A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.

Hot Springs National Park was recognized nationally in 2010 when the U.S. Mint unveiled the design of the first quarter of 56 in a series called the America the Beautiful Quarters Program. In 1903 a Chicago magazine, The 400, told its upscale readers about Hot Springs, Arkansas. The article's author wrote, "I also perceive a Chicago-Hot Springs air line of macadamized highway, lined with meteoric automobiles ribboning off the 750 miles between the cities in a thousand or less minutes. The perspective is almost delirious." Such exuberant words are testimony to what Hot Springs, "a place apart," has been to the nation since the early European explorers found vapors rising from the thermal springs-47 of them from which a million gallons of 143-degree water flow each day. A Place Apart offers readers a balanced history in words and historic photographs of a unique locale in the state of Arkansas. The hot springs of what the Native Americans called Washita were on the national map of Pres. Thomas Jefferson when the United States acquired what would become Arkansas in the Louisiana Purchase of 1804. Congress created the Hot Springs Reservation in 1832-the first land that the federal government set aside for preservation-granting federal protection of the thermal waters, and renamed it Hot Springs National Park in 1921. This book provides a fascinating visual history of pioneers, wealthy barons, scoundrels, gamblers (including such frequent visitors as Al Capone and Lucky Luciano), colorful politicians, and the hundreds of thousands of people who came to the spa city in hopes of regaining their fleeting health. Also covered are such famous attractions as Oaklawn Park, a thoroughbred horse-racing track, and Bathhouse Row, with its eight turn-of-the-century historic buildings.

The Williamson Road area, which was annexed by the city of Roanoke in 1949, was originally a part of Botetourt County and thereafter of the northern part of Roanoke County. "A Place Apart" traces the history, places, and families of the Williamson Road. The book begins with various sketches of Roanoke Valley pioneers and early land owners. The second part of the volume continues with sketches of families that arrived during the late 18th or early 19th century, including Barren, Bushong, Campbell, Cannaday, Fellers, Garst, Harshbarger, Huntingdon, Nelms, Nininger, Oliver, Petty, Read, Rudd, Stokes, Watts, and Williamson. Community leaders associated with the Roanoke Valley's recent history are treated elsewhere in the book.

Fifteen-year-old Cathy Mugan, surrounded by violence, longs to find "a place apart." An unforgettable debut from Canadas next major author.

If you think that Jesus might have had something significant to say related to the well-being of the human race, this book is for you. If you think that Jesus' purpose was to get people into heaven after they died, this book is not for you. Actually, maybe it is, but you may not like it. Through individual and group encounters and thought-provoking questions, through poetry, prayers, icons, and meditation exercises, this companion for the warrior mystic monk seeks to guide the reader into an encounter with the life force that holds together and flows through all creation. This guide is intended for those who believe that Jesus began something central to the well-being of humanity and all creation, which has become almost lost within the institution of religion. Many who are embracing this emerging spiritual awakening remain within the church. The church continues to be family. At the same time, one's primary spiritual community is made up of those who are seeking awakening whether they are inside or outside of a religious institution.

James McMichael's psychologically penetrating long poem traces a man's twenty-year entanglement with a woman; the events that brought them together; the settings in which the two spent their time, together and alone; and the circumstances that led to their eventual separation.

National Book Award Winner: A grieving teenager wonders if she’ll ever understand anything—especially the big things—in life. Time passed, and all the minutes hurt . . . After her father’s death, Victoria Finch’s life changes completely. To save money, she and her mother move from Boston to a small house in the town of New Oxford. There, Victoria attends school in a building that resembles a train station, where no one pays her much attention. Then she meets Hugh Todd, the rich kid who runs the school’s theater club. He’s charming, adventurous, and encouraging, and he takes particular interest in Victoria’s writing. Hugh’s presence reinvigorates Victoria’s life. But he needs something as well, and as the months pass, Victoria realizes that his friendship comes at a high price. A New York Times Outstanding Book of the Year, A Place Apart is a lyrical novel of loss, friendship, and moving on.

Willis fleshes out with warmth and tenderness the complexities of family love, which not only defines commitment but deepens the need. An important new talent. -The Kirkus Reviews This is the story of a broken family trying to mend itself through three generations. It is a painful but essential process, and like all such repair jobs, it is only partly successful. Before it is over we come to know John and Vera and Mary Kay, as well as Vera's daughters, Lee and Tonie-to understand the wars they must declare and the peaces that they are able to proclaim within the state of being Scarlins. -The Philadelphia Inquirer Willis views the Scarlin family ties and loyalties, limits and tensions, with realism, sensitivity and precision. A noteworthy first novel. -Publisher's Weekly

The impact of naturalism, a literary approach invented by Zola and especially significant in the field of the novel through his American «disciples» Crane, Norris, and Dreiser, is well acknowledged and recognized. Not so well recognized, but equally important, is naturalistic theatre; this was a style that also originated with Zola, but its progeny was more international and its significance more radical and insurrectionary than in the less «spectacular» genre of fiction. The Theatre of Naturalism: Disappearing Act establishes the incipiently revolutionary context (between the Paris Communist Commune, crushed in 1871, and the successful Bolshevik insurrection of October 1917) - more or less foregrounded or in the background of works by Zola, Strindberg, Ibsen, Hauptmann, Synge, Shaw, and Tolstoy, focused especially on issues of class struggle and class war, as well as the prospects and possibilities of challenging the hegemony of the ruling orders. Especially in regard to later theatre, for instance the «hypernaturalism» of The Brig (Living Theatre) of Kenneth Brown, and of plays by Arnold Wesker and David Storey - Philip Beitchman frequently invokes themes culled from recent French theory, particularly Derrida's deconstruction and Baudrillard's ideas about simulation. The Theatre of Naturalism will open up new perspectives for anyone interested in theory or theatre, whether scholars or the wider theatre-loving or performing public.