A Study Guide for Emily Dickinson's "Tell All the Truth but Tell It Slant," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

Belief is rarely pure and never simple. This book explores the particular perplexities of belief as experienced by one female vicar in the Church of England. To exercise a public and representational role within any faith community will always bring its own pressures and paradoxes. Here, the author acknowledges and explores her own questions, which cover a wide range of topics from politics to preaching; from science to suffering. A constant theme of the book is the relationship between fact and truth. Fact is, of course, an important vehicle of truth, but not the only one. Symbolism, metaphor, myth, the creative arts have all conveyed the deep truths of Christianity to the author, who remains totally committed to her faith. Perhaps unsurprisingly, however, she takes a non-literalist view of belief, which she accepts will not be shared by some fellow Christians. But in her experience and understanding, to follow Christ means to seek the eternal truth which he embodied, and which will always be more elusive and intriguing than a recital of fact. And – for the author at least – more joy-giving. This is a hopeful book!

This book-length study of an eminent, distinguished and influential poet and contemporary woman of letters integrates analysis and a honed interpretation of the near-total gamut of the oeuvre to-date of Professor Fiona Sampson. The study includes biographical insight and synthesizes its rigorous discussions of the dominant rubric of Professor Sampson’s poetic métier, her prose in different genres, and the literary practices of over a decades-long and much-lauded literary career. This critical work finds and displays incisive and fruitful ways by which the oeuvre in question crosses boundaries in literary writing and practices with fertile results and evidences those cross-currents in a manner that indicates the trajectory of a sensibility or structure of feeling, one which though highly intelligent and self-aware is also deeply empathic. A lucid, coherent and compelling reading of Sampson’s main works makes this book a scintillating study and a much needed contribution to the current work being done on major contemporary poets and writers and, in particular, contemporary women figures, in the British and international literary scenes.

Most thoughtful people live in an interregnum between science and religion. Traditional religious answers concerning the beginning, purpose, and end of life are questioned by the natural sciences, with neuroscience conceivably constituting the last frontier where skeptics and believers explore common ground. The question concerns the nature of reflective and creative moments in life. Can these be reduced to the intersect between the nerve cells and molecules of the physical brain? Does this account for the human sense of mystery, or even spirituality? Is there a nexus between the physical and unknown dimensions of existence? The mutation in the history of theism suggest that progressive theology in the West may be set for a further change.

These three colorful books offer gripping stories of how God shows his mercy and accomplishes his will through human actions. Jonah is a reluctant prophet who must be swallowed by a whale before he delivers his message to Israel's ancient enemies at Nineveh that they must repent or face doom. Tobit tells of the trials and tribulations of a family, and the power of prayer as God sends an angel to guide Tobit's son Tobiah on a journey of resolution. In the book of Judith, a simple and courageous widow, rather than an army, saves her people from destruction by a powerful enemy. This rich commentary explores the significant themes of each book, showing that God is intimately involved with the destiny of humankind.

An essential part of human expression, humor plays a role in all forms of art, and humorous and comedic aspects have always been part of popular music. For the first time, The Routledge Companion to Popular Music and Humor draws together scholarship exploring how the element of humor interacts with the artistic and social aspects of the musical experience. Discussing humor in popular music across eras from Tin Pan Alley to the present, and examining the role of humor in different musical genres, case studies of artists, and media forms, this volume is a groundbreaking collection that provides a go-to reference for scholars in music, popular culture, and media studies. While most scholars, when considering humor’s place in popular music, tend to focus on more "literate" forms, the contributors in this collection seek to fill in the gaps by surveying all kinds of humor, critical theories, and popular musics. Across eight parts, the essays in this collection explore topics both highbrow and low, including: Parody and satire Humor in rock and global music Gender, sexuality, and politics The music mockumentary Novelty songs Humor has long been a fixture of the popular music soundscape, whether on stage, in performance, on record, or on film. The Routledge Companion to Popular Music and Humor covers it all, presenting itself as the most comprehensive treatment of the topic to date.