Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

'Once upon a time, the London theatre was a charming mirror held up to cosiness. Then came Joan Littlewood, smashing the glass, blasting the walls, letting the wind of life blow in a rough, but ready, world. Today, we remember this irresistible force with love and gratitude.' (Peter Brook) Along with Peter Brook, Joan Littlewood, affectionately termed 'The Mother of Modern Theatre', has come to be known as the most galvanising director of mid-twentieth-century Britain, as well as a founder of so many of the practices of contemporary theatre. The best-known work of Littlewood's company, Theatre Workshop, included the development and premieres of Shelagh Delaney's A Taste of Honey, Brendan Behan's The Hostage and The Quare Fellow, and the seminal Oh What A Lovely War. This autobiography, originally published in 1994, offers an unparalleled first-hand account of Littlewood's extraordinary life and career, from illegitimate child in south-east London to one of the most influential directors and practitioners of our times. It is published along with an introduction by Philip Hedley CBE, previously Artistic Director of Theatre Royal Stratford East and Assistant Director to Joan Littlewood.

This book offers a major reassessment of the work of Brendan Behan (1923-64), author of The Quare Fellow, The Hostage and Borstal Boy. It charts Behan's intellectual journey from his early imitations of Republican verse and song to his formulation of a literature that could articulate and convey a thoroughly postcolonial, critical nationalism. Brendan Behan moves beyond the popular image of Behan as a stage-Irish rebel and presents his writings as complex representations of the construction and negotiation of identity and culture. Behan's plays, stories, autobiographies, poems and newspaper columns, composed in mid-century Ireland, explore the bonds of language, class, religion, colonialism and nationalism. This book argues that Behan's work expands the anti-colonial project of Irish revival writings to articulate a revisionist critique of post-independence Irish nationalism. Behan's writings engage in inter-textual dialogue with the writings of Hyde, Synge, O'Casey, Wilde, Yeats, and Joyce, to fashion from them his critical, comic interrogations of cultural nationalism.

An edited collection of essays exploring the work and legacy of the academic and theatre-maker Clive Barker. Together, the essays trace the development of his work from his early years as an actor with Joan Littlewood's company, Theatre Workshop, via his career as an academic and teacher, through the publication of his seminal book, Theatre Games (Methuen Drama). The book looks beyond Barker's death in 2005 at the enduring influence of his work upon contemporary theatre training and theatre-making. Each writer featured in the collection responds to a specific aspect of Barker's work, focusing primarily on his early and formative career experiences with Theatre Workshop and his hugely influential development of Theatre Games. The collection as a whole thereby seeks to situate Clive Barker's work and influence in an international and multi-disciplinary context, by examining not only his origins as an actor, director, teacher and academic, but also the broad influence he has had on generations of theatre-makers.