up a horde were promoted! 25 years of this! Who thinks a director that allowed that can competently supervise a naïve volunteer in a systemwide program of indenturing prisoners? Why is the director sponsoring psychopaths counseling psychopaths? Answer? MONEY—selling the Fools’ Parade Fantasy that buying faith from prisoners with favor turns them into saints after 4 years of Bible to naïve Evangelicals. Who thinks it JUSTICE that 400,000,000 hours of officer contact has zero definitive influence on parole when a commissioner spends