Epping Forest was given to the public in 1878. It has many historical and literary associations involving, for example, Harold II, Henry VIII, Elizabeth I, Shakespeare, Tennyson, Clare and Churchill. Nicholas Hagger came to Epping Forest during the war. As a boy he knew Sir William Addison, long recognised as an authority on the Forest, and saw Churchill speak in his village in 1945. He grew up against the background of the Forest and visited it regularly when he was living elsewhere. He returned and became the proprietor of three private schools in the area, founding his own school in 1989. The Forest has come into many of his poems and other works. In Part One of this book he conveys the history of Epping Forest in the times of the Celts and Romans, Anglo-Saxons and Normans, Medievals and Tudors, and enclosers and loppers. In Part Two he shows how history has shaped the Forest places he grew up with: Loughton, Chigwell, Woodford, Buckhurst Hill, Waltham Abbey, High Beach, Upshire, Epping, the Theydons and Chingford Plain. An Appendix contains some of his poems about these places. His blending of history, recollection and poetic reflection presents a rounded view of the Forest. Using a technique of objective narrative he developed in other works and drawing on personal experience to give the flavour of a personal memoir, he evokes the spirit of the Forest through its best-loved places and wildlife, and brings the Forest alive through his historical perspective, evocation of Nature and vivid writing. Nicholas Hagger’s Collected Poems, Classical Odes and his two poetic epics, Overlord and Armageddon, are also published by O Books.

Nicholas Hagger's 55 books include innovatory works on literature, history, philosophy and international politics. In his first published literary work he revived the Preface, which had fallen into disuse after Wordsworth and Shelley. He went on to write Prefaces (sometimes called ‘Prologues’, ‘Introductions’ or ‘Introductory Notes’) for all his subsequent books. Collected Prefaces, a collection of 55 Prefaces (excluding the Preface to this book), sets out his thinking and the reader can follow the development of his philosophy of Universalism (of which he is the main exponent), his literary approach (particularly his combination of Romanticism and Classicism which he calls "neo-Baroque") and his metaphysical thinking. His Prefaces can be read as essays, and as in T.S. Eliot’s Selected Essays there is an interaction between adjacent Prefaces that brings an entirely new perspective to Hagger's works. These Prefaces cover an enormous range. Nicholas Hagger is a Renaissance man at home in many disciplines. His Universalism focuses on humankind’s relationship to the whole universe as reflected in seven key disciplines seen as wholes: the whole of literature, history, philosophy and the sciences, mysticism, religion, international politics and statecraft and world culture. Behind all the Prefaces is Hagger’s fundamental perception of the unity of the universe as the One and of humankind’s position in it. These Prefaces complement his Selected Letters, a companion volume also published by O-Books, and contain startling insights that illumine and send readers to the works the Prefaces introduce.

Nicholas Hagger's literary, philosophical, historical and political writings are innovatory. He has set out a new approach to literature that combines Romantic and Classical outlooks in a substantial literary oeuvre of 2,000 poems including over 300 classical odes, two poetic epics, five verse plays, three masques, two travelogues and 1,200 stories. He has created a new philosophy of Universalism that focuses on the unity of the universe and humankind and the interconnectedness of all disciplines, and challenges modern philosophy. He has presented an original historical view of the rise and fall of civilisations, and proposed - and detailed - a limited democratic World State with the power to abolish war and solve all the world's problems. Selected Letters draws together those of his letters (written over 60 years) that aid the interpretation and elucidation of his works. Many of his correspondents are well-known figures within literature, philosophy, history and international politics, and Hagger is in the footsteps of Alexander Pope in editing his own letters, which are in the tradition of Pope, Wordsworth, Keats, T.E. Lawrence, Ezra Pound and Ted Hughes (one of his correspondents). They throw light on all aspects of Hagger's vast output, and are required reading for all interested in following the growth of his Universalism, his literary development and his innovatory approach to universal truth. NICHOLAS HAGGER is a poet, man of letters, cultural historian and philosopher. He has lectured at universities in Iraq, Libya and Japan, where he was a Professor of English Literature. He has written 54 books. These include an immense literary offering, most recently King Charles the Wise and Visions of England (both also published by O-Books), and innovatory works within history, philosophy and international politics and statecraft. His archive of papers and manuscripts is held as a Special Collection in the Albert Sloman Library at the University of Essex. In 2016 he was awarded the Gusi Peace Prize for Literature, and in 2019 the BRICS silver medal for ‘Vision for Future'.

In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.

All writers and thinkers, and their works, are in a tradition that preceded them. In The Tree of Tradition, Nicholas Hagger sets out a way for all writers and thinkers to be more aware of the traditions and influences that have shaped their works in all subjects and disciplines in all civilisations, using short personal reflections on how influences shaped his own works as an example. Each discipline has metaphysical and secular traditions, and Hagger's A New Philosophy of Literature set out the fundamental theme of world literature as a perennial conflict between a Romantic individual quest for Reality, the One, and a classical condemnation of social follies and vices. Hagger's 60 Universalist works are innovatory in seeing the ultimate unity of the universe, of all disciplines and of humankind, and in reconciling Romanticism and Classicism within a unity he calls Baroque. A Universalist writer is influenced by many sub-traditions, and Hagger particularises the traditions and sub-traditions that have inspired or influenced his works in seven disciplines (mysticism, literature, philosophy and the sciences, history, comparative religion, international politics and statecraft, and world culture) and in the seven branches of literature in which he has written his works (poems and poetic epics, verse plays and masques, short stories, diaries, autobiographies, letters and his statement of the fundamental unity of world literature), which he symbolises in a stag's two seven-branched antlers. This is an inspirational book that throws light on the traditions and influences behind all works in all disciplines and civilisations, and the 109 traditions and 84 influences behind Hagger's Universalist works.