In a world troubled by religious strife and division, Chris Lowney's vividly written book offers a hopeful historical reminder: Muslims, Christians, and Jews once lived together in Spain, creating a centuries-long flowering of commerce, culture, art, and architecture. In 711, a ragtag army of Muslim North Africans conquered Christian Spain and launched Western Europe's first Islamic state. In 1492, Ferdinand and Isabella vanquished Spain's last Muslim kingdom, forced Jews to convert or emigrate, and dispatched Christopher Columbus to the New World. In the years between, Spain's Muslims, Christians, and Jews forged a golden age for each faith and distanced Spain from a Europe mired in the Dark Ages. Medieval Spain's pioneering innovations touched every dimension of Western life: Spaniards introduced Europeans to paper manufacture and to the Hindu-Arabic numerals that supplanted the Roman numeral system. Spain's farmers adopted irrigation technology from the Near East to nurture Europe's first crops of citrus and cotton. Spain's religious scholars authored works that still profoundly influence their respective faiths, from the masterpiece of the Jewish kabbalah to the meditations of Sufism's "greatest master" to the eloquent arguments of Maimonides that humans can successfully marry religious faith and reasoned philosophical inquiry. No less astonishing than medieval Spain's wide-ranging accomplishments was the simple fact its Muslims, Christians, and Jews often managed to live and work side by side, bestowing tolerance and freedom of worship on the religious minorities in their midst. A Vanished World chronicles this impossibly panoramic sweep of human history and achievement, encompassing both the agony of jihad, Crusades, and Inquisition, and the glory of a multicultural civilization that forever changed the West. One gnarled root of today's religious animosities stretches back to medieval Spain, but so does a more nourishing root of much modern religious wisdom.

A personal portrait of a young American girl's rural childhood - including reminiscences of the Civil War and pioneering in the West. Renewed interest in wilderness, rural farm life, and the experiences of pioneer women has prompted the reissue of this work.

Memoirs of a Jew born in 1920 in Warsaw; in 1930 he and his parents emigrated to the USA. Ch. 5 (pp. 115-143), "On the Edge of the Volcano, " contains, inter alia, recollections of and reflections on antisemitism in Poland in the 1920s.

Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish shtetlekh of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened—not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of Children of a Vanished World, seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children. Selected and edited by the photographer's daughter, Mara Vishniac Kohn, and translator and coeditor Miriam Hartman Flacks, these images show children playing, children studying, children in the midst of a world that was about to disappear. They capture the daily life of their subjects, at once ordinary and extraordinary. The photographs are accompanied by a selection of nursery rhymes, songs, poems, and chants for children's games in both Yiddish and English translation. Thanks to Vishniac's visual artistry and the editors' choice of traditional Yiddish verses, a part of this wonderful culture can be preserved for future generations. Earlier books of Roman Vishniac's photographs include To Give Them Light: The Legacy of Roman Vishniac (1995), A Vanished World (1983), and Polish Jews (1947). A major exhibition titled "Children of a Vanished World: Photographs byRoman Vishniac" is scheduled at the Museum of Jewish Heritage in New York. The show will open to the public on March 7 and run through June 4, 2000.

A translation from the original Swedish of Goran Malmqvist's memoir of two years (1948-50) in Sichuan Province in southwest China, half of which was spent living in Baoguosi Monastery at the foot of Mt Emei while he conducted dialect research in the surrounding countryside. The author's reminiscences include an eyewitness account of the Chinese Communist "liberation" of the capital of Chengdu in December, 1949 and his subsequent interrogation by the authorities."

Safe Keeping is an intimate account of a small English boy's survival of a mid-Atlantic U-boat attack while on a wartime voyage to sanctuary, and his subsequent joyful childhood exile in America, which paved the way to a rich and rewarding adult life. It is a vivid account of wartime anxieties on both sides of the Atlantic, exploring among much else, death and sacrifice, rationing and food shortages, child-rearing and education. The story is told through the correspondence between the boy's mother in England and his Connecticut foster-mother - greatly enhanced by the boy's own vivid verbatim descriptions of his full and varied life.

"Wilfred Thesiger's superb portraits of tribal peoples have earned him worldwide recognition as a photographer. Using a simple box camera which had belonged to his father, Thesiger began his photographic career during a short hunting trip in Ethiopia in 1930 and used the same camera to photograph hostile Danakil tribesmen when he returned three years later to explore the Awash river. Whilst in the Sudan, and now equipped with a Leica 35mm, Thesiger portrayed the Muslim tribes in Northern Darfur, pagan Nuer in the Western Nile swamps and Nuba wrestlers. Among Ethiopia's Danakil he had travelled as a European accompanied by servants, but here he lived increasingly on equal terms with his followers and his photography mirrors this changed attitude. The dramatic visual impact of Arabia's deserts fully awakened Thesiger's latent talent for portraiture and composition. During his five years in Arabia from 1945-50 he was able to depict his Bedu companions with a sensitivity and power only suggested by his pre-war photographs. Conceived in the harshest of settings, these Arabian pictures bear eloquent testimony to the inspirational effect the desert had upon this great traveller. In contrast, tranquil images of reeds, waterways and lagoons characterize Thesiger's matchless portraits of the Marsh Arabs of Iraq -- in which he captures a world which has now completely disappeared. In the seldom visited regions of Kurdistan, Pakistan and Afghanistan Thesiger took many photographs of their striking inhabitants who remained thoroughly unselfconscious in front of the camera -- as did the graceful tribespeople of northern Kenya and Tanzania later in Thesiger's eventful life. These unique portraits were all taken under exceptional conditions. Together they provide a magnificent pictorial record of diverse cultures and vanished worlds"--Publisher description.

Autobiographical reminiscences. With a portrait.

In 14 papers delivered at or sent to a May 2001 conference in Jerusalem, historians specializing in Jews in various European countries examine the views about the return or prospective return of the Jews to their countries of origin after World War II. Among the countries are France, the Netherlands, Italy, Poland, and Hungary. Places and names are

An interdisciplinary approach to American Jewish ethnic identity in post-Holocaust America. This volume explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of "hybrid" texts—those that exist on the border between ethnography and art—Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust. S. Ansky's ethnographic expedition (1912–1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906–1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportunities for the creation of folk ethnographic hybrid texts. Salvage Poetics looks at classical texts of the American Jewish experience in the second half of the twentieth century, such as Maurice Samuel's The World of Sholem Aleichem (1944), Abraham Joshua Heschel's The Earth Is the Lord's (1950), Elizabeth Herzog and Mark Zborowski's Life Is with People(1952), Lucy Dawidowicz's The Golden Tradition(1967), and Roman Vishniac's A Vanished World (1983), alongside other texts that consider the symbiotic relationship between pre-Holocaust aesthetic artifacts and their postwar reframings and reconsiderations. Salvage Poetics is particularly attentive to how literary scholars deploy the notion of "ethnography" in their readings of literature in languages and/or cultures that are considered "dead" or "dying" and how their definition of an "ethnographic" literary text speaks to and enhance the scientific discipline of ethnography. This book makes a fresh contribution to the fields of American Jewish cultural and literary studies and art history.