"A select glossary of English words used formerly in senses different from their present" by Richard Chenevix Trench. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This volume is intended to be a contribution to a special branch of the study of our own language. It proposes to trace in a popular manner and for general readers the changes of meaning which so many of its words have undergone; words which, as current with us as they were with out forefathers, yet meant something different on their lips from what they mean on ours.

Considers Tennyson's poems, from the elegiac In Memoriam to the Arthurian Idylls of the King, in the context of Victorian interest in philology. How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called "new philology" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things "Anglo-Saxon", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale. Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian poet in the context of the period's preoccupation with the history of language. It shows that the intellectual milieu that surrounded him encouraged him to revive archaic words and to reveal the literal metaphors lurking within his words. Moreover, his familiarity with past forms of English enabled him to arrange the connotations of his vocabulary for precise effect. Surveying his techniques at every scale, from individual vowels to narratives, this book argues that Tennyson held a more optimistic view of language than scholars have generally supposed, and shows the sophistication of his philological techniques.

Both dictionary and paratext research have emerged recently as widely-recognised research areas of intrinsic interest. This collection represents an attempt to place dictionaries within the paratextual context for the first time. This volume covers paratextual concerns, including dictionary production and use, questions concerning compilers, publishers, patrons and subscribers, and their cultural embedding generally. This book raises questions such as who compiled dictionaries and what cultural, linguistic and scientific notions drove this process. What influence did the professional interests, life experience, and social connexions of the lexicographer have? Who published dictionaries and why, and what do the forematter, backmatter, and supplements tell us? Lexicographers edited, adapted and improved earlier works, leaving copies with marginalia which illuminate working methods. Individual copies offer a history of ownership through marginalia, signatures, dates, places, and library stamps. Further questions concern how dictionaries were sold, who patronised them, subscribed to them, and how they came to various libraries.

Includes music.