This concise survey is designed to make the exciting history of Europe in the age of the Renaissance and Reformation come alive to readers. It is the first textbook on Europe between 1300 and 1700 to focus on gender as a significant issue for historical analysis. Author Jonathan W. Zophy introduces major events and personalities of the period as well as its cultural, economic, religious, political, and social developments. Taking a biographical approach, the book discusses ideas and artistic creations in their human and societal contexts. Reflects the latest in cross-disciplinary scholarship Written in a lively, student-friendly style Handsomely illustrated with masterpieces of art and useful maps Each chapter concludes with a chronology and up-to-date reading lists NEW— Revised bibliographies NEW— Additional material on Savonarola and Philip Melanchthon

A concise survey that introduces readers to the people, ideas, and conflicts in European history from the Thirty Years' War to the Napoleonic Era. The authors draw on gender studies, environmental history, anthropology and cultural history to frame the essential argument of the work.

Writing about the Renaissance can be a daunting task. Not only do scholars disagree on what the Renaissance is, but they also disagree on whether or not it even took place. Margaret L. King's richly illustrated social history of the Renaissance succeeds as a trusted resource, introducing readers to Europe between 1300–1700, as well as to the problems of cultural renewal. A Short History of the Renaissance in Europe includes a detailed discussion of Burckhardt as well as new content on European contact with the Islamic world. This new edition also provides improved coverage of the Protestant and Catholic Reformations. "Focus" features provide fascinating insights into the Renaissance era, and "Voices" sections introduce a wealth of primary sources. King's engaging narrative is enhanced by over 100 images, statistical tables, timelines, a glossary, and suggested readings.

The concept of a Northern European 'Renaissance' in the arts, in thought, and in more general culture north of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European 'Renaissance' during the 14th, 15th and 16th centuries have often seen it as an Italian import of, for example, humanism and classical learning into the Gothic North. There were certainly differences between North and South which have to be addressed, not least in the development of the visual arts. In this book, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, had a life of its own, expressed through such innovations as a rediscovery of pictorial space and representational realism, and which displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed new movements and tendencies in thought, the visual arts, literature, religious beliefs and the dissemination of knowledge which often stemmed from, and built upon, those continuities. A Short History of the Renaissance in Northern Europe – while in no way ignoring or diminishing the importance of the Greek and Roman legacy – seeks other sources, and different uses of classical antiquity, for a rather different kind of 'Renaissance' in the North.

When, in October 1517, Martin Luther pinned his Ninety-Five Theses to the door of All Saints' Church in Wittenberg he shattered the foundations of western Christendom. The Reformation of doctrine and practice that followed Luther's seismic action, and protest against the sale of indulgences, fragmented the Church and overturned previously accepted certainties and priorities. But it did more, challenging the relationship between spiritual and secular authority, perceptions of the supernatural, the interpretation of the past, the role of women in society and church, and clerical attitudes towards marriage and sex. Drawing on the most recent historiography, Helen L Parish locates the Protestant Reformation in its many cultural, social and political contexts. She assesses the Reformers' impact on art and architecture; on notions of authority, scripture and tradition; and - reflecting on the extent to which the printing press helped spread Reformation ideas - on oral, print and written culture.

A sweeping, illustrated history of Europe--a continent whose imperial ambitions, internal clashes, and existential threats are as vital today as they were during the conquests of Alexander the Great In just a few hundred years, a modest peninsula off the northwest corner of Asia has seen the rise and fall of several empires; served as the crucible for scientific dynamism, cultural innovation, and economic revolution; and witnessed cataclysms and bloodshed that have almost destroyed it several times over. This is Europe: a continent whose identity emerged not so much by virtue of geographic or ethnic continuity, but by a long and storied struggle for power. Studded with infamous figures--from Caesar to Charlemagne and Machiavelli to Marx--Simon Jenkins's history of Europe travels briskly from the Roman Empire, the Dark Ages, and the Reformation through the French Revolution, the World Wars, and the fall of the USSR. What emerges in this thrilling and expansive telling is a continent as defined by its continually clashing cultural identities and violent crises as it is by its tireless drive for a society based on the consent of the governed -- which holds true right up to the present day.

The documents in this collection trace the course of the Renaissance in Italy and northern Europe, describing the emergence of a vibrant and varied intellectual and artistic culture in various states, cities, and kingdoms. Voices of the Renaissance: Contemporary Accounts of Daily Life contains excerpts from 52 different documents relating to the period of European history known as the Renaissance. In the 14th century, the rise of humanism, a philosophy based on the study of the languages, literature, and material culture of ancient Greece and Rome, led to a sense of revitalization and renewal among the city-states of northern Italy. The political development and economic expansion of those cities provided the ideal conditions for humanist scholarship to flourish. This period of literary, artistic, architectural, and cultural flowering is today known as the Renaissance, a term taken from the French and meaning "rebirth." The Italian Renaissance reached its height in the 15th and early 16th centuries. In the 1490s, the ideals of the Italian Renaissance spread north of the Alps and gave rise to a series of national cultural rebirths in various states. In many places, this Northern Renaissance extended into the 17th century, when war and religious discord put an end to the Renaissance era.

What is Europe? Firstly, of course, it is a continent made up of countless disparate peoples, races and nations, and governed by different ideas, philosophies, religions and attitudes. Nonetheless, it has a common thread of history running through it, stitching the lands and peoples of its past and present together into one fabric and held together by the continent's great institutions, such as the Church of Rome, the Holy Roman Empire, the European Union, individual monarchies, trade organisations and social movements. Europe, however, is also an idea. From almost the beginning of time, men have harboured aspirations to make this vast territory one. The Romans came close and a few centuries later, the foundations for a great European state were laid with the creation of the Holy Roman Empire - an empire different to any other in that it enjoyed the approval of God, through the Church in Rome. Napoleon overreached himself in attempting to create a European-wide Empire - as did Adolf Hitler. Now, however, Europe is as close as it ever has been to being one entity, yet we Europeans still cling to our national independence. In A Short History of Europe Gordon Kerr provides a coherent map of the jumbled history of Europe and the European idea that has brought us to this point.

A comparative history of Chinese and Western Civilization from the dawn of agriculture to the dawn of modernity in Europe, China and the West to 1600 explores the factors that led to the divergent evolution of two major cultures of the ancient world, and considers how the subsequent developments saw one culture cling to tradition even as the other failed to do so, inadvertently setting the stage for the birth of the Modern Era. An accessible and inventive comparative history, suitable for all students at the college level as well as general readers Compares the history of Chinese civilization with Western civilization from the rise of agriculture to the dawn of the modern period Explores the ways in which Western failures in the Middle Ages after the Roman Empire’s collapse, and China’s successes in the same period, laid the groundwork for each culture’s divergent path in the modern period Makes meaningful connections between cultures and over time, through the use of themes such as agriculture, philosophy, religion, and warfare and invasion Bridges the gap between antiquity and modernity, looking at many factors of the global Middle Ages that influenced the development of the modern world Features a timeline, maps, endnotes, and complete index