A Return to Aesthetics confronts postmodernism's rejection of aesthetics by showing that this critique rests on central concepts of classical aesthetic theory, namely autonomous form, disinterest, and symbolic discourse. The author argues for the value of these concepts by recovering them through a historical reinterpretation of their meaning prior to their distortion by twentieth-century formalism. Loesberg then applies these concepts to a discussion of two of the most significant critics of the ideology of Enlightenment, Foucault and Bourdieu. He argues that understanding the role of aesthetics in the postmodern critique of Enlightenment will get us out of the intellectual impasse wherein numbingly repeated attacks upon postmodernism as self-contradictory match numbingly repeated defenses. Construing postmodern critiques as examples of aesthetic reseeing gives us a new understanding of the postmodern critique of the Enlightenment.

Drawing on recent theories of digital media and on the materiality of words and images, this fascinating study makes three original claims about the work of William Blake. First, Blake offers a critique of digital media. His poetry and method of illuminated printing is directed towards uncovering an analogical language. Second, Blake's work can be read as a performative. Finally, Blake's work is at one and the same time immanent and transcendent, aiming to return all forms of divinity and the sacred to the human imagination, stressing that 'all deities reside in the human breast,' but it also stresses that the human has powers or potentials that transcend experience and judgement: deities reside in the human breast. These three claims are explored through the concept of incarnation: the incarnation of ideas in words and images, the incarnation of words in material books and their copies, the incarnation of human actions and events in bodies, and the incarnation of spirit in matter.

Through the life of a remarkable woman—based on pioneering stage director Sun Weishi (1921–1968)—this epic novel immerses us in the multifaceted history of China’s Communist Party. A powerful, insightful account from the National Book Award–winning author, who came of age during the Cultural Revolution. As a promising young actress, Sun Weishi made the critical decision to pursue her studies in Moscow—with the blessing of her influential adoptive father, Zhou Enlai, and Mao himself. The valuable insights she gained there during World War II, most notably the significance of characters' inner lives, would enable her to excel back in China, where she produced works by Chekhov and Gogol, and other socially progressive dramas, such as an adaptation of Uncle Tom's Cabin. Her striking career as China's first female director of modern spoken drama (Huaju) would be derailed with the advent of the Cultural Revolution in 1966, however, which put her once again at odds with an old enemy—Jiang Qing, a fellow actress who schemed her way to the top as Mao's fourth and final wife. Through the decades-long rivalry between these two complex women, and their differing approaches to the men in power who shaped their lives, Ha Jin deftly explores the ideals of communism and the reality of the Chinese Communist Party. At the same time, the novel captivates us with Sun Weishi's personal struggles and triumphs, as she navigates friendship, love, art, and politics amidst the great events of the twentieth century.

Yahzi, a strong Navajo woman captured in 1820 by the Spanish in Canyon de Chelly, is determined to escape by whatever means necessary. She manages to stampede a flock of sheep and flees in the confusion. But she faces even more difficulties in the unknown lands between the Spanish Nuevo Mexico frontier and her home in Canyon de Chelly.

Eminent theologians John Milbank, Graham Ward, and Edith Wyschogrod discuss aesthetics, placing radical orthodoxy in dialogue with postmodern theology.

Are you ready to blossom? Faith is like a flower. In order to grow, it needs soil, water, and sun—food for the spirit. That’s just what this devotional is. Spiritual food to help your faith grow strong and beautiful. Featuring 365 days of wisdom from your favorite Faithgirlz! authors, as well as quotes and questions from real girls like you, this devotional offers pages of inspiration on everything from navigating friendships, to taming the tongue, to trusting God in everything, big and small. Growing up can be tough, but Jesus is guiding you every step of the way. Beauty of Believing combines the talents of Faithgirlz! authors Tasha K. Douglas, Mona Hodgson, Kristi Holl, Lois Walfred Johnson, Allia Zobel Nolan, and Nancy Rue, and their words of wisdom will help your faith bloom and flourish as you grow into the girl God wants you to be.

Feminism, poststructuralism, postcolonialism, and Marxism, among other critical approaches, have undermined traditional notions of aesthetics in recent decades. But questions of aesthetic judgment and pleasure persist, and many critics now seek a "return to aesthetics" or a "return to beauty." Janet Wolff advances a "postcritical" aesthetics grounded in shared values that are negotiated in the context of community. She relates this approach to contemporary debates about a committed politics similarly founded on the abandonment of certainty. Neither universalist nor relativist, the "aesthetics of uncertainty" provides a discourse on beauty that contemporary critics can engage with and offers a basis for judgment that is committed to assigning value to works of art. Wolff explores her position through a range of topics: the question of beauty in relation to feminist critique; the problematic status of twentieth-century English art, visual representations of the Holocaust, Jewish identity as portrayed by the artist R. B. Kitaj, refugee artists and modernism in 1940s Britain, and the nature and appeal of imagistic thinking in sociology. She addresses the desire for certainty and the timeliness of doubt and concludes with a meditation on the intersection of aesthetics and ethics, arguing that ethical issues are very much implicated in aesthetic discourse.