This volume gives historical sketches of ships whose assigned names begin with T through V. Includes an appendix on tank landing ships. American citizens, U.S. Navy veterans, students and historians interested in naval fighting ships may be interested in this volume. Other related products: Undersea Warfare: Official Magazine of the United States Submarine Force print subscription can be found here: https: //bookstore.gpo.gov/node/34839/edit Anchor of Resolve: A History of U.S. Naval Forces Central Command Fifth Fleet can be found here: https: //bookstore.gpo.gov/products/sku/008-046-00241-0 Dictionary of American Naval Fighting Ships, V. 6: R Through S, Appendices, Submarine Chasers, Eagle-Class Patrol Craft can be found here: https: //bookstore.gpo.gov/products/sku/008-046-00056-5 An Underwater Ice Station Zebra: Recovering a KH-9 Hexagon Capsule From 16,400 Feet Below the Pacific Ocean: Selected Declassified CIA Documents can be found here: https: //bookstore.gpo.gov/products/sku/041-015-00294-5?ctid=539 Fundamentals of War Gaming --Paperback format can be found here: https: //bookstore.gpo.gov/products/sku/008-046-00299-1 --Hardcover format can be found here: https: //bookstore.gpo.gov/products/sku/008-046-00269-0 The World Cruise of the Great White Fleet: Honoring 100 Years of Global Partnerships and Security --Hardcover format can be found here: https: //bookstore.gpo.gov/products/sku/008-046-00245-2 "

William Barker Cushing is considered one of the navy's greatest heroes of the Civil War. After his expulsion from the U.S. Naval Academy in 1861, Cushing managed to get an appointment as a master's mate on one of the warships of a blockading squadron. Cushing's daring and exceptional performance in battle led to a spectacular rise in rank, responsibility, and reputation. His military career culminated in his torpedoing of the Confederate ironclad Albermarle on the Roanoke River in 1864, an operation he executed under heavy enemy fire. This new and fully annotated edition of Cushing's memoir, originally written in 1867–1868, conveys the excitement and drama of a truly extraordinary Civil War naval career.

During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.

Jude and Lyyndy Whetstone, with their adult daughter, Rebecca, are summoned to Honolulu where Rebecca, a flyer like her father, meets a likeable young pilot, until Sunday, December 7, 1941 dawns on the Hawaiian Islands.