The book tells the story of two test match series: England vs West Indies in 1933 and West Indies vs England in 1935. The England team was one of the best to ever play the game. Their side including: Herbert Sutcliffe, Wally Hammond Harold Larwood and captained by Douglas Jardine had just battered Australia by 4:1 in the infamous bodyline series. Australians though regarded the bodyline series as a travesty: what was supposed to be a gentle game for gentlemen had been turned into a struggle for dominance characterised by violence, intimidation and injury. The West Indian team, made up of from the populations of Britain’s scattered possessions in the Caribbean and divided by race as well as island loyalties, seemingly, had little chance against Jardine’s juggernaut. But cricket in the West Indies was more than just a game, the cricket field was a place where the island’s black population could meet their white compatriots as equals in competition, competitions they often won. West Indian cricket was an exciting new thing, suffused with athletic excellence, passion, the desire for dignity and financial security. Could men like: Learie Constantine, Manny Martindale and George Headley take West Indian cricket out into the world and beat the best the British had to offer?

This work presents an intriguing story based on the war of Maori. The war took place between the New Zealand Colonial government and allied Maori on one side and Maori and Maori-allied settlers on the other. The romantic novelist Rolf Boldrewood has blended the past and the period in which he wrote the book remarkably. The events described in this romance of the Maori war were of the sixties, but the people and localities belonged to 1899. The vivid descriptions and skills of the author along with the unique plot made this work stand out during its time. Excerpt from "War to the Knife;" or, Tangata Maori "Think of the grand hall, sixty feet in length, twenty-six in width, extending to the roof with its fine old oaken rafters and queer post trusses! Think of the floor of polished oak, the walls with their priceless oak panelling, with carved frieze and moulded cornice; the mullioned windows, with arched openings giving light to King Edward's corridor on the first floor, carried across one corner of the hall by the angle gallery!"

Marching armies, cavalry raids, guerilla warfare, massacres, towns and farms in flames—the American Civil War, 1861-1865? No—Kansas, 1854-1861. Before there was Bull Run or Gettysburg, there was Black Jack and Osawatomie. Long before events at Fort Sumter ignited the War Between the States, men fought and died on the Prairies of Kansas over the incendiary issue of slavery. “War to the knife and knife to the hilt,” cried the Atchison Squatter Sovereign. “ Let the watchword be ‘Extermination, total and complete.’” In 1854 a shooting war developed between proslavery men in Missouri and free-staters in Kansas over control of the territory. The prize was whether it would be a slave or free state when admitted to the Union, a question that could decide the balance of power in Washington. Told in the unforgettable words of the men and women involved, War to the Knife is an absorbing account of a bloody episode soon spread east, events in “Bleeding Kansas” have largely been forgotten. But as historian Thomas Goodrich reveals in this compelling saga, what America’s “first civil war” lacked in numbers it more than made up for in ferocity. War to the Knife is a riveting story of blood, fire, and death. It is also a story with an impressive cast of characters: Robert E Lee, William Tecumseh Sherman, Sara Robinson, Jeb Stuart, Abraham Lincoln, Horace Greeley, Julia Lovejoy, William F. Cody. These and more step forward to tell their tale. And casting his long, dark shadow over al is the strange, haunting figure of John Brown—hailed as a prophet by some, denounced as a madman by others.

This is a classical text of a dictionary of English idioms and phrases. This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.