In a time where religion intellectualism has started to wane and the mystical philosophies of emotion have started to take over the church, this work is vitally important. Even in his day, Edwards dealt with people that were putting too much emphasis on either Intellectualism or Affection and not seeing the importance of both of them together. This volume helps to bridge the gap and gives us an alternative to worrying about bad emotions in our church to allowing a balanced experience of emotion in our churches. Now in larder print!

A first-of-its-kind critical overview of how art leads to moral action in the field of theological ethics One question that remains insufficiently addressed in theological ethics is the question of how art leads to moral action. While many modernist theories consider art to be a morally irrelevant activity, others think that the arts, and the emotions they elicit, are integral to moral formation and justice. Challenging both kinds of theories, Art and Moral Change proposes that art is essential because it is an inevitable source of moral disagreement. Drawing on the work of Jonathan Edwards and many others in theology, philosophy, and literary studies, Art and Moral Change argues that the arts are the cultural mediums through which we can better understand what is morally possible in the midst of difference. The arts, in other words, can serve as snapshots of a particular community's perspectives on the good life, offering glimpses not only of competing moral visions within society but also of the extent to which these contested moral views are reconcilable. Thus, the arts reveal the limits of moral reasoning, confirm the contextuality of moral discernment, and necessitate moral thinking that is dialogical and dialectical. Art and Moral Change provides a first-of-its-kind critical overview of how the field of theological ethics approaches and should utilize aesthetics. The core premise—that paying attention to art encourages us to appreciate the ethical importance of disagreement, difference, and conflict—will foster greater understanding of aesthetics and ethics for students and scholars of theological, social, and virtue ethics.

How do we discern between true religion, and false? In this classic treatise on the nature of authentic faith, enormously influential American preacher and theologian JONATHAN EDWARDS (1703-1758) explores the difference between true and counterfeit religious experiences, and how deep and sincere emotion can accentuate a real connection to God. This profound 1746 text examines both the genuine signs of an instance of God's interaction with the faithful-such as the potential "beautiful symmetry and proportion" of a revelation-as well as "signs" that offer no evidence: the "appearance of love" in a possible communication with God, for instance, is not enough to cement its divinity. Passionate and contentious, this exploration of the place of emotion in religious experience continues to confound and enlighten seekers of spiritual succor centuries after it was written.