A Ride Through Faerie & Other Poems is Clay Franklin Johnson’s debut collection of poetry in honor of John Keats on the bicentennial year of his tragic death in 1821. Clay’s poems, influenced by the darker side of Romanticism, capture atmospheres of nightmarish dreamscapes, often easing broodingly into “night-worlds” of otherworldly beauty, painting phantasmal scenes of visionary imagery, vivid with wondrous landscapes of the supernatural sublime, alive with “night-creatures” that exist in duality between dark and light, between death and life, and between this world and what waits on the other side. Clay’s poetry is obsessive, haunted by phantasms, ghosts of guilt, regret, longing, memories of lost loved ones, and possesses a particular penchant for that brooding, melancholy aesthetic of Gothic literature. The collection is passionately inspired by Clay’s travels, containing poems of night-wanderings among the Gothic ruins of Whitby Abbey, a piece of macabre decadence written during a cold winter living in Edinburgh, and even a spiritual retelling of the faery Mélusine inspired by a Shelleyan sort of illusion upon the enchanted waters of Asturian seas that whispers with illusory voices and hallucinatory madness. Clay has collaborated with the artist Eli John who has produced evocative illustrations for leading genre publishers in both the US and UK. Eli’s stunning artwork in this collection, created by densely layering elements of photography, traditional drawing, painting, and collage, has brought brilliant visual illustration to Clay’s poetry, capturing haunting atmospheres and night-worlds in poems such as “Lines Written by Moonlight at Whitby Abbey”, “The Fires of Ecstasy at Samhuinn”, “My Little Green Secret”, and “Edinburgh Ecstasies”.

Rooted in the oral traditions of cultures worldwide, fairy tales have long played an integral part in children's upbringing. Filled with gothic and fantastical elements like monsters, dragons, evil step-parents and fairy godmothers, fairy tales remain important tools for teaching children about themselves, and the dangers and joys of the world around them. In this collection of new essays, literary scholars examine gothic elements in more recent entries into the fairy tale genre--for instance, David Almond's Skellig, Neil Gaiman's The Graveyard Book and Coraline and Lemony Snicket's A Series of Unfortunate Events--exploring such themes as surviving incest, and the capture and consumption of children. Although children's literature has seen an increase in reality-based stories that allow children no room for escape from their everyday lives, these essays demonstrate the continuing importance of fairy tales in helping them live well-rounded lives.

This study maps a new approach to the works of W.B. Yeats, Robert Frost, Robert Penn Warren, and Seamus Heaney. Sean Heuston combines interdisciplinary analysis, specifically ethnography, with close reading, and in so doing argues provocatively for the intersection of modern poetry studies and contemporary ethnographic theory.

Some of the most important authors in British poetry left their mark onliterature before 1600, including Geoffrey Chaucer, Edmund Spenser, and, of course, William Shakespeare. "The Facts On File Companion to British Poetry before 1600"is an encyclopedic guide to British poetry from the beginnings to theyear 1600, featuring approximately 600 entries ranging in length from300 to 2,500 words.

In this book Honeyman looks at manifestations of youth agency (and representations of agency produced for youth) as depicted in fairy tales, childlore and folk literature, investigating the dynamic of ideological manipulation and independent resistance as it can be read or expressed in bodies, first through social puppetry and then through coercive temptation (our consumption replacing the more obvious strings that bind us). Reading tales like Popeye, Hansel & Gretel, and Pinocchio, Honeyman concentrates on the agency of young subjects through material relations, especially where food signifies the invisible strings used to control them in popular discourse and practice, modeling efforts to come out from under the hegemonic handler and take control, at least of their own body spaces, and ultimately finding that most examples indicate less power than the ideal holds.

This book examines the fairy in the work of many Victorian painters, novelists and poets.

This Oxford companion provides an authoritative reference source for fairy tales, exploring the tales themselves, both ancient and modern, the writers who wrote and reworked them and related topics such as film, art, opera and even advertising.