A Short History of My Philosophy is an autobiographic account of Agnes Heller's intellectual and academic career. While the narration mainly traces the development of ideas, we also learn how they occurred in the context of challenging life circumstances. Agnes Heller presents the life of her ideas is four stages: the first, 'years of apprenticeship,' details both the pre- and post-Hungarian revolution period during which she studied under György Lukács; the second, 'years of dialogue,' describes the relationships of the 'Budapest school' in terms of their shared work and contributions; the third, 'years of building and intervention,' gives insight into important works written while living in Australia, along with Agnes Heller's political engagements during this period; and finally, the fourth, 'years of wandering,' describes the various projects Agnes Heller has undertaken as a world-traveler at conferences since the departure of her late husband, Ferenc Fehér.

Discover for yourself the pleasures of philosophy! Written both for the seasoned student of philosophy as well as the general reader, the renowned writer Roger Scruton provides a survey of modern philosophy. Always engaging, Scruton takes us on a fascinating tour of the subject, from founding father Descartes to the most important and famous philosopher of the twentieth century, Ludwig Wittgenstein. He identifies all the principal figures as well as outlines of the main intellectual preoccupations that have informed western philosophy. Painting a portrait of modern philosophy that is vivid and animated, Scruton introduces us to some of the greatest philosophical problems invented in this period and pursued ever since. Including material on recent debates, A Short History of Modern Philosophy is already established as the classic introduction. Read it and find out why.

"Justice is a cultural and historical constant, characterized by plurality and incommensurate theories. This book identifies regulative and critical dimensions in the works of Kant, Hegel, Heller, and Honneth. The significance of the categorical imperative mediating plurality leads to a dynamic idea of justice that resists relativism"--

"A systematic account of Chinese thought from its origins to the present day"--Cover.

A study of the historical development of philosophy both requires and stimulates intellectual detachment. The person who limits himself to the present can easily fall a prey to passing fashions; he becomes a slave of the latest -ism. Intellectually rootless and inexperienced, he succombs to something that may exercise considerable attraction at this particular moment, but that soon withers and passes. For example, Ernst Haeckel's theories once exercised an enormous fascination on all sorts of people; they were even hailed as the definitive word in philosophy. Nowadays they are more likely to cause amusement than anything else. The same may be said of Nietzsche's philosophy, or materialism, or vitalism, or idealism.

Before Hungary’s transition from communism to democracy, local dissidents and like-minded intellectuals, activists, and academics from the West influenced each other and inspired the fight for human rights and civil liberties in Eastern Europe. Hungarian dissidents provided Westerners with a new purpose and legitimized their public interventions in a bipolar world order. The Making of Dissidents demonstrates how Hungary’s Western friends shaped public perceptions and institutionalized their advocacy long before the peaceful revolutions of 1989. But liberalism failed to take root in Hungary, and Victoria Harms explores how many former dissidents retreated and Westerners shifted their attention elsewhere during the 1990s, paving the way for nationalism and democratic backsliding.

This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be 'theatres'. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history.

This book deals with theoretical problems that arise at points of contact between the concerns of philosophers and historians about the practice of historiography. In bringing together these critical studies on diverse but related themes, the book offers insight into the aims and methods of those working in theory of historiography in recent years, especially in English-speaking countries.