A Russian Paints America presents the first complete English translation of Svin'in's fascinating memoir. Thirty-one original watercolours complement his provocative views on topics such as slavery, religion, politics, and the fine arts. Introductory essays by Marina Swoboda and William Whisenhunt examine Russian-American relations, consider Svin'in's life and particular role in Russian history, and set his work in the context of the genre of picturesque travel - Svin'in clearly did not set out to produce a scholarly account of the United States but a work of literature, at a time when Russian literary language was in its earliest stages of development.

68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.

Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

At the end of World War I, the U.S. Army 339th Infantry--nicknamed the "Polar Bears"--was deployed to northern Russia to prevent Allied supplies stockpiled near the port city of Archangel from falling into the hands of the Bolsheviks. Drawing on firsthand accounts from men in the regiment, their 18-month campaign is narrated from the point of view of the riflemen, NCOs and officers of companies I and M. Each chapter highlights an individual soldier's experience fighting the Red Army and the Arctic winter, a quarter century before the Cold War.

Comprising a comprehensive survey of American religion, politics, intellectual life, literature and the arts, from the 1600s to the 1990s, this book regards American culture as a mix of Christianity, capitalism and democracy, rather than a succession of elections and wars.