Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography.

Judith Perraino investigates how music has been used throughout history to call into question norms of gender and sexuality. Beginning with an examination of the mythology surrounding the Sirens, she goes on to consider musical creatures, gods, humans and music-addled listeners.

Fans of The Great Gatsby, Libba Bray's The Diviners, and Bright Young Things will be captivated by Janet Fox's Roaring Twenties tale. Two girls. One gangster. A deadly secret. When Josephine's father ships her off to live with her rich cousins on the glittering island of Manhattan, he says it's to find a husband. But Jo knows better--there's trouble brewing, and in 1925, all that glitters is not gold. Caught up in a swirl of her cousin's bobbed-hair set--and the men that court them--Jo soon realizes that this world of jazz and gangsters and their molls hides a nest of lies. But when she befriends the girlfriend of one of the most powerful and dangerous gangesters in town, Jo begins to uncover secrets--secrets that threaten an empire and could destroy everyone she loves. Jo is faced with a choice: hang on to her soul, or lose herself in the decade of decadence.

The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.

This book offers a close survey of the changing audiences, modes of reading, and cultural expectations that shaped epic writing in the sixteenth and seventeenth centuries. According to Anthony Welch, the theory and practice of epic poetry in this period—including little-known attempts by many epic poets to have their work orally recited or set to music—must be understood in the context of Renaissance musical humanism. Welch’s approach leads to a fresh perspective on a literary culture that stood on the brink of a new relationship with antiquity and on the history of music in the early modern era.

In the latest in the enchanting series by New York Times bestselling author Lynn Cahoon, Mia Malone is looking forward to catering the Miss Magic Springs Harvest Pageant, part of the local coven’s big autumn celebration—until death puts a chill in the air . . . In a triumph for Mia’s catering business and cooking school, Mia’s Morsels is chosen to host a fall festival event in their Idaho mountain town—which means managing a bunch of stage moms and their social-media obsessed daughters as they get ready for the big beauty contest. There’s a lot riding on the results of the Harvest Moon Festival—it’s where the winning family receives an inside track to coven power. But after one stage mom is found dead, and another winds up in the hospital, the coven suspects magical meddling. With a week to go before the coronation of the new queen, Mia must draw on her sleuthing powers to find out what’s going on—and whether this competition has gotten a little too cutthroat . . .