In the sequel to A.J. Hackwith's bestselling The Library of the Unwritten a new threat from within the Library could destroy those who depend upon it the most. The Library of the Unwritten in Hell was saved from total devastation, but hundreds of potential books were destroyed. Former librarian Claire and Brevity the muse feel the loss of those stories, and are trying to adjust to their new roles within the Arcane Wing and Library, respectively. But when the remains of those books begin to leak a strange ink, Claire realizes that the Library has kept secrets from Hell and from its own librarians. Claire and Brevity are immediately at odds in their approach to the ink, and the potential power that it represents has not gone unnoticed. When a representative from the Muses Corps arrives at the Library to advise Brevity, the angel Rami and the erstwhile Hero hunt for answers in other realms. The true nature of the ink could fundamentally alter the afterlife for good or ill, but it entirely depends on who is left to hold the pen.

Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vitalforms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fatesand explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.

A comprehensive study of the complete works of one of France's finest religious poets.

Muses are fickle creatures, sprinkling inspiration on their wards as they see fit. They live in a world just right of center from ours, and to them, we're just the day job. Muses need lives too, you know. Enjoy this collection of stories compiled by several authors at Desert Breeze Publishing that will give you some insight into the world of the ethereal creatures who inspire the arts.

Selected by Choice Magazine as an Outstanding Academic Title From Odysseus to Aeneas, from Beowulf to King Arthur, from the Mahâbhârata to the Ossetian "Nart" tales, epic heroes and their stories have symbolized the power of the human imagination. Drawing on diverse disciplines including classics, anthropology, psychology, and literary studies, this product of twenty years' scholarship provides a detailed typology of the hero in Western myth: birth, parentage, familial ties, sexuality, character, deeds, death, and afterlife. Dean A. Miller examines the place of the hero in the physical world (wilderness, castle, prison cell) and in society (among monarchs, fools, shamans, rivals, and gods). He looks at the hero in battle and quest; at his political status; and at his relationship to established religion. The book spans Western epic traditions, including Greek, Roman, Nordic, and Celtic, as well as the Indian and Persian legacies. A large section of the book also examines the figures who modify or accompany the hero: partners, helpers (animals and sometimes monsters), foes, foils, and even antitypes. The Epic Hero provides a comprehensive and provocative guide to epic heroes, and to the richly imaginative tales they inhabit.

The sequel to Muses, the first Memoir, has come to me naturally, meeting women who became Muses. Some of them have been with me for many years. And since my art exhibition called: Musai (Muses), where I depicted my artistic response to the image of the Classical Muses with a contemporary style, and was accepted by the Fine Arts School of Athens, at their gallery in Plaka, the Muses seem to have honored me with their presence, whenever I write, draw, and paint. They have been the motor for my artistic endeavors, creating poetry and prose, drawings, and paintings. I have been visited, especially by three Muses, who invited me to dance with them. I gladly followed and could achieve an inspired record with my second book: MUSES II - The Poet who enjoys dancing with his Muses.

Johann Sigismund Kusser (or, as he was known in England and Ireland, John Sigismond Cousser), was a Hungarian-born musician who, after a varied and successful career in the German-speaking lands of the Holy Roman Empire, settled in Ireland in July 1707. In Dublin Kusser composed and directed the performances of at least twenty-one festive serenatas that marked important state occasions in Dublin between 1709 and his death in late 1727. Presented before the elite of local society in semistaged productions featuring costumes, stage machinery, and dancing, these works functioned as something of an operatic substitute in the city’s cultural life. The contents of the present volume comprise the three serenatas for which music remains extant. Two of these can be proven definitively to be of Kusser’s own composition, and the third, due to its musical style, overall structure, and subject matter, is almost certainly his creation as well. These works provide remarkably rare musical evidence of a key component of the artistic offerings of Dublin’s viceregal court during the early decades of the eighteenth century.