The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history. Detested by some, embraced by others, minimalism's influence was immediate, pervasive and lasting, significantly changing the way we hear music, see art and read literature. In The Theory of Minimalism, Marc Botha offers the first general theory of minimalism, equally applicable to literature, the visual arts and music. He argues that minimalism establishes an aesthetic paradigm for rethinking realism in genuinely radical terms. In dialogue with thinkers from both the analytic and continental traditions – including Kant, Danto, Agamben, Badiou and Meillassoux – Botha develops a constellation of concepts which together encapsulate the transhistorcial and transdisciplinary reach of minimalism. Illustrated by a range of historical, canonical and contemporary minimalist works of different media, from the caves of early Christian ascetics to Samuel Beckett's late prose, Botha offers a bold and provocative argument which will equip readers with the tools to engage critically with past, present and future minimalism, and to recognize how, in a culture caught between the poles of excess and austerity, minimalism still matters.

Minimalist Syntax is a collection of essays that analyze major syntactic processes in a variety of languages, all unified by their perspective from within the Minimalist Program. Introduces important concepts in the Minimalist approach to syntactic theory. Emphasizes empirical consequences of the Minimalist approach through innovative analyses. Highlights the importance of Minimalist syntax in explaining features of natural languages. Includes contributions from leading syntacticians.

Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and threatening cultural currents into the fragile construct that is ordinary life. Building upon theories of affect and the everyday, Minimalism and Affect in American Literature, 1970-2020 analyses minimalist aesthetics within the works of canonical minimalists alongside writers more frequently associated with other movements. Through readings of Ernest Hemingway, Joan Didion, Raymond Carver, Paul Auster and Don DeLillo, among others, and cultural phenomena ranging from sedation to telephony, this book exposes the persistence and political importance of minimalism within American literature from the 20th century into the 21st.

Essays present explicit syntactic analyses that adhere to programmatic minimalist guidelines. The essays in this book present explicit syntactic analyses that adhere to programmatic minimalist guidelines. Thus they show how the guiding ideas of minimalism can shape the construction of a new, more explanatory theory of the syntactic component of the human language faculty. Contributors Zeljko Boskovic, Samuel David Epstein, Robert Freidin, Erich M. Groat, Norbert Hornstein, Hisatsugu Kitahara, Howard Lasnik, Roger Martin, Jairo Nunes, Norvin Richards, Juan Uriagereka, Amy Weinberg Current Studies in Linguistics No. 32

Understanding Minimalism is a state-of-the-art introduction to the Minimalist Program the current model of syntactic theory within generative linguistics. Accessibly written, it presents the basic principles and techniques of the minimalist program, looking firstly at analyses within Government and Binding Theory (the Minimalist Program s predecessor), and gradually introducing minimalist alternatives. Minimalist models of grammar are presented in a step-by-step fashion, and the ways in which they contrast with GB analyses are clearly explained. Spanning a decade of minimalist thinking, this textbook will enable students to develop a feel for the sorts of questions and problems that minimalism invites, and to master the techniques of minimalist analysis. Over 100 exercises are provided, encouraging them to put these new skills into practice. Understanding Minimalism will be an invaluable text for intermediate and advanced students of syntactic theory, and will set a solid foundation for further study and research within Chomsky s minimalist framework.

This minimalist study proposes that the computational system of human language must consist of strictly local operations. In this highly original reanalysis of minimalist syntax, Thomas Stroik considers the optimal design properties for human language. Taking as his starting point Chomsky's minimalist assumption that the syntactic component of a language generates representations for sentences that are interpreted at perceptual and conceptual interfaces, Stroik investigates how these representations can be generated most parsimoniously. Countering the prevailing analyses of minimalist syntax, he argues that the computational properties of human language consist only of strictly local Merge operations that lack both look-back and look-forward properties. All grammatical operations reduce to a single sort of locally defined feature-checking operation, and all grammatical properties are the cumulative effects of local grammatical operations. As Stroik demonstrates, reducing syntactic operations to local operations with a single property—merging lexical material into syntactic derivations—not only radically increases the computational efficiency of the syntactic component, but it also optimally simplifies the design of the computational system. Locality in Minimalist Syntax explains a range of syntactic phenomena that have long resisted previous generative theories, including that-trace effects, superiority effects, and the interpretations available for multiple-wh constructions. It also introduces the Survive Principle, an important new concept for syntactic analysis, and provides something considered impossible in minimalist syntax: a locality account of displacement phenomena.

This is a self-contained introduction to the Minimalist Program for linguistic theory, the boldest and most radical version of Noam Chomsky's naturalistic approach to language. Cedric Boeckx examines its foundations, explains its underlying philosophy, exemplifies its methods, and considers the significance of its empirical results. He explores the roots and antecedents of the Program and shows how its methodologies parallel those of sciences such as physics and biology. He disentangles and clarifies current debates and issues around the nature of minimalist research in linguistics and shows how the aims and ambitions of the Minimalist Program lie at the centre of the enterprise to understand how the human language faculty operates in the mind and is manifested in the world's languages. The book contains a glossary of key concepts, each one illustrated with relevant examples drawn from a variety of languages.

This monograph offers a theoretical foundation of the executive branch in Western democracies and argues that the tension between dominance and submission is maintained by the adoption of various forms of fuzziness, under which a guise of legality masks the absence of the substantive limitation of power.

Fifteen specially written papers examine the ways in which the content of what we say is dependent on the context in which we say it. At the centre of the current debate on this subject is Cappelen and Lepore's claim that context-sensitivity in language is best captured by a combination of semantic minimalism and speech act pluralism. Using this theory as their starting point, the contributors to this volume develop a variety of different views about the role of context in communication, and reveal its wide-ranging implications for all issues in the philosophy of language and linguistics.