USA TODAY BESTSELLER "A wild ride beneath the glitz and glamour of 1950s Hollywood, proving once again that Casey Sherman is a master of the genre." —Ben Mezrich, New York Times bestselling author of Dumb Money, Bringing Down the House, and The Accidental Billionaires The dark story behind the bright lights of Tinseltown From the outside, Hollywood starlet Lana Turner seemed to have it all—a thriving film career, a beautiful daughter, and the kind of fame and fortune that most people could only dream of. But when the famous femme fatale began dating mobster Johnny Stompanato, thug for the infamous west coast mob boss Mickey Cohen, her personal life became violent and unpredictable. Lana's teenage daughter, Cheryl, watched her beloved mother's life deteriorate as Stompanato's intense jealousy took over. Eventually, the physical and emotional abuse became too much to bear, and Lana attempted to break it off with Johnny—with disastrous consequences. The details of what happened that fateful night remain foggy, but it ended in a series of frantic phone calls and Stompanato dead on Lana's bedroom floor, with Cheryl claiming to have plunged a knife into his abdomen in an attempt to protect her mother. The subsequent murder trial made for the biggest headlines of the year, its drama eclipsing every Hollywood movie. New York Times bestselling author Casey Sherman pulls back Tinseltown's velvet curtain to reveal the dark underbelly of celebrity, rife with toxic masculinity and casual violence against women, and tells the story of Lana Turner and her daughter, who finally stood up to the abuse that plagued their family for years. A Murder in Hollywood transports us back to the golden age of film and illuminates one of the 20th century's most notorious true crime tales.

For more than eighty years, the famous unsolved murder of William Desmond Taylor, the legendary bisexual film director, has generated debate and controversy. Now, best-selling author Charles Higham has solved the crime. Higham uncovers the corruption and intrigue of Los Angeles in the Roaring Twenties—and the film industry moguls’ complete domination of the city’s authorities. When it was discovered that a famous star of the day had probably killed Taylor, a massive cover-up began—from the removal of crucial evidence to the naming of innocent people as killers—which has continued until now to protect the truth. Murder in Hollywood goes beyond the killing to unearth unknown details about the life of Taylor before his arrival in Hollywood, as well as the stories and histories buried by the crooked authorities and criminals involved the case. The author’s exclusive interviews with the culpable star, his unique possession of long-vanished police records, and the support of the present-day Los Angeles county coroner—who examined the evidence as if the murder had taken place now—have ensured a hair-raising thriller. Charles Higham successfully presents the most plausible and convincing solution yet to the mystery. In the process he paints a vivid portrait of Hollywood in the 1920s—from its major stars to its bisexual subculture. The result is a compelling answer to a long-standing mystery and a fascinating study of a place, and an industry that, as today, let people reinvent themselves. Murder in Hollywood is more extraordinary than any crime of fiction and more exciting than any action adventure movie.

An intriguing story, with a tragic main character. It paints a picture of obsession, jealousy and excess during the wild later sixties leading into the “Anything Goes” seventies, particularly when it comes to Broadway, riches and fame. -Nikki Busch, Editor Keywords: Excess, Show business, Sixties, Drugs, Obsession, Love, Hate, Fame

From its earliest days, the Mafia has sought to make a fast buck from the American film industry. Stories of intimidation, threats and violence mingle with those of glamour and excess. In this stunning story of infamy and ballsy enterprise, Tim Adler tells the secret history of Al Capone, Sam Giancana and John Gotti's attempts to infiltrate the studio lots. However, although they have controlled the moguls and the money, the Mob learned how to be cool from classic films like The Godfather and characters like Tony Soprano, leaving them forever intertwined in both fact and fiction.

In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In Reinventing Hollywood, David Bordwell examines the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. Reinventing Hollywood is a groundbreaking study of how Hollywood storytelling became a more complex art and essential reading for lovers of popular cinema.

Actress by day, detective by night. See how a small-town girl balances a double life in Hollywood this four-book cozy mystery box set. “The characters are hilarious and very engaging. A good read as this series just gets stronger and stronger.” Book 1: Prime Time Murder Becky always imagined rubbing elbows with movie stars when she moved to L.A. to chase her dream. What she didn’t predict was being linked to a Hollywood hunk accused of murder. Book 2: Stand-In Murder A house sitter is found dead in a ritzy California mansion and the police are eager to sweep her suicide under the rug. But when amateur sleuth Becky Robinson notices inconsistencies at the crime scene, she makes it her mission to prove murder. Book 3: Music City Murder In a family of overachievers, it’s difficult to measure up. Especially if you’re a no-name actress desperate for approval. So, when Becky Robinson’s country music star cousin is accused of murder, she jumps at the chance to travel to Nashville, save the day, and prove her place in the family. Book 4: Trap Door Murder All Becky Robinson wants is a quiet night in Las Vegas with her ex-boyfriend. Not a lot to ask. But when a magician ends up dead in the middle of his show, it’s up to her and her team to solve the murder. If you love clumsy heroines, a Hollywood backdrop, quirky suspects, and an adorable rescue puppy, this four-book collection is for you! ----------------- Keywords: cozy mystery, cozy mystery series, murder mystery, animal mysteries, dog mysteries, female sleuth mysteries, amateur sleuth mysteries, clean mysteries, mysteries with humor, funny cozy mystery, whodunit cozy mysteries, murder, Los Angles, Hollywood, actress, pop culture references, witty dialog, quirky characters, friendship, Jack Russell terrier, chasing your dream, box set, collection, omnibus, anthology

From the first, brief moving images of female nudes in the 1880s to the present, the motion picture camera made the female body a battleground in what we now call the culture wars. Churchmen feared the excitation of male lust; feminists decried the idealization of a body type that devalued the majority of women. This history of Hollywood's treatment of women's bodies traces the full span of the motion picture era. Primitive peepshow images of burlesque dancers gave way to the "artistic" nudity of the 1910s when model Audrey Munson and swimmer Annette Kellerman contended for the title of American Venus. Clara Bow personified the qualified sexual freedom of the 1920s flapper. Jean Harlow, Mae West and the scantily clad chorus girls of the early 1930s provoked the Legion of Decency to demand the creation of a Production Code Administration that turned saucy Betty Boop into a housewife. Things loosened up during World War II when Betty Grable and Rita Hayworth ruled the screen. The postwar years saw the blonde bombshells and "mammary madness" of the 1950s while the 1960's brought bikini-clad sex kittens. With the replacement of the Production Code by a ratings system in 1968, nudity and sex scenes proliferated in the R-rated movies of the 1970s and 1980s. Recent movies, often directed by women, have pointed the way toward a more egalitarian future. Finally, the #MeToo movement and the fall of Harvey Weinstein have forced the industry to confront its own sexism. Each chapter of this book situates movies, famous and obscure, into the context of changes in the movie industry and the larger society.

Illustration on front cover of the title, a large cross, a movie camera, and a red question mark.

For decades, generations of television fans have been enraptured by Lt. Columbo, played by Peter Falk, as he unravels clues to catch killers who believe they are above the law. In her investigation of the 1970s series cocreated by Richard Levinson and William Link, Amelie Hastie explores television history through an emphasis on issues of stardom, authorship, and its interconnections with classical and New Hollywood cinema. Through close textual analysis, attentive to issues of class relations and connections to other work by Falk as well as Levinson and Link, Columbo: Make Me a Perfect Murder sees American television as an intertextual system, from its origins as a commercial broadcast medium to its iterations within contemporary streaming platforms. Ultimately, Hastie argues, in the titular detective’s constant state of learning about cultural trends and media forms, Columbo offers viewers the opportunity to learn with him and, through his tutelage, to become detectives of television itself.