An estimated 4.6 billion years ago, the Earth and Moon were formed in a violent impact. On this, many agree, and even more that a long time after that, life began. However, few know that the first life on the Earth may not have emerged on this planet, but could, in fact, have begun on Mars, brought here by meteorites. In this revolutionary book, leading scientists Peter Ward and Joe Kirschvink rewrite the principal account of the history of life on Earth. They show not only how the rise of animals was delayed for billions of years, but also what it was that first forced fish out of the sea and onto the land. Together, the two scientists explain how developments in the environment led to multiple Ice Ages before the emergence of dinosaurs and other giant animals, and what the true cause of these great beasts' eventual extinction was. Finally, charting the course of our own evolution, they explore whether this generation will see the end of the human species. A New History of Life proves not only that much of what we think we know should be unlearned, but also that the true history of life on Earth is much more surprising and wonderful than we could ever have imagined.

Offering historical identity fortified by the presence of women belonging to the various areas of creative and intellectual life, this book allows readers to understand greater contexts of their identity. The history of female artists is an indicator of how social identity was erased from the historiography which asserted itself in nineteenth-century Europe. Analysis of the biographical pathways traced here reveals how women in the Middle Ages and beyond have been active protagonists of the arts, received reviews, as well as had an authoritative role as the esteemed and attentive witnesses of the society around them. Reconstruction of social relationships, intellectual and creative production as well as of the life stories of some of Europe’s most important female artists, foregrounds this omission and highlights their extraordinary nature. The different stories contained in this book narrate the lives and works of Hildegard von Bingen, Francesca Caccini, Mary Wollstonecraft, George Sand, Lou Andreas Salomé and Elke Mascha Blankenburg. By reinforcing the awareness of social and historical origins, the informed reader is better equipped to tackle their futures and build up their personalities.

A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.

Provides historical coverage of the United States and Canada from prehistory to the present. Includes information abstracted from over 2,000 journals published worldwide.

Extinction is the ultimate fate of all biological species - over 99 percent of the species that have ever inhabited the Earth are now extinct. The long fossil record of life provides scientists with crucial information about when species became extinct, which species were most vulnerable to extinction, and what processes may have brought about extinctions in the geological past. Key aspects of extinctions in the history of life are here reviewed by six leading palaeontologists, providing a source text for geology and biology undergraduates as well as more advanced scholars. Topical issues such as the causes of mass extinctions and how animal and plant life has recovered from these cataclysmic events that have shaped biological evolution are dealt with. This helps us to view the biodiversity crisis in a broader context, and shows how large-scale extinctions have had profound and long-lasting effects on the Earth's biosphere.

Selected and introduced by Richard Dawkins, The Oxford Book of Modern Science Writing is a celebration of the finest writing by scientists for a wider audience - revealing that many of the best scientists have displayed as much imagination and skill with the pen as they have in the laboratory. This is a rich and vibrant collection that captures the poetry and excitement of communicating scientific understanding and scientific effort from 1900 to the present day. Professor Dawkins has included writing from a diverse range of scientists, some of whom need no introduction, and some of whose works have become modern classics, while others may be less familiar - but all convey the passion of great scientists writing about their science.

This volume provides a fascinating account of the natural forces which shaped the Island's landscape from its formation some 500 million years ago to the present nature of the Manx environment and landscape. The story of the island's colonisation by plants and animals sets the scene for the later volumes which deal with the impact of man's arrival. A key element of the volume is an in depth examination of the contemporary landscape, with an appraisal of how the environment has affected man and how man has affected the environment.

In recent decades, there has been a substantial turn towards narrative and life history study. The embrace of narrative and life history work has accompanied the move to postmodernism and post-structuralism across a wide range of disciplines: sociological studies, gender studies, cultural studies, social history; literary theory; and, most recently, psychology. Written by leading international scholars from the main contributing perspectives and disciplines, The Routledge International Handbook on Narrative and Life History seeks to capture the range and scope as well as the considerable complexity of the field of narrative study and life history work by situating these fields of study within the historical and contemporary context. Topics covered include: • The historical emergences of life history and narrative study • Techniques for conducting life history and narrative study • Identity and politics • Generational history • Social and psycho-social approaches to narrative history With chapters from expert contributors, this volume will prove a comprehensive and authoritative resource to students, researchers and educators interested in narrative theory, analysis and interpretation.