Miss Charlotte Allston's curious nature has always led her to trouble. This time, she's tangled in a web of traitors and spies and quite literally swept off her feet by a handsome stranger. But all is not what it seems with the Earl of Beckport. The earl is living incognito, hunting a band of smugglers at the center of a plot for the French to invade England. The enigmatic Miss Allston becomes a person of interest...and not just in the smuggling case. Passion flares swift and hot between the two. But when her attempts to help with his secret mission only endanger it, he must question where her loyalty truly lies. When Charlotte is captured by the very traitor he's after, the earl must decide between redemption...and love. Each book in the Wanton in Wessex series is STANDALONE: * A Perilous Passion * A Potion for Passion

DigiCat Publishing presents to you this special edition of "Daisy Brooks; Or, A Perilous Love" by Laura Jean Libbey. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

An all-new historical mystery in this USA Today bestselling series featuring beloved inquiry agents Lady Kiera Darby and her dashing husband, Sebastian Gage. Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye’s great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck’s extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess’s furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household. Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent. For they are swiftly made to realize that Charlotte’s and Rye’s future happiness is not the only issue at stake, and this stealthy game of cat and mouse could prove to have deadly consequences.

Exposing the moral and strategic deficits of the Obama, Clinton and Kerry approach to world affairs, A Perilous Path takes a close look at American history, while at the same time providing fresh, thought-provoking analysis. It calls for renewal of the best American foreign policy traditions, which emphasize “peace through strength” and human rights. Anne R. Pierce tells the fascinating story of Obama administration foreign policy and illustrates its disturbing consequences. She shows that President Obama and his Secretaries of State expended more effort in improving relations with dictatorships than in strengthening ties with democracies or encouraging ideas of freedom. With meticulous research, Pierce documents the administration’s decisions and discusses its worldview. She reveals vital information regarding Hillary Clinton’s tenure as Secretary of State, providing a cautionary account of what we can expect from a Clinton presidency. Whoever becomes president, A Perilous Path offers a moral and strategic compass for both policymakers and the public.

A translation of the works of Natalie Clifford Barney

From a New York Times–bestselling author: A woman is kidnapped on a Caribbean pleasure cruise—only to be rescued by the most dangerous man she knows. In the wrong place at the wrong time. Amber Larkspur is on a cruise ship headed to the Caribbean when she witnesses an abduction. The target is a powerful Washington senator who is a friend of her father’s and a member of the president’s inner circle. Then Amber is abducted too. Terrified that she’s going to die, she is shocked to be rescued by the seductive stranger who shared her bed a year ago. But Michael Adams hasn’t come to save her. Haunted by the explosion that killed his wife and daughter, Adam Tchartoff lives for the day he can carry out his retribution. To the world he’s a heartless assassin. As Michael Adams, he can infiltrate the most impenetrable terrorist cells. Now a covert government mission has thrust Amber into harm’s way. The only way to protect her is to keep up the pretense. But will his hunger for revenge cost him the woman whose passion has brought him back to life? This ebook features an illustrated biography of Heather Graham, including rare photos from the author’s personal collection.

Ever since birth we've been told, "we're nobody unless we're number one." But now that we've so dutifully mastered the ability to defend our self-worth, this book shows why we must learn to forget it and redirect search for significance to the one true source of value: Jesus Christ.

They Voyage Perilousis the first extended interpretation of Willa Cather's writing within the literary tradition of romanticism. Although she partook of the familiar subjects and themes of the Wordsworthian school of romanticism, Cather was not nearly so concerned with what we see as how we see. Her intensely individual perspective, more creatively romantic than has been previously recognized, gave her work its own kind of elegant form. ø Susan J. Rosowski argues that Willa Cather early took up the romantic challenge to vindicate imaginative thought in a world threatened by materialism, then pursued it with remarkable consistency throughout her career. The early essays and stories set out the terms of this life-long commitment. In the early novels Cather celebrates imaginative possibilities; in the middle ones she present increasingly desperate circumstances, asking what is left when the imagination is eclipsed by commercial values; in the late novels she writes in a Gothic mode, the dark counterspirit to optimistic romanticism. ø The book is organized chronologically, with a chapter devoted to each novel. The chapters can be read independently or as part of a unified argument providing a larger picture.

Haunted by an unforgivable crime, the once noble swordsman, Sir Pierce of Mirkhaugh, now wanders Scotland as the sword-for-hire known as Blade. His latest mission--to unmask two assassins among the pilgrims bound for St. Andrews--goes awry when spirited Rosamund of Averleigh joins the entourage, tempting Blade from his solitude and making him believe in redemption. What he doesn't know is that Rose is fleeing for her life. With an abusive bridegroom tracking her, her only hope is to seek refuge as a nun...until she meets Blade, who awakens her passions and destroys her best-laid plans.

Drawing on the rhetorical work of James Phelan, Wayne Booth's ethical criticism, recent work on William Makepeace Thackeray, as well as an understanding of the role of skepticism in eighteenth- and nineteenth-century English thought, Thackeray's Skeptical Narrative and the "Perilous Trade" of Authorship makes a substantial contribution to nineteenth-century reading practices, as well as narratology in general. Judith Fisher combines in this study rhetorical and ethical analysis of Thackeray's narrative techniques to trace how his fiction develops to educate his reader into what she terms a "hermeneutic of skepticism." This is a kind of poised reading which enables his readers to integrate his fiction into their life in what Thackeray called "a world without God" without becoming pessimistic or fatalistic. Although Thackeray's narrative strategies have been the subject of study, most have focused on Vanity Fair and Henry Esmond only, and none look as closely as does this study at actual rhetorical techniques such as his use of pronominalization to interpolate the reader into his skeptical discourse. Fisher also brings her analysis to bear on The Adventures of Philip and The Virginians, Thackeray's last two complete novels, both of which were critical failures even as contemporary critics acknowledged their stylistic excellence. This is the first study to attempt to understand the puzzle of those two books; Fisher recovers them from their marginalized position in Thackeray's oeuvre. Fisher expertly weaves an accessible narrative theory with thoroughgoing knowledge of Thackeray's life in an integrated reading of his entire works. Reading Thackeray holistically in spite of his own disruptive practices, she does full justice to his critical skepticism while elucidating his canon for a new readership.